| Photos (See all 10 | slideshow) | Videos (see all 10) |
| Michael J. Reynolds | ... | Ed Oswald | |
| Shauna Macdonald | ... | Sarah Carter | |
| Jessika Williams | ... | Susanne Small | |
| Douglas Hodge | ... | Dan | |
| Josh Dallas | ... | Greg (as Joshua Dallas) | |
| Anna Skellern | ... | Cath | |
| Gavan O'Herlihy | ... | Vaines | |
| Krysten Cummings | ... | Ellen Rios | |
| Doug Ballard | ... | Doctor Roger Payne | |
| Josh Cole | ... | Lynch | |
| Saskia Mulder | ... | Rebecca | |
| Natalie Mendoza | ... | Juno Kaplan | |
| Alex Reid | ... | Beth | |
| Nora-Jane Noone | ... | Holly | |
| MyAnna Buring | ... | Sam | |
| Robin Berry | ... | Crawler | |
| Adam Paul Harvey | ... | Crawler (as Adam Harvey) | |
| Nicholas Daines | ... | Crawler | |
| Kengo Oshima | ... | Crawler | |
| rest of cast listed alphabetically: | |||
| Mac McDonald | ... | Mayor Riley Kaplan (uncredited) | |
Directed by | |||
| Jon Harris | |||
Writing credits | ||
| James McCarthy | (screenplay) & | |
| J Blakeson | (screenplay) and | |
| James Watkins | (screenplay) | |
| Neil Marshall | (characters) uncredited | |
Produced by | |||
| Christian Colson | .... | producer | |
| François Ivernel | .... | co-executive producer | |
| Ivana Mackinnon | .... | producer (as Ivana MacKinnon) | |
| Neil Marshall | .... | executive producer | |
| Cameron McCracken | .... | co-executive producer | |
| Diarmuid McKeown | .... | associate producer | |
| Paul Ritchie | .... | co-producer | |
| Paul Smith | .... | executive producer | |
Original Music by | |||
| David Julyan | |||
Cinematography by | |||
| Sam McCurdy | (director of photography) | ||
Film Editing by | |||
| Jon Harris | |||
Casting by | |||
| Gail Stevens | |||
Production Design by | |||
| Simon Bowles | |||
Art Direction by | |||
| Michael Kelm | |||
| Mark Scruton | (supervising art director) | ||
Set Decoration by | |||
| Claire Nia Richards | |||
Costume Design by | |||
| Nancy Thompson | |||
Makeup Department | |||
| Jemma Carballo | .... | prosthetic makeup artist | |
| Abigail Edwards | .... | prosthetics makeup artist | |
| Dan Frye | .... | prosthetics technician | |
| Clarice Gill | .... | makeup artist | |
| Vesna Giordano | .... | prosthetics makeup artist | |
| Paul Hyett | .... | special makeup & creature effects designer | |
| Camilla Kirk-Reynolds | .... | makeup daily | |
| Chris Lyons | .... | special effects teeth | |
| Robin Pritchard | .... | special makeup effects technician | |
| Kirstie Stanway | .... | hair & makeup designer | |
| Simon Webber | .... | prosthetic sculptor | |
| Stuart Conran | .... | prosthetic technician (uncredited) | |
| Robbie Drake | .... | foam technician (uncredited) | |
Production Management | |||
| Alison Banks | .... | production manager | |
| Jeanette Haley | .... | post-production supervisor | |
Art Department | |||
| Graham Baker | .... | stand-by rigger | |
| Louise Begbie | .... | assistant art director | |
| Dan Bryant | .... | dressing props | |
| Jay Butcher | .... | stand-by carpenter | |
| Tristan Carlisle-Kitz | .... | dressing props | |
| Chris Cull | .... | property master | |
| Gary Dempsey | .... | stand-by painter | |
| Simon Duric | .... | storyboard artist | |
| Robert Haynes | .... | stand-by art director | |
| Nigel Kirk | .... | hod painter | |
| Johnny Mann | .... | scenic sculptor | |
| Nathan Middleton | .... | painter | |
| Jono Moles | .... | construction manager | |
| Lucy Moles | .... | construction coordinator | |
| John Moolenschot | .... | carpenter | |
| Ben Munro | .... | standby art director: pickups | |
| Barnaby Papworth | .... | construction manager | |
| Simon Riley | .... | stand-by props | |
| Tom Roberts | .... | stand-by props | |
| Zoe Smith | .... | props buyer: pickups | |
| Paul 'Welcie' Wellstead | .... | hod rigger | |
Sound Department | |||
| Chris Burdon | .... | sound re-recording mixer | |
| Matthew Collinge | .... | sound supervisor and designer | |
| Sebastian Dale | .... | foley editor | |
| Naomi Dandridge | .... | adr recordist | |
| Elliott Gilhooly | .... | sound assistant: FT2 | |
| Claire Mahoney | .... | foley artist | |
| Michael Maroussas | .... | sound effects editor | |
