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6.1/10   596 votes
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Director:
Writers:
Jacques Akchoti (writer)
Marina de Van (writer)
Contact:
View company contact information for Don't Look Back on IMDbPro.
Release Date:
3 June 2009 (France) more
Plot:
A psychodrama about a photographer whose pictures tell a different story to that of her perception. full summary | add synopsis
Awards:
1 nomination more
NewsDesk:
(13 articles)
Breillat's Bad Love becomes a Must Read, not a Must See
 (From ioncinema. 12 December 2009, 6:25 PM, PST)

Ne Te Retourne Pas (Don't Look Back) Review
 (From Twitch. 27 November 2009, 8:28 PM, PST)

User Reviews:
A Nutshell Review: Don't Look Back more (3 total)

Cast

  (Credited cast)

Sophie Marceau ... Jeanne

Monica Bellucci ... Jeanne

Andrea Di Stefano ... Teo / Gianni
Thierry Neuvic ... Teo #2
Brigitte Catillon ... Nadia / Valérie
Sylvie Granotier ... Nadia #2
Augusto Zucchi ... Fabrizio
Giovanni Franzoni ... Enrico
Vittoria Meneganti ... Enfant brune 11 ans
Francesca Melucci ... Enfant blonde 9 ans
Didier Flamand ... Robert
Serena d'Amato ... Donatella
Adrien de Van ... Le psychiatre
Thais Fischer ... Léa 6 ans
rest of cast listed alphabetically:
Thomas De Araujo
Frédéric Frenay ... Boucher
Kovatchev Lubomir ... The psychologist
Myriam Muller
Lucas Preux
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Additional Details

Also Known As:
Don't Look Back (International: English title)
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Runtime:
France:111 min
Language:
Color:
Aspect Ratio:
2.35 : 1 more
Certification:
Filming Locations:

Fun Stuff

Soundtrack:
Pizzicarella more

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18 out of 21 people found the following review useful.
A Nutshell Review: Don't Look Back, 12 December 2009
7/10
Author: DICK STEEL from Singapore

Selected for competition in Cannes this year and the closing film at Singapore's French Film Festival, Don't Look Back is a rather straight-forward psychological drama starring two European actresses who would need no introduction in Monica Bellucci and Sophie Marceau playing the same role of Jeanne, or so it seems.

We're introduced to Sophie's version first, where she's attempting to write a novel after a series of successful non-fiction works, for the sole reason of revisiting her much forgotten, and likely repressed past. Despite her publisher's persuasion to abandon the idea because it's only to dig up some skeletons best left hidden, she forges forward and bit by bit discovers that she's starting to lose her mind, where furniture starts to be in places she no longer remembers, and family members start to look physically different, which of course is enough for anyone to freak out. And the icing of the cake, she morphs from French looking Sophie Marceau, to the Italian babe Monica Bellucci. Which is not a bad thing of course, considering one can morph into somebody less attractive or endowed even.

In the meantime, we're left to wonder if Jeanne (in whichever version) is starting to lose it, whether it could be an extreme and early onset of the Alzheimer's, as roads become unrecognizable, husbands become someone else, and scars disappear and reappear. It's an extreme case of severe identity crisis where one is thankful that it doesn't take the cop-out route and make everyone wake up from a bad nightmare.

It's an extremely well made psychological piece which explores the fear that comes with losing the things that we hold dear, and also the uncomfortable sense of being outside an established comfort zone, journeying into the big unknown, deducing what actually is happening, despite not knowing where to start, and the developing suspicion that everyone is in on the joke, except for yourself.

It's tough to compare who was the better Jeanne, because Sophie disappears for the most part from the second act onwards. Screen time shared by both actresses in the same frame is extremely limited as well, so we'd only get to savour one sold performance after another, turn-based. There's a proper explanation to everything that's happening, though one has to be patient in order to allow the narrative to reveal itself in due course. So meanwhile, accept what's presented, and try to piece together the jigsaw yourself.

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