A photographer and his wife take photographs of Armenian churches for use in a calendar. Their driver, a local resident, expounds on the history of the churches while the wife translates. ... See full summary »
Karen O'Connor, a young journalist known for her celebrity profiles, is consumed with discovering the truth behind a long-buried incident that affected the lives and careers of showbiz team Vince Collins and Lanny Morris.
A struggling actor's job as a hotel custodian is a front for his real job: being rented out as a gigolo by his supervisor. A co-worker is obsessed with him, but he ignores and avoids her. ... See full summary »
Twenty-three-year old Peter Foster is an only child who lives at home, where he constantly hears his parents arguing. Because Peter does nothing all day, the family goes to a clinic where a... See full summary »
Van's father, Stan, is fond of video, always taping scenes of daily family life. But he does not take care of Van's grandmother, Armen. Although he could afford having her at home, she is ... See full summary »
Simon, a Toronto high school student, has been raised by his maternal Uncle Tom since Simon's parents, Rachel and Sami, died in a car accident eight years ago. Tom, a tow truck driver, decided to move to the city into Rachel's house and assume the mortgage, something he could ill afford, largely not to disrupt Simon's life, but equally to get away from his and Rachel's father, Morris, an openly bigoted man. That upbringing has made Tom a sullen and angry man. Morris only recently passed away. Rachel and Sami met when she, a violinist, brought her instrument in to be serviced, Sami the repairman. Simon now owns his mother's expensive violin, which Tom would like to sell to help pay the mortgage and Simon's imminent university tuition. One day at school, Simon's French teacher Sabine reads a French newspaper story from several years ago as a translation exercise for the class, the story about a pregnant woman traveling to Israel, her then boyfriend who, unknown to her, planted a bomb in... Written by
The character of Tom was originally written as being older. Scott Speedman had read the script in Los Angeles and insisted on meeting with Atom Egoyan. When the director met Speedman, he immediately revised his preconceptions about Tom's age and made him younger. See more »
When Sabine arrives at the door, it is gently snowing and her black coat has some snow on it. Once she enters the house (a different set, her coat no longer has snow on it and the rate of snow, as seen through the window behind her, is at a much faster rate. See more »
[first lines - into video camera]
I remember looking out at the two of you, Tom playing on the dock, you watching. I was thinking how lucky you were to have a mom like her. And how lucky she was to have a boy like you. That's what you stole from me Simon. That's what I can never forgive.
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A very involving film with performances that are uniformly excellent
Atom Egoyan's Adoration weaves a complex tale of a young man searching for the truth about his family by perpetuating a lie in order to witness its consequences. Simon (Devon Bostick), a young high school student, tells his class that his Lebanese father Sami (Noam Jenkins) was a terrorist who attempted to blow up a plane with a bomb carried by his pregnant wife, Rachel (Rachel Blanchard), a talented violinist. In his presentation to the class, Simon says that he is the unborn child, his mother was the innocent being led to her demise, and his father was the killer out to murder 400 innocent people to promote a cause. The only problem with the story is that it is not true. The incident never happened. The film exposes the ease with which people are willing to accept what they are told without question and how modern technology has become a useful tool for those eager to disseminate falsehood.
According to the director, the film is "about people dealing with absences. He (Simon) imagines having a father who is a demon; he wants to go as far as possible into what that might mean." Adoration begins with an indelible image a young woman standing at the end of a pier overlooking a river playing the violin while her husband and young son watch in awe. Moving forward and backward in time with great ease, the film slowly constructs the events which have led to Simon's school confessional. The key player is Simon's French teacher Sabine (Arsinée Khanjian) whose own family was killed in Lebanon by a terrorist attack. Sabine reads an article to the class about an incident that occurred in 1986 in which a Jordanian man, Nezar Hindawi, sent his pregnant Irish girlfriend on an El Al flight with a bomb in her handbag, of which she had no knowledge until it was discovered by Israeli airport security.
Heavily influenced by his bigoted grandfather Morris (Kenneth Walsh) to believe that his father intentionally caused his mother's death in a car crash, the vulnerable Simon constructs a parallel between the article read by his French teacher and the death of his parents. On his own, Simon posts his fake story on the Internet and has to deal with emotional responses from holocaust victims, holocaust deniers, students, and professors talking about terrorism, martyrdom, and heroism. It is a discussion that often sinks to the level of victimization as portrayed by veteran actor Maury Chaykin who blames the bogus airplane incident for "ruining" his life. Simon's uncle, Tom (Scott Speedman), who raised the boy after his parents' death, acts as a mediator between his nephew and the teacher who encourages Simon to tell his fake story in the school auditorium.
Tom is a tow truck operator with a short fuse who harbors a deep resentment against his father for the way he was treated as a child and his encounters with Sabine contain some of the film's most intense moments. Aided by a tenderly evocative violin-prominent soundtrack by Mychael Danna, Adoration is an intelligent and imaginative study of family conflict and reconciliation that serves as a compelling probe into human behavior and the ability to distinguish between fact and fiction. Though it contains a great deal of ambiguity and character motivations tend to be somewhat mystifying, Adoration is a very involving film with performances that are uniformly excellent, particularly Arsinee Khanjian as the emotionally-damaged teacher and Speedman and Bostock who provide enough tension to keep us riveted throughout.
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