A drama based on the autobiography by Li Cunxin. At the age of 11, Li was plucked from a poor Chinese village by Madame Mao's cultural delegates and taken to Beijing to study ballet. In ... See full summary »
In 1923 British Colonial Nigeria, Mister Johnson is an oddity -- an educated black man who doesn't really fit in with the natives or the British. He works for the local British magistrate, ... See full summary »
A group of 12 teenagers from various backgrounds enroll at the American Ballet Academy in New York to make it as ballet dancers and each one deals with the problems and stress of training and getting ahead in the world of dance.
Upon taking a new job, young lawyer Rick Hayes is assigned to the clemency case of Cindy Liggett, a woman convicted of first degree murder and sentenced to death. As Hayes investigates the ... See full summary »
A drama based on the autobiography by Li Cunxin. At the age of 11, Li was plucked from a poor Chinese village by Madame Mao's cultural delegates and taken to Beijing to study ballet. In 1979, during a cultural exchange to Texas, he fell in love with an American woman. Two years later, he managed to defect and went on to perform as a principal dancer for the Houston Ballet and as a principal artist with the Australian Ballet. Written by
Schull, Amanda who plays Li's wife Elizabeth--the American dancer who leaves him to audition for the San Francisco Ballet--was herself a member of the SF corps de ballet until she retired in 2006. See more »
The Company headquarters and studios, as depicted by the Sydney Carriage House, was a far ritzier set of digs than the Academy had in the early 1980s. At the time it was a small white half of a strip mall on Colquitt near the intersection of Kirby Drive and Richmond Avenue, which from the outside looked relatively crowded. A more spacious venue they obtained some years later. See more »
It's by no means the perfect film; however, when it works, your heart will soar, and you might start believing in the magic of movies again. It's been a great year for showcasing classical music, framing it with hilarious comedy, such as "Le Concert", and now with the beauty and exuberance of ballet in "Mao's Last Dancer", a beautifully told real-life story of a man who opens his mind, heart, and see his dreams come true.
Raised in Communist China, a young man's strong and determined spirit make him climb higher and higher in the competitive world of ballet. With his true and remarkable talents, he conquers obstacle after obstacle, while being lucky enough to have some key people's love and support behind him. Still, it's not an easy journey to fame and fortune.
Somehow, his experiences in Houston are presented a little bit too sanitized, as he assimilates rather quickly into a very foreign universe for him. This is after all, Texas, and he briefly mentions to some derogatory comments, which are rather quickly brushed away by his mentor.
There are some gorgeous moments in the film, mostly involving the presentation of his astounding talents, and some emotional, climatic scenes that are bound to leave everyone in the audience misty-eyed. Bruce Beresford is back again in top form and it's very likely he will be mentioned later on in the year's award race for this is a theme he knows very well: Human spirit's indefatigable power. Be warned, this film will move you and probably lead you to believe just that.
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