Alessandro teaches musicology at the university of Strasbourg. He is also a volunteer reader in hospitals. He shares his apartment with his daughter, 15-year-old Irina, and his anarchist ... See full summary »
Suzanne is a well to do married woman and mother in the south of France. Her idle bourgeois lifestyle gets her down and she decides to go back to work as a physiotherapist. Her husband ... See full summary »
Kristin Scott Thomas,
An act of revenge takes an unexpected turn in this psychological drama from French writer and director Lola Doillon. Anna (Kristin Scott Thomas) flees a house on the outskirts of Paris and ... See full summary »
Kristin Scott Thomas,
Juliette was 15 years in prison. Confronted with the unexpected goodness of her younger sister Léa, who makes Juliette a part of her family, very slowly breaks up Juliette's ice and bitterness and she carefully opens up. Written by
The note written by Juliette's dead son, which Lea finds by accident, reads: "un jardin sous la plui sé doux triste come moi san toit maman je veus pas que tu meure jamai on sera ensemble toujour tu ai mon amour ton petit Pierre" (A garden under the rain is sweet sad like me without you Mama I don't want you to die ever. We'll be together always. You are my love. Your little Pierre.) See more »
The novel's narration is impersonal and incomplete, as he refused to give one world view. He knows it's multiple, that intentions are multiple as are truths.
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You must see this film if you consider yourself a lover of great art.
Claudel provides a lesson for American film makers and a lasting pleasure for the audience. The cast is evenly excellent with Kristin Scott Thomas and Elsa Zylberstein the personifications of things felt and not said to siblings. It is such a pleasure to watch actors and actresses who look like people instead of an eight by ten glossy of themselves. Serge Hazanaviciius, Laurent Grevil, Frederic Pierrot, Jean-Claude Amaud and little Lise Se'gur form a perfect framework for the two stars. With no special effects and little background music, the viewer can concentrate on the slow peeling of layer after layer of revelation. The beauty revealed at its core is the result of action, not an attempt to tie up loose ends nor a deus ex machina. Snar
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