| Rob Prynne | .... | additional creature vocalisations | |
| Danny Sheehan | .... | supervising sound editor | |
| Chris Sturmer | .... | dolby sound consultant | |
| Jason Swanscott | .... | foley artist | |
| Ivor Talbot | .... | sound mixer | |
| Mark Verner | .... | foley artist | |
| Tarn Willers | .... | boom operator | |
Special Effects by | |||
| Clive R. Kay | .... | special effects contact lenses | |
| Daniel Massett | .... | special effects trainee | |
| John Rafique | .... | special effects supervisor | |
| Mark Shelley | .... | armourer | |
| Chris Watson | .... | special effects technician | |
Visual Effects by | |||
| Louie Alexander | .... | digital compositor: Framestore | |
| Fredrik Averpil | .... | on-set visual effects supervisor | |
| Matthew Baker | .... | retouch and restoration: Framestore | |
| Håkan Blomdahl | .... | visual effects | |
| Zachary Bloom | .... | scanning and recording: Framestore | |
| Turea Blyth | .... | visual effects editorial | |
| Clare Brody | .... | data operator - framestore | |
| Zoe Cousins | .... | digital film scanning operator: Framestore | |
| Jerome Dewhurst | .... | di engineer | |
| Richard Edwards | .... | digital intermediate data operator | |
| Charlie Habanananda | .... | digital intermediate conform editor | |
| Adam Hawkes | .... | digital compositor | |
| Karsten Hecker | .... | film mastering engineer | |
| Sarah K. Hellström | .... | visual effects coordinator | |
| Leo Hills | .... | digital intermediate technical director: Framestore CFC | |
| Jan Hogevold | .... | executive producer: framestore di | |
| Linus Lindbalk | .... | matte painter | |
| Christopher Lloyd | .... | visual effects editor | |
| James Long | .... | digital intermediate data operator | |
| Kevin Lowery | .... | high definition engineer | |
| Laura Lunt | .... | production assistant: framestore | |
| Veronica Marcano | .... | scanning & recording operator: Framestore | |
| Joseph McLamb | .... | matte painter | |
| Mike Morrison | .... | digital intermediate producer | |
| Emelie Nilsson | .... | digital compositor | |
| Jacob Otterström | .... | visual effects supervisor (as Jacob Svensson) | |
| Adam Parker | .... | retouch and restoration: Framestore | |
| James Reed | .... | scanning and recording | |
| Jimmy Saul | .... | scanning and recording assistant manager | |
| Asa Shoul | .... | digital colourist | |
| Sean Wheelan | .... | vfx producer: Filmgate | |
Stunts | |||
| Lucy Allen | .... | stunt double | |
| Richard Bradshaw | .... | additional stunt coordinator | |
| Michael Byrch | .... | stunt crawler | |
| Siobhan Coughlin | .... | stunt double | |
| Nicholas Daines | .... | stunt crawler | |
| Jim Dowdall | .... | stunt coordinator | |
| Neil Finnighan | .... | stunt double | |
| Steve Griffin | .... | stunt coordinator | |
| Paul Hornsby | .... | assistant fight coordinator | |
| Paul Hornsby | .... | safety diver | |
| Paul Hornsby | .... | stunt supervisor | |
| Kim McGarrity | .... | stunt double | |
| Belinda McGinley | .... | stunt double | |
| Nick McKinless | .... | stunt crawler | |
| Mark Southworth | .... | stunt double | |
| Roy Taylor | .... | stunt double | |
| Maxine Whittaker | .... | stunt double | |
Camera and Electrical Department | |||
| Andrew Bailey | .... | gaffer | |
| Anthony Band | .... | camera trainee | |
| Sergio Bernuzzi | .... | key grip | |
| Trevor Chaisty | .... | electrician | |
| Deloris Collins | .... | trainee camera assistant | |
| Louisa Court | .... | apprentice grip | |
| Warwick Drucker | .... | grip: "b" camera | |
| Jon Garwes | .... | first assistant camera | |
| Robert Hamilton | .... | video operator: additional photography | |
| David Holliday | .... | grip | |
| Phil Humphries | .... | clapper loader: "a" camera | |
| Robert Milton | .... | electrician | |
| Christopher R. Nunn | .... | video assist | |
| Jennie Paddon | .... | first assistant camera: "b" camera | |
| Leighton Spence | .... | video assist | |
| James Swanson | .... | aerial cinematographer | |
| Andrew Taylor | .... | gaffer | |
| Neil Tomlin | .... | crane technician dailies | |
| Oliver Upton | .... | still photographer | |
| Gavin Warwick | .... | electrician | |
