Siamo in un paesino pugliese a metà anni '70. La vita scorre ordinaria e monotona, a parte l'obbligatorio spettacolo in costume allestito ogni anno. Carlo ha sedici anni, partecipa alla ... See full summary »
Tommaso is the youngest son of the Cantones, a large, traditional southern Italian family operating a pasta-making business since the 1960s. On a trip home from Rome, where he studies ... See full summary »
Sasha is a boy in his twenties, deeply loving the beautiful Benedetta, who doesn't seem to recognize his existence. Nicole is a French woman in her forties, living in Rome with her husband.... See full summary »
A young shy man (Tommaso) runs down a blond girl (Christine) with his car. Next day he finds her waiting for him at his department door. She asks him for help, as she has amnesia and can't ... See full summary »
The movie is about the story of two musicians: Gianca, who plays the saxophone in a desperate attempt to follow his father's footsteps, and Nick, a trumpeter in love with Clifford Brown. ... See full summary »
Sergio Rubini directed one of my favorite Italian films of the last few years "La Terra". This new venture however is a massive let down. The idea of an art critic determined to destroy an artist is, was and always will be a good idea for a dark thriller. Here the opportunities are wasted in a series of unconvincing moments promising a lot and delivering nothing.. Well photographed and with a Brian de Palmaish score by the great Pino Donaggio but at its very core a total emptiness. The script is constructed by the numbers but ignoring the most important aspect: the diabolical plan of the critic is told in snippets without ever going into it. The film falls in most of the traps that lowers the standards of the Italian cinema. A gratuitous naked scene by the beautiful Miss Puccini and a series of miscalculated moments that rob the film of any real tension or suspense. Instead it makes it a tedious uninteresting tale of two egos. Rubini has fun with his devilish monster and Riccardo Scamarcio proves that he has a lot to learn. His face becomes tiresome instead of compelling. We just don't believe any of it and as a consequence we don't care. The most interesting character is Claudio, the artist's best friend but ultimately the character is treated like a plot device without a dimension of his own. At a certain moment the critic claims that mediocre artists imitate and that great artists steal. What was doing Sergio Rubini here? Imitating or stealing?
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