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IMDb > Colpo d'occhio (2008)

Colpo d'occhio (2008) More at IMDbPro »

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Colpo d'occhio (2008) -- Movieplayer.it - Italian Trailer (Flash)

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Overview

User Rating:
4.8/10   162 votes
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Up 11% in popularity this week. See why on IMDbPro.
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Release Date:
20 March 2008 (Italy) more
Genre:
Awards:
1 nomination more
User Reviews:
A Weak Battle Of Egos more (3 total)

Cast

  (Credited cast)
Sergio Rubini ... Lulli

Riccardo Scamarcio ... Adrian
Vittoria Puccini ... Gloria
Cristina Serafini ... Doctor

Flavio Parenti ... Claudio
Paola Barale ... Manuela
Giorgio Colangeli ... Policeman

Richard Sammel ... Svensson
Emanuele Salce ... Righi
Giancarlo Ratti ... Nicola
Alexandra Prusa ... Emma Bauer
Daniele Fior ... Benny
Fabrizio Romano ... Marcello
rest of cast listed alphabetically:
Ivan Bacchi ... Gallerista
Nenad Lucic ... Frank
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Additional Details

Also Known As:
At a Glance (Australia) (TV title)
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Runtime:
110 min
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45 out of 46 people found the following review useful.
A Weak Battle Of Egos, 25 March 2008
2/10
Author: Daniele Pinto from Italy

Sergio Rubini directed one of my favorite Italian films of the last few years "La Terra". This new venture however is a massive let down. The idea of an art critic determined to destroy an artist is, was and always will be a good idea for a dark thriller. Here the opportunities are wasted in a series of unconvincing moments promising a lot and delivering nothing.. Well photographed and with a Brian de Palmaish score by the great Pino Donaggio but at its very core a total emptiness. The script is constructed by the numbers but ignoring the most important aspect: the diabolical plan of the critic is told in snippets without ever going into it. The film falls in most of the traps that lowers the standards of the Italian cinema. A gratuitous naked scene by the beautiful Miss Puccini and a series of miscalculated moments that rob the film of any real tension or suspense. Instead it makes it a tedious uninteresting tale of two egos. Rubini has fun with his devilish monster and Riccardo Scamarcio proves that he has a lot to learn. His face becomes tiresome instead of compelling. We just don't believe any of it and as a consequence we don't care. The most interesting character is Claudio, the artist's best friend but ultimately the character is treated like a plot device without a dimension of his own. At a certain moment the critic claims that mediocre artists imitate and that great artists steal. What was doing Sergio Rubini here? Imitating or stealing?

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