| Matthew Waving | .... | second assistant camera: "b" camera | |
| Peter Wignall | .... | second director of photography | |
| Gareth Williams | .... | best boy | |
| Dan Carling | .... | camera trainee (uncredited) | |
Casting Department | |||
| Abigail Barbier | .... | adr voice casting | |
| Louis Elman | .... | adr voice casting | |
| Kelly Valentine Hendry | .... | casting associate | |
Costume and Wardrobe Department | |||
| Kate Laver | .... | costume assistant | |
Editorial Department | |||
| Siobhan Boyes | .... | post-production coordinator | |
| Tamsin Jeffrey | .... | assembly editor | |
| Alexandra Montgomery | .... | post-production coordinator | |
| James Winnifrith | .... | first assistant editor | |
Music Department | |||
| Mikael Carlsson | .... | soundtrack producer | |
| Chris Clad | .... | violin | |
| Andrew Glen | .... | music editor | |
| Isobel Griffiths | .... | orchestra contractor | |
| Nick Ingman | .... | conductor | |
| Perry Montague Mason | .... | orchestra leader | |
| Dana Niu | .... | orchestrator | |
| Steve Orchard | .... | music engineer | |
| Steve Orchard | .... | music mixer | |
| Jill Streater | .... | copyist | |
| Alison Wright | .... | music supervisor | |
| Alison Wright | .... | score coordinator | |
Transportation Department | |||
| Mark Crowley | .... | unit driver | |
| Ben Vokes | .... | production driver | |
| Ian Westwell | .... | facilities driver | |
Other crew | |||
| Farah Abushwesha | .... | production coordinator: additional photography | |
| David Barr | .... | production office assistant | |
| Paresh Behera | .... | key assistant accountant | |
| Steve Butler | .... | floor runner: additional photography | |
| Adam Cocker | .... | runner | |
| Matt Curtis | .... | title design | |
| Helen Christine Dwyer | .... | production secretary | |
| Ed Evers-Swindell | .... | script consultant | |
| Amanda Fernie | .... | trainee assistant accountant | |
| Peter Gray | .... | location assistant | |
| Paul Hornsby | .... | climbing consultant | |
| Carlton Jarvis | .... | medical advisor | |
| Liam Lock | .... | floor runner: additional photography | |
| Michael Mann | .... | assistant production coordinator trainee | |
| Debbie Moore | .... | production accountant | |
| Steve Mortimore | .... | location manager | |
| Alex Paterakis | .... | floor runner: additional photography | |
| Asha Sharma | .... | assistant location manager | |
| Albert Sharpe | .... | epk: producer / director | |
| Joss Spry | .... | assistant: director | |
| Mandy Todd | .... | production coordinator | |
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| The Descent | Priest | Piranha | Resident Evil: Afterlife | Pandorum |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Adventure section | IMDb UK section |
A Sheriff suspects that Sarah has killed her friends and forces her to return to the caves with a rescue team.
Even after the UK ending of The Descent, Sarah still manages to get out but is forced back to the uncharted underground to help locate her five missing companions.
I'll try not reminisce over the amazing first film, there appears to be some mixed comments on The Decent: Part 2. If you did like The Descent, for the record the follow up even with the tantalising story setup it is sadly a huge disappointment.
Surprisingly the excellent editor Jon Harris gives a poor directorial debut. Even with some of the strong original cast including Shauna Macdonald and Natalie Mendoza, they simply can't save J Blakeson and James McCarthy poor screenplay. On board is Eden Lake's writer James Watkins and support from cinematographer Sam McCurdy (The Descent, Dog Soldiers, Doomsday to name a few).
It feels and looks like a poor mans interpretation of the Descent, it's not a straight to video production but its almost there, awful dialogue, little if any character development, no suspense and poorly executed scares and that's just touching the surface. The film looks rushed, the lighting, sets, sound, direction, everything on screen looks cheap and nasty. It lacks the grittiness of the first and the Crawler's don't look as menacing or a realistic.
It is only worth watching to see how film with such great talent can go so wrong.