A group of middle-class friends travel from Tehran to spend the weekend at the seaside. Sepideh invites Elly, who is her daughter's teacher, to travel with the three families in order to ... See full summary »
Strange events happen in a small village in the north of Germany during the years just before World War I, which seem to be ritual punishment. The abused and suppressed children of the villagers seem to be at the heart of this mystery.
Bennie travels to Buenos Aires to find his long-missing older brother, a once-promising writer who is now a remnant of his former self. Bennie's discovery of his brother's near-finished play might hold the answer to understanding their shared past and renewing their bond.
Francis Ford Coppola
Juliette was 15 years in prison. Confronted with the unexpected goodness of her younger sister Léa, who makes Juliette a part of her family, very slowly breaks up Juliette's ice and bitterness and she carefully opens up. Written by
The note written by Juliette's dead son, which Lea finds by accident, reads: "un jardin sous la plui sé doux triste come moi san toit maman je veus pas que tu meure jamai on sera ensemble toujour tu ai mon amour ton petit Pierre" (A garden under the rain is sweet sad like me without you Mama I don't want you to die ever. We'll be together always. You are my love. Your little Pierre.) See more »
While I've never been such a Philistine as to decline to see a film because it is in an unknown language and I'd have to read the subtitles, there is usually a sense of emotional distance when you have to read the words yourself. In the case of 'I've Loved You So Long', I felt no such distance. Indeed, this is the first time I've cried in a movie since... I don't know when. Sure, I am a callous bastard, but I often find myself moved by a film, only, rarely do I find myself as moved as I was by this one.
'I've Loved You So Long' focuses on the story of Juliette Fontaine coming from prison to live with her sister, who was a young adolescent when she was incarcerated. The tensions of living with an extended family are exacerbated by Juliette's personality, which it is accepted is altered by her time in gaol. Philippe Claudel's story is beautifully structured to release just as much information as is necessary to keep you interested, while retaining just enough mystery to keep you on the edge of your seat.
I have never seen a French film that I haven't liked, but I have also never seen a French film of this calibre. It is an outstanding piece of storytelling, full of pathos and charm.
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