Bobby G. lives life on the edge in this real, raw New York street drama. Bobby is a small-time coke dealer, always on the hustle but rarely successful. He lives in Hell's Kitchen with his ... See full summary »
In the early 1960s self-taught electronics whizz Joe Meek amazingly produces a string of home made hit singles from his studio in his flat above a leather shop in London. His biggest success is the instrumental 'Telstar' but accusations of plagiarism delay royalties. Joe's mercurial temper causes his artists to forsake him for other labels, in particular his young lover Heinz Burt. Now in debt and after unwisely parting from his chief financier Major Banks, Joe finds himself unable to control his life. Increasingly paranoid, believing he is being bugged by rival record companies and that everybody is out to get him, the last straw comes when landlady Violet tells him she is selling the building in which he lives. Joe had once confiscated a shotgun from Heinz. Now it is dangerously close at hand and about to end the Joe Meek story. Written by
don @ minifie-1
At the start of the film where Geoff Goddard first enters the Shenton's shop, the film is reversed. The shop name on the glass and the "Open/Closed" sign are back to front, and the lock, handle and bell are on opposite sides compared with the shot that follows. The first shot of Geoff Goddard entering the shop is shown in a round mirror. The frame can clearly be seen with the shop background behind it. See more »
Stageplay first performed by the New Vic Workshop See more »
Isle of Capri
Composed by Will Grosz (as Wilhelm Grosz) and Jimmy Kennedy
Published by Carlin Music Corp/
EMI Music Publishing Ltd/
Wilhelm Grosz Co/Universal Music
Performed by The Flee-Rekkers
Courtesy of Sanctuary Records Group Ltd
under licence from Universal Music Operations See more »
(65%) At fifteen or so minutes in this pushed very few buttons for me, and as I had no idea who Joe Meek actually was, the temptation to give the remaining three quarters a skip and move on passed my mind, but I'm glad that I didn't because this heats up very nicely. Con O'Neill is sublime in the lead role as the hugely hyped-up, at times very angry, yet unquestionably passionate hit music creator during the swinging days of London in the 60's. The backing cast is made up of a host of UK talent, with Kevin Spacey adding even more quality to the production. This may be a bit to clumsily written at times with a script that feels a bit too much like a stageplay rather than a screenplay, but this is still an important piece of well told pop music history.
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