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Directed by | |||
| Laurent Cantet | |||
Writing credits | ||
| Laurent Cantet | (scenario) and | |
| Robin Campillo | (scenario) and | |
| François Bégaudeau | (scenario) | |
| François Bégaudeau | (inspired by the book) | |
Produced by | |||
| Simon Arnal | .... | producer | |
| Caroline Benjo | .... | producer | |
| Barbara Letellier | .... | producer | |
| Carole Scotta | .... | producer | |
Cinematography by | |||
| Pierre Milon | |||
Film Editing by | |||
| Robin Campillo | |||
| Stephanie Leger | |||
Costume Design by | |||
| Elisabeth Joinet | (as Bebeth Joinet) | ||
| Marie Le Garrec | |||
Production Management | |||
| Christina Crassaris | .... | post-production supervisor | |
| Michel Dubois | .... | production manager | |
| Marc Dumontet | .... | assistant production manager | |
| Jean-Marie Laurens | .... | assistant unit manager | |
Second Unit Director or Assistant Director | |||
| Mathieu Danielo | .... | assistant director | |
Art Department | |||
| Sabine Barthélémy | .... | set dresser | |
Sound Department | |||
| Antoine Baudouin | .... | assistant sound editor | |
| Edouard d'Heucqueville | .... | sound mix technician | |
| Jean-Pierre Laforce | .... | sound re-recording mixer | |
| Olivier Mauvezin | .... | sound | |
| Antoine Mercier | .... | sound | |
| Agnes Ravez | .... | sound editor | |
| Paulin Sagna | .... | sound | |
Casting Department | |||
| Vicky Brougiannaki | .... | extras casting assistant | |
| Christine Campion | .... | extras casting | |
Editorial Department | |||
| Sophie Denize | .... | digital intermediate producer | |
| Florian Du Pasquier | .... | conforming editor | |
| Jacky Lefresne | .... | colorist | |
Other crew | |||
| Vincent Caire | .... | acting coach: to children | |
| Aurelio Cardenas | .... | assistant director | |
| Isabelle Coursin | .... | location manager | |
| Mathieu Danielo | .... | assistant to director | |
| Nathalie Depose | .... | location manager | |
| Michel Dubois | .... | assistant to director | |
| Annie Girault | .... | production administrator | |
| Stéphane Longour | .... | acting coach: to children | |
| Olivier Pasquier | .... | financial director | |
| Myriam Raynaud | .... | production assistant | |
| Sambou Sissoko | .... | assistant to director | |
| Brigitte Tijou | .... | assistant to director | |
| Brigitte Tijou | .... | script supervisor | |
| Stéphanie Tournerie | .... | production administrator | |
Thanks | |||
| Gilles Marchand | .... | thanks | |
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| Notes on a Scandal | Easy A | Half Nelson | Persepolis | Monsieur Ibrahim |
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Greetings again from the darkness. Not a film in the traditional sense and not a documentary by true definition, it mixes the two into an absorbing, addictive 128 minutes.
Over the years, I have often questioned the educational system and why both teachers and students are so frustrated. Here we get an inside look at both sides and it still leaves me wondering "why?". Why do otherwise intelligent people commit to becoming teachers? Why do we insist on teaching formats that are miserable for both teacher and student? Why do so many parents blame the school and so few take an active, supportive role? This is the story of Francois Begaudeau, who also wrote the book upon which director Laurent Cantet's film is based.
Begaudeau is a junior high teacher in a working class, multi-ethnic Paris school where the teachers have resigned themselves to the fact that most of the students just don't care to learn. We get an incredible amount of classroom time showing how the melting pot of cultures has so much to offer, yet seems impossible to tap into.
Also fascinating are the teacher meetings and discussions that occur away from the students. We see no joy in these teachers and most seem just beaten down. The film offers no solutions, it strictly acts as a peek inside the institution.
While we are left to our own accord to pick sides or dream of alternatives, I continue to ask the same "why" questions over and over.