A quivering voice begs to screenwriter, Joel Brandt, to pick up the phone on a message from his answering machine. Thinking it a prank, Joel deletes the message. The caller is found dead. Another caller leaves Joel a message; there is another murder...then another...then another. The killer has Joel's attention, and Joel has the attention of the police. Now the prime suspect in a series of murders, Joel discovers this psychotic killer has targeted him for a reason found within his body of work. Will Joel be able to re-write his ending, or be forced to pay the ultimate price? Written by
At the end of the movie when the female protagonist finishes pouring gasoline all over the main character she drops the can to the ground, landing on its side. After she lights the match and is shot by the male cop, the can is placed back up-right. See more »
A movie that starts off with a mockery of clichés and then goes on to show that it contains each one of them. There is blood, there is a workaholic cop, a struggling professional in a dysfunctional relationship who realizes he cares for his girl in the moment of crisis, the prodigal protégé' and a "twist" that could be spotted from the moon. I had narrowed down on the eventual villain 20 mins into the movie, and so will you.
Performances are forgettable, a very lame and unconvincing attempt by the actors to show sexual tension between their respective characters, and its as if death, even of your loved ones, can be forgotten in a matter of minutes.
I am not even writing this review properly, coz seriously, even trashing this movie seems like a waste of time. You wanna stay away from this one, trust me.
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