April (15) is running from one bad situation into another, hoping to find an answer that doesn't involve nudity, and falls in with a group of confused kids chasing their dreams. The black widow in the web is the sexy, pot-dealing Sally.
Kathryn Vale (Lena Olin) is a reclusive ex-movie star with a dark secret and a daughter hoping to follow in her mother's movie-star footsteps. When Kathryn attempts to make a career ... See full summary »
After moving with her mother to a small town, a teenager finds that an accident happened in the house at the end of the street. Things get more complicated when she befriends a boy who was the only survivor of the accident.
A fictionalized account of the first major successful sexual harassment case in the United States -- Jenson vs. Eveleth Mines, where a woman who endured a range of abuse while working as a miner filed and won the landmark 1984 lawsuit.
The Burning Plain follows the story of several different people separated by time and space -- Sylvia, a woman in Oregon who must undertake an emotional odyssey to rid herself of her past; Mariana and Santiago, two teenagers trying to piece together the shattered lives of their parents in a New Mexico border town; Maria, a little girl who goes on a border-crossing voyage to help her parents find redemption, forgiveness, and love; and Gina and Nick, a couple who must deal with an intense and clandestine affair... because they are both married. Written by
sundance7490 from Scottsdale, Arizona
The writer Guillermo Arriaga, much famed for his trilogy of films with director Alejandro Gonzalez Inarritu, namely Amores Perros, 21 grams and Babel, steps behind the camera and debuts his own directing skills with 'The Burning Plain' a multi-layered affair that at its core tries to explore how we deal with guilt. If you didn't like the style of the afore mentioned films then chances are you wont get on with this either. The story is told in interweaving flashbacks and over different time periods and does require some work on the part of the viewer. But with plot pieces trickled out like a breadcrumb trail right up to the end, a great but subtle score and some breathtaking scenery it grips you as you slowly piece it all together. Added to that there are the two brilliant central performances from Charlize Theron and Kim Basinger, as the damaged mother and daughter and a supporting cast that in their various roles are also superb especially Jennifer Lawrence who rightly won an award at the Venice Film Festival. The cinematography is great and the colours are so warm you can almost feel the Mexican heat coming out of the screen. The direction while not quite as good as Inarritu proves that Arriaga was indeed paying attention and the overall feel is eerily similar. The only downside is that it does leave certain characters stories unfinished but that really is just a minor quibble in what is a very emotionally charged and challenging film.
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