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Skyfall (2012)

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Bond's loyalty to M is tested when her past comes back to haunt her. When MI6 comes under attack, 007 must track down and destroy the threat, no matter how personal the cost.

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891 ( 77)
Won 2 Oscars. Another 65 wins & 119 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
...
M
...
...
...
Eve
...
Severine (as Bérénice Lim Marlohe)
...
...
Q
...
...
...
Clair Dowar MP
...
Bill Buckhurst ...
Ronson
...
Vanessa (M's Assistant)
Ian Bonar ...
MI6 Technician
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Storyline

When Bond's latest assignment goes gravely wrong and agents around the world are exposed, MI6 is attacked forcing M to relocate the agency. These events cause her authority and position to be challenged by Gareth Mallory (Ralph Fiennes), the new Chairman of the Intelligence and Security Committee. With MI6 now compromised from both inside and out, M is left with one ally she can trust: Bond. 007 takes to the shadows - aided only by field agent, Eve (Naomie Harris) - following a trail to the mysterious Silva (Javier Bardem), whose lethal and hidden motives have yet to reveal themselves. Written by JoaoBond

Plot Summary | Plot Synopsis


Motion Picture Rating (MPAA)

Rated PG-13 for intense violent sequences throughout, some sexuality, language and smoking | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

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Country:

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Language:

Release Date:

9 November 2012 (USA)  »

Also Known As:

007: Operación Skyfall  »

Filming Locations:

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Box Office

Budget:

$200,000,000 (estimated)

Opening Weekend:

£20,180,369 (United Kingdom), 28 October 2012, Limited Release

Opening Weekend USA:

$88,364,714, 11 November 2012, Wide Release

Gross USA:

$304,360,277

Cumulative Worldwide Gross:

$1,108,561,013
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Color:

Aspect Ratio:

2.39 : 1
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Did You Know?

Trivia

With perennial Academy Award nominee Roger Deakins as director of photography, this is the first Bond film to receive an Oscar nomination for Best Cinematography. See more »

Goofs

When Bond runs out of the London Underground Station, he is covered in dust. The dust is still there when he runs into the Houses of Parliament and still there when he drives off with M. Yet the dust has disappeared when Bond and M find the Aston Martin. There was no time to clean up the dust since he was driving. See more »

Quotes

[first lines]
James Bond: [Speaking on a blue tooth device] Ronson's down. He needs a medical evac.
M: Where is it? Is it there?
James Bond: Hard drives gone.
M: You sure?
James Bond: It's gone. Give me a minute.
M: They must have it! Get after them!
James Bond: I'm stabilizing Ronson.
M: We don't have the time!
James Bond: I have to stop the bleeding!
[...]
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Crazy Credits

The opening credits feature Bond periodically shooting at targets, Shanghai dragons, Silva's skull logo, and the Skyfall mansion from which Bond's eyes stare out. At the end of the credits, the sky is seen falling upon the mansion. See more »


Soundtracks

Brave New World
Written by Thomas Newman
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Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Not a Bond film, this is the Anti-Bond film
11 September 2013 | by See all my reviews

It is one thing to deconstruct a film genre, a genre that has reached the level of dynasty, to make it better. It is an entirely different matter to do so merely because you can, to show off your own power, and to leave the genre in tatters. Sam Mendes is incapable of making a film that is not dazzling to the eye. He is a visual artist of the highest calibre and possibly one of the greatest directors living today. Similarly the lead actors are incapable of delivering a performance that is less than stellar given the scripts they are handed. But the praise ends there. This is not a Bond film. This is an anti-Bond film. Notice kind reader that every task Bond is handed in the script ends in failure. Don't shoot the messenger, just watch the film. Notice that at some point Mendes became momentarily self-aware of what he was doing by bringing, out of nowhere, using the magic of film, the Aston Martin DB7 from a half-century ago, fully fuelled and ready to go, with the old Bond theme for accompaniment. But he just couldn't go through with it. The moment (the self-aware moment) passed and he went back to Plan A, the Anti-Bond film, and, in one of the most gratuitous but Freudian moments ever seen, blew the car to bits. Just like he blew the Bond formula to bits. I know what you are thinking. You thinking that an artist has license to do all this if the end result is entertaining and satisfying. True. But this film is as satisfying to the viewer as a car wreck. Visuals aside, it is hollow and leave a strange taste in the palate. Shame.


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