Carlo and Silvia are married since twenty years. He lives with a young lover, while Silvia lives in their original flat. Their 'regular' menage changes when also Silvia starts meeting ... See full summary »
Long-time friends: Davide, a successful novelist, lives with Lorenzo, who's everyone's favorite; Antonio and Angelique, married with two children; Neval, a voluble Turk, and her compliant ... See full summary »
Claudio, a construction worker, works on a site in the suburbs of Rome. He is madly in love with his wife who is pregnant with their third child. However, when he finds the remains of an ... See full summary »
Silvio, sedici anni, sembra più interessato alle ragazze che alla politica e, quando il liceo che frequenta viene occupato, cerca di cogliere l'occasione giusta per trovare l'anima gemella.... See full summary »
Four episodes. Nicola, paralyzed after a car crash, falls in love for his physiotherapist Lucia. Franco and Manuela, a young couple unfit to have child, fly to Barcelona for a specialized ... See full summary »
Roberto is a young and ambitious lawyer who is going to marry Sara. His whole life is perfectly planned out. During a expropriation which he is in charge of, he meets Micol, a gorgeous and ... See full summary »
Robert De Niro,
What happens when an openly gay man decides to run for mayor in a super conservative town in North Eastern Italy, using his homosexuality as his secret weapon? What would happen if during ... See full summary »
Sergio Rubini directed one of my favorite Italian films of the last few years "La Terra". This new venture however is a massive let down. The idea of an art critic determined to destroy an artist is, was and always will be a good idea for a dark thriller. Here the opportunities are wasted in a series of unconvincing moments promising a lot and delivering nothing.. Well photographed and with a Brian de Palmaish score by the great Pino Donaggio but at its very core a total emptiness. The script is constructed by the numbers but ignoring the most important aspect: the diabolical plan of the critic is told in snippets without ever going into it. The film falls in most of the traps that lowers the standards of the Italian cinema. A gratuitous naked scene by the beautiful Miss Puccini and a series of miscalculated moments that rob the film of any real tension or suspense. Instead it makes it a tedious uninteresting tale of two egos. Rubini has fun with his devilish monster and Riccardo Scamarcio proves that he has a lot to learn. His face becomes tiresome instead of compelling. We just don't believe any of it and as a consequence we don't care. The most interesting character is Claudio, the artist's best friend but ultimately the character is treated like a plot device without a dimension of his own. At a certain moment the critic claims that mediocre artists imitate and that great artists steal. What was doing Sergio Rubini here? Imitating or stealing?
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