Armed with a license to kill, Secret Agent James Bond sets out on his first mission as 007 and must defeat a private banker to terrorists in a high stakes game of poker at Casino Royale, Montenegro but things are not what they seem.
A cryptic message from Bond's past sends him on a trail to uncover a sinister organization. While M battles political forces to keep the secret service alive, Bond peels back the layers of deceit to reveal the terrible truth behind SPECTRE.
When Bond's latest assignment goes gravely wrong and agents around the world are exposed, MI6 is attacked forcing M to relocate the agency. These events cause her authority and position to be challenged by Gareth Mallory (Ralph Fiennes), the new Chairman of the Intelligence and Security Committee. With MI6 now compromised from both inside and out, M is left with one ally she can trust: Bond. 007 takes to the shadows - aided only by field agent, Eve (Naomie Harris) - following a trail to the mysterious Silva (Javier Bardem), whose lethal and hidden motives have yet to reveal themselves. Written by
5th October 2012 was "Global James Bond Day". It was created by the production to celebrate the 50th Anniversary of the James Bond film series and as a promotional tie-in for the film's release. According to the official website 'Global James Bond Day' featured "Worldwide events celebrating Bond's golden anniversary [and] include[d] a global online and live charity auction event organized by Christie's in London, a global survey to discover the favorite Bond film country by country, a film retrospective at the Museum of Modern Art (MoMA) in New York, a Music of Bond night in Los Angeles hosted by the Academy of Motion Picture Arts and Sciences and Designing 007: 50 Years of James Bond Style [in Toronto]". See more »
Bond and Silva travel from Temple station on the District/Circle line, which is a sub-surface line that has square tunnels (dug out from above and then covered over) and uses large trains with an almost square cross-section. However, the train they board is of the type used on the deep-level lines (eg. Northern and Jubilee lines), smaller and almost cylindrical in shape, and is seen to fit snugly into the cylindrical tube tunnel as the train leaves the station. They therefore can't be travelling on the District/Circle line, and must be on a deep-level line instead. The disused Jubilee line platforms at Charing Cross are often used for filming, and photographs available online show one such platform recently dressed as Temple station. See more »
[Speaking on a blue tooth device]
Ronson's down. He needs a medical evac.
Where is it? Is it there?
Hard drives gone.
It's gone. Give me a minute.
They must have it! Get after them!
I'm stabilizing Ronson.
We don't have the time!
I have to stop the bleeding!
[...] See more »
Bond's traditional shot towards the camera, seen through the barrel of a gun, is placed at the end of this film rather than the beginning. After the blood stops dripping, the James Bond 50th Anniversary logo appears with the words "James Bond will return," below it. See more »
It is one thing to deconstruct a film genre, a genre that has reached the level of dynasty, to make it better. It is an entirely different matter to do so merely because you can, to show off your own power, and to leave the genre in tatters. Sam Mendes is incapable of making a film that is not dazzling to the eye. He is a visual artist of the highest calibre and possibly one of the greatest directors living today. Similarly the lead actors are incapable of delivering a performance that is less than stellar given the scripts they are handed. But the praise ends there. This is not a Bond film. This is an anti-Bond film. Notice kind reader that every task Bond is handed in the script ends in failure. Don't shoot the messenger, just watch the film. Notice that at some point Mendes became momentarily self-aware of what he was doing by bringing, out of nowhere, using the magic of film, the Aston Martin DB7 from a half-century ago, fully fuelled and ready to go, with the old Bond theme for accompaniment. But he just couldn't go through with it. The moment (the self-aware moment) passed and he went back to Plan A, the Anti-Bond film, and, in one of the most gratuitous but Freudian moments ever seen, blew the car to bits. Just like he blew the Bond formula to bits. I know what you are thinking. You thinking that an artist has license to do all this if the end result is entertaining and satisfying. True. But this film is as satisfying to the viewer as a car wreck. Visuals aside, it is hollow and leave a strange taste in the palate. Shame.
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