Ren MacCormack moves from big-city Boston to a small southern town, where life is very different. He lives with his aunt and uncle after his divorced mother's painful death from leukemia. An accident, in which five teenagers were killed after a night out, shocked the small town's community. The local councilmen and Reverend Shaw Moore reacted to the incident by banning loud music and dancing. Ren stands up to the outmoded ban and, in the process, falls in love with the Reverend's daughter Ariel Moore. Written by
Unlike the original, Kenny Wormald performed most of his own dance moves due to his dancing background. See more »
When driving to the club it shows them driving to Atlanta, GA but they are really 40 minutes northwest of Atlanta in Kennesaw, GA at The Electric Cowboy (formerly Cowboys). See more »
Rev. Shaw Moore:
*He* is testing us. Our Lord is testing us. Especially now, when we are consumed with despair. When we are asking our God why this had to happen. No parent should ever have to know the horror of burying their own child. And yet, five of Bomont's brightest have lost their lives. Among them, my only son... my boy, Bobby. We have other children to raise here in Bomont. And one day, they will no longer be in our embrace and in our care. They will belong to the world. A world filled ...
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The opening credits are in the same font/typeface as those for the original Footloose (1984), albeit a different color. See more »
Let's Hear It for the Boy
Written by Dean Pitchford & Tom Snow
Performed by Jana Kramer
Produced by Scott Hendricks & Chris Stevens
Jana Kramer performs courtesy of Elektra Nashville / Warner Music Nashville See more »
I was pretty disappointed with this version of Footloose. What makes Footloose such an enjoyable movie/musical is the music. Aside from a brief incorporation of the title song in the beginning, and a couple of the songs used as background music throughout the movie, this movie neglected its musical roots altogether! What a waste...
There were some fun dance scenes but I found myself unable to enjoy them fully because of the blatant display of Julianne Hough's sexuality. I have some words to say to the costume designer. To be fair, her character was supposed to look and act like a slut. Still, I found that the powers at be went overboard with that depiction in this version.
Kenny Wormald was a likable protagonist, Ren. His sidekick, Willard, played by Miles Teller was utterly preposterous however. I felt sorry for people who live in small towns in Georgia. Willard did not do much to convey a positive view of their lifestyle and culture.
If you like dancing, you might find this movie enjoyable for the dance scenes. Other than that, I wouldn't recommend it.
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