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In 19th-century France, Jean Valjean, who for decades has been hunted by the ruthless policeman Javert after he breaks parole, agrees to care for factory worker Fantine's daughter, Cosette. The fateful decision changes their lives forever.
Murderesses Velma Kelly (a chanteuse and tease who killed her husband and sister after finding them in bed together) and Roxie Hart (who killed her boyfriend when she discovered he wasn't going to make her a star) find themselves on death row together and fight for the fame that will keep them from the gallows in 1920s Chicago.
British retirees travel to India to take up residence in what they believe is a newly restored hotel. Less luxurious than its advertisements, the Marigold Hotel nevertheless slowly begins to charm in unexpected ways.
Ren MacCormack moves from big-city Boston to a small southern town, where life is very different. He lives with his aunt and uncle after his divorced mother's painful death from leukemia. An accident, in which five teenagers were killed after a night out, shocked the small town's community. The local councilmen and Reverend Shaw Moore reacted to the incident by banning loud music and dancing. Ren stands up to the outmoded ban and, in the process, falls in love with the Reverend's daughter Ariel Moore. Written by
Kad
During the barn dance, tons of confetti is shot out of a blower onto the happy crowd. Unfortunately, the mylar confetti was requested to be cut in 1/4 inch squares. It fell like lead. More confetti had to be hurriedly ordered and while it was the right size and shape to flutter down, there was not near enough of it for take after take. Between every take the confetti was swept and vacuumed up and recycled (along with anything else that happened to be on the floor). By the end of the night, everyone was covered in dirty, sweaty confetti. See more »
Goofs
The engine hood of the Volkswagon appears and disappears between scenes. See more »
Quotes
[first lines]
Rev. Shaw Moore:
*He* is testing us. Our Lord is testing us. Especially now, when we are consumed with despair. When we are asking our God why this had to happen. No parent should ever have to know the horror of burying their own child. And yet, five of Bomont's brightest have lost their lives. Among them, my only son... my boy, Bobby. We have other children to raise here in Bomont. And one day, they will no longer be in our embrace and in our care. They will belong to the world. A world filled ...
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Crazy Credits
The opening credits are in the same font/typeface as those for the original Footloose, albeit a different color. See more »
"My Feet off the Ground"
Written by Paul Beauregard, Jordan Houston, Martin Wardlaw & Matthew Hill
Performed by Three 6 Mafia
Courtesy of Columbia Records
By arrangement with Sony Music Licensing
Contains samples from "Feet Off The Ground"
Performed by Bank and Produced by Martin Wardlaw
Produced under license from Stackthat Entertainment, Inc. See more »
Full disclosure time: I saw the original 1984 version at the now-defunct Cinema 8 multiplex at the also-now defunct Bon Marche Mall (the buildings have been renovated into other places) and I remember enjoying it very much at the one time I watched it in its entirety. I had also bought the soundtrack LP album beforehand and had highly enjoyed that several times as a teenager. Then there were also videos of several of its hits like Deniece Williams' "Let's Hear It for the Boy", Bonnie Tyler's "Holding Out for a Hero", and Kenny Loggins' title song which consisted mainly of clips of Kevin Bacon's (or his dance double's) movements. So it was with all that in mind that I saw this remake with an open head. The verdict: I still had a good time though my excitement factor wasn't as overwhelming perhaps because of my fond memories of the original and some of the changes didn't seem necessary. Still, having the actor Miles Teller playing the same role done by Chris Penn nearly 30 years before in learning to dance and enjoying himself as a result was still a highlight in both versions. And former "Dancing with the Stars" pro Julianne Hough shows some chops in reenacting the Lori Singer role. And while Kenny Wormald won't make you forget Bacon in his iconic role, he's not too bad either. And the same goes for Dennis Quaid playing the John Lithgow part. So on that note, this version of Footloose is recommended.
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Full disclosure time: I saw the original 1984 version at the now-defunct Cinema 8 multiplex at the also-now defunct Bon Marche Mall (the buildings have been renovated into other places) and I remember enjoying it very much at the one time I watched it in its entirety. I had also bought the soundtrack LP album beforehand and had highly enjoyed that several times as a teenager. Then there were also videos of several of its hits like Deniece Williams' "Let's Hear It for the Boy", Bonnie Tyler's "Holding Out for a Hero", and Kenny Loggins' title song which consisted mainly of clips of Kevin Bacon's (or his dance double's) movements. So it was with all that in mind that I saw this remake with an open head. The verdict: I still had a good time though my excitement factor wasn't as overwhelming perhaps because of my fond memories of the original and some of the changes didn't seem necessary. Still, having the actor Miles Teller playing the same role done by Chris Penn nearly 30 years before in learning to dance and enjoying himself as a result was still a highlight in both versions. And former "Dancing with the Stars" pro Julianne Hough shows some chops in reenacting the Lori Singer role. And while Kenny Wormald won't make you forget Bacon in his iconic role, he's not too bad either. And the same goes for Dennis Quaid playing the John Lithgow part. So on that note, this version of Footloose is recommended.