A killer obsessed with fathering a child, but has troubles with relationships with women, becomes a father via artificial insemination. He then tracks the woman down and terrorizes her and ... See full summary »
Mark L. Lester
Written by veteran strip club bathroom attendant, George Griffith, From The Head paints unflinching portraits of the men and women who people the dysfunctional family of the strip club, and... See full summary »
St. Augustine, Florida, 1969. An eight-year-old boy's wish to see the fireworks from atop the city's lighthouse is complicated by his odd neighbors, abusive peers, and hopeless parents. The... See full summary »
Susan switches identities with her new friend Nicole, so that Nicole can pay for her medical bills with Susan's insurance. Then Susan finds herself trapped in her new identity when Nicole ends up dead under questionable circumstances.
The mutant babies have been placed by court order on a deserted island. Appalled by the cycnicism and exploitation of the children by the legal system and the media, the man responsible for... See full summary »
A quivering voice begs to screenwriter, Joel Brandt, to pick up the phone on a message from his answering machine. Thinking it a prank, Joel deletes the message. The caller is found dead. Another caller leaves Joel a message; there is another murder...then another...then another. The killer has Joel's attention, and Joel has the attention of the police. Now the prime suspect in a series of murders, Joel discovers this psychotic killer has targeted him for a reason found within his body of work. Will Joel be able to re-write his ending, or be forced to pay the ultimate price? Written by
At the end of the movie when the female protagonist finishes pouring gasoline all over the main character she drops the can to the ground, landing on its side. After she lights the match and is shot by the male cop, the can is placed back up-right. See more »
Screenwriter Larry Cohen has over the past few decades churned out a number of screenplays that are offbeat and entertaining. However, not even Cohen is always perfect, and "Messages Deleted", which he scripted, is a big disappointment. The movie goes wrong in a number of ways. The main protagonist is a big turn-off - he's annoying in ways that are not interesting, and it's hard to be on his side as his predicament gets worse. He's also stupid, doing things no person of reasonable sense would do that get him further in trouble. Though the police are also stupid as well, missing some obvious clues that would show them that the protagonist is innocent of the charges against him. The movie has passable production values for a low budget independent Canadian production, but you don't go to a movie just for that.
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