A man convicted in his teens for killing a child is released on parole. He finds work as a church organist and develops a rewarding relationship with a priest and her young son. However, ... See full summary »
Pål Sverre Hagen,
Ellen Dorrit Petersen
The film tells the story of a highly-gifted boy whose parents have demanding and ambitious plans for him - they want him to become a pianist. However, one day the boy, Vitus, is no longer ... See full summary »
Fredi M. Murer
Fausta is suffering from a rare disease called the Milk of Sorrow, which is transmitted through the breast milk of pregnant women who were abused or raped during or soon after pregnancy. ... See full summary »
In an unnamed Latin American country that closely resembles Mexico, the government fights a rural insurgency with torture, assault, rape, and murder. Soldiers descend on a town, cutting off... See full summary »
Daigo Kobayashi is a devoted cellist in an orchestra that has just been dissolved and now finds himself without a job. Daigo decides to move back to his old hometown with his wife to look for work and start over. He answers a classified ad entitled "Departures" thinking it is an advertisement for a travel agency only to discover that the job is actually for a "Nokanshi" or "encoffineer," a funeral professional who prepares deceased bodies for burial and entry into the next life. While his wife and others despise the job, Daigo takes a certain pride in his work and begins to perfect the art of "Nokanshi," acting as a gentle gatekeeper between life and death, between the departed and the family of the departed. The film follows his profound and sometimes comical journey with death as he uncovers the wonder, joy and meaning of life and living. Written by
It had been years ago since a movie moved me so much that it had brought tears to my eyes, but I couldn't keep my eyes dry while experiencing Okuribito. The story, acting, music and photography are all very impressive.
I guess everyone can in some way relate to the emotions that are conveyed in Okuribito. In my humble opinion this movie is a classic in the likes of Akira Kurosawa's and Yasujiro Ozu's best work: subtle, elegant, serene, soulful, touching and timelessly beautiful. This kind of cinematic storytelling stands high above the usual formula-driven, soulless, commercial Hollywood crap.
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