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| Kristin Scott Thomas | ... | Juliette Fontaine | |
| Elsa Zylberstein | ... | Léa | |
| Serge Hazanavicius | ... | Luc | |
| Laurent Grévill | ... | Michel (as Lauren Grevill) | |
| Frédéric Pierrot | ... | Capitaine Fauré | |
| Claire Johnston | ... | La mère de Juliette et Léa | |
| Catherine Hosmalin | ... | La conseillère d'insertion | |
| Jean-Claude Arnaud | ... | Papy Paul | |
| Olivier Cruveiller | ... | Gérard | |
| Lise Ségur | ... | P'tit Lys (as Lise Segur) | |
| Mouss | ... | Samir (as Mouss Zouheyri) | |
| Souad Mouchrik | ... | Kaisha | |
| Nicole Dubois | ... | La DRH hôpital | |
| Laurent Claret | ... | Directeur hôpital | |
| Marcel Ouendeno | ... | Bamakalé | |
| Gérard Barbonnet | ... | Monsieur Lucien | |
| Jérémie Covillault | ... | Le jeune inspecteur | |
| Kevin Lipka | ... | L'étudiant (as Kévin Lipka) | |
| Bruno Raffaelli | ... | Monsieur Dupuis | |
| Pascal Demolon | ... | L'homme du bar | |
| Aïcha Mimouni | ... | Serveuse du bar | |
| Catherine Antoine | ... | Bimbo Lucien | |
| Lily-Rose | ... | Emelia | |
| Valentin Jalet | ... | Bébé Kaisha | |
| Claire Lefevre | ... | Marie-Paule - dite Katrina (voice) | |
| Pascal Bordes | ... | Patrick | |
| Alain Buron | ... | François | |
| Isabelle Destrez | ... | Muriel | |
| Nathalie Hamel | ... | Nathalie | |
| Dominique Kucharzewski | ... | Anne | |
| Marc Léonian | ... | Yves (as Marc Leonian) | |
| Eva Quinto | ... | Florence | |
| Elio Guarino | ... | Enfant | |
| Alixane Pachot | ... | Enfant | |
| Laurine Pachot | ... | Enfant | |
| Hannah Peytavi-Müller | ... | Enfant | |
| Olga Peytavi-Müller | ... | Enfant | |
| Théo Urbauer | ... | Enfant | |
| Alexandre Voisin | ... | Enfant | |
| Maryse Voisin | ... | Enfant | |
| Angèle Zidi | ... | Enfant | |
| Paul Zidi | ... | Enfant | |
| Bryce Hitchcock | ... | Emelia (voice) |
Directed by | |||
| Philippe Claudel | |||
Writing credits(in alphabetical order) | ||
| Philippe Claudel | writer | |
Produced by | |||
| Sylvestre Guarino | .... | executive producer | |
| Yves Marmion | .... | producer | |
Original Music by | |||
| Jean-Louis Aubert | |||
Cinematography by | |||
| Jérôme Alméras | |||
Film Editing by | |||
| Virginie Bruant | |||
Production Design by | |||
| Samuel Deshors | |||
Art Direction by | |||
| Emmanuelle Cuillery | |||
Costume Design by | |||
| Laurence Esnault | (assistant costume designer) | ||
Makeup Department | |||
| Patrick Girault | .... | key hair stylist | |
Production Management | |||
| Abraham Goldblat | .... | post-production manager | |
| Antoine Moussault | .... | unit production manager | |
| Jean-Patrick Nourricier | .... | assistant unit manager | |
| Arzur Ronan | .... | assistant unit manager | |
| Sandrine Rouquié | .... | assistant production manager | |
Second Unit Director or Assistant Director | |||
| Philippe Crave | .... | third assistant director | |
| Thomas Ghitti | .... | third assistant director | |
| Hicham Kadiri | .... | assistant director | |
| Stanislas Klos | .... | trainee assistant director | |
| Claire Lefevre | .... | trainee assistant director | |
| Thomas Parnet | .... | second assistant director | |
| Aurelie Poulain | .... | third assistant director | |
| Julien Zidi | .... | first assistant director | |
Art Department | |||
| Catherine Bourgeois | .... | set dresser | |
| Benjamin Bouygues-Faugeron | .... | assistant art director | |
| Denis Lourenco | .... | ripper | |
| Romain Scavazza | .... | assistant art director | |
Sound Department | |||
| Julien Baissat | .... | foley artist assistant | |
| Pierre Bompy | .... | sound trainee | |
| Stéphane Brunclair | .... | sound editor | |
| Stéphane Brunclair | .... | sound | |
| Denis Carquin | .... | boom operator | |
| Guadalupe Cassius | .... | dialogue editor | |
| Nicolas d'Halluin | .... | sound recordist | |
| Pascal Dedeye | .... | foley artist | |
| Sophie Durand | .... | assistant sound editor | |
| Gérard Lamps | .... | sound re-recording mixer | |
| Pierre Lenoir | .... | sound | |
| Armelle Mahé | .... | sound mixer | |
Special Effects by | |||
| Grégoire Delage | .... | special effects supervisor | |
| Charles-Axel Vollard | .... | special effects technician | |
Camera and Electrical Department | |||
| Karine Arlot | .... | second assistant camera | |
| Damien Auriol | .... | key grip | |
| Simon Beaufils | .... | camera operator | |
| Simon Blanchard | .... | first assistant camera | |
| Aurélie Blin | .... | video assist operator | |
| Xavier Cholet | .... | gaffer | |
| Julien Coquillet | .... | grip | |
| Arnaud Delannoy | .... | first assistant camera | |
| Cyril Dupont | .... | electrician | |
| Sébastien Plessis | .... | electrician | |
| Nicolas Rideau | .... | additional camera operator | |
| Jan Rubens | .... | Steadicam operator | |
| Thierry Valletoux | .... | still photographer | |
Editorial Department | |||
| Elisa Aboulker | .... | assistant editor | |
| Natacha Louis | .... | colorist | |
Music Department | |||
| Edouard Dubois | .... | music consultant | |
Other crew | |||
| Séverine Barré | .... | administrator of production | |
| Lucie Truffaut | .... | script supervisor | |
Thanks | |||
| Roger Viry-Babel | .... | in memory of | |
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| The Best of Youth | Kings & Queen | The Official Story | Persepolis | Munich |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb France section |
This film has been crafted almost to perfection, the touch used is delicate and very realistic. It is interesting that such a slow pace should be so engrossing but it is. Thanks I think to the brilliant acting from everyone. Kirstin Scott Thomas stands out for such an understated performance, that when she does towards the end of the film show such deep emotion you are blown away. Her co stars do a great job keeping up with her, specifically Elsa Zylberstein playing her sister,the woman can cry on demand a face full of expression. Frederic Pierrot as the policeman, whose brilliance is only realised at the end of his part of the story. Jean Claude Arnaud as the grandfather, who without saying a word through the whole film is masterful. There could be a danger that this film is seen as a trudge through human emotion but I can assure you it is more than that. You will leave the cinema for filled and uplifted by the whole experience.