A case of mistaken identity lands Slevin into the middle of a war being plotted by two of the city's most rival crime bosses: The Rabbi and The Boss. Slevin is under constant surveillance by relentless Detective Brikowski as well as the infamous assassin Goodkat and finds himself having to hatch his own ingenious plot to get them before they get him.
A thief with a unique code of professional ethics is double-crossed by his crew and left for dead. Assuming a new disguise and forming an unlikely alliance with a woman on the inside, he looks to hijack the score of the crew's latest heist.
The film is based loosely around events in December 1995 that culminated in the murders of three drug dealers in Rettendon, Essex, UK. On 6th December Patrick Tate, Craig Rolfe and Tony ... See full summary »
The story focuses on a man who suffers "anesthetic awareness" and finds himself awake and aware, but paralyzed, during heart surgery. His mother must wrestle with her own demons as a drama unfolds around them, while trying to unfold the story hidden behind her son's young wife.
Violent With All The Faults Of British Cinema From The Period
Another British film from the early 21st Century and like so many other Brit flicks it revolves around a bunch of hardened gangsters
" Wow Theo I think you might have to elaborate ? "
Do I have to ? To be fair it's not one of those embarrassing Guy Ritchie inspired comedy gangster movies that tries and fails to bring a smile to the audiences face . Well it does but these scenes are so intermittent and forgettable that they're forgotten about by the half way stage of the next scene
You certainly won't feel like laughing much because this is foul mouthed brutal stuff . Characters are incapable of opening their mouths without a stream of expletives come gushing out . That's not when they're torturing , beating or murdering one another and some scenes merely exist to shoehorn some explicit mindless violence just in case the audience get bored without ten minutes of graphic violence . Perhaps the producers should concentrated on developing the story a bit more
This is one of two problems with THE CREW . As other people have been quick to point out the film is trying to be complex but just ends up confused as rival firms cross , double cross and triple cross one another so much so that you'll be lost as to why the latest victim is getting ripped off or tortured . By having a Serbian gang as one of the protagonists you're also reminded of LAYER CAKE and how much superior that was to the Ritchie wannabes
The second fundamental fault is that the entire look of the film . Again other commentators have brought it up and that is the film never appears cinematic and resembles something shown on Channel 4 at tea time . Did someone mention HOLLYOAKS ? Try and imagine HOLLYOAKS with the F and C words in every sentence along with frequent maimings and murders and you've got a rough idea what THE CREW resembles on a visual level
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