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Footloose (2011)

 -  Comedy | Drama | Music  -  14 October 2011 (USA)
5.8
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Ratings: 5.8/10 from 29,463 users   Metascore: 58/100
Reviews: 120 user | 157 critic | 35 from Metacritic.com

City teenager Ren MacCormack moves to a small town where rock music and dancing have been banned, and his rebellious spirit shakes up the populace.

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Title: Footloose (2011)

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Cast

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Amy Warnicker (as Maggie Jones)
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Storyline

Ren MacCormack moves from big-city Boston to a small southern town, where life is very different. He lives with his aunt and uncle after his divorced mother's painful death from leukemia. An accident, in which five teenagers were killed after a night out, shocked the small town's community. The local councilmen and Reverend Shaw Moore reacted to the incident by banning loud music and dancing. Ren stands up to the outmoded ban and, in the process, falls in love with the Reverend's daughter Ariel Moore. Written by Kad

Plot Summary | Plot Synopsis

Taglines:

There comes a time to cut loose See more »

Genres:

Comedy | Drama | Music | Romance

Motion Picture Rating (MPAA)

Rated PG-13 for some teen drug and alcohol use, sexual content, violence and language | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

Release Date:

14 October 2011 (USA)  »

Also Known As:

Footloose - A Música Está do Teu Lado  »

Filming Locations:

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Box Office

Budget:

$24,000,000 (estimated)

Opening Weekend:

$15,556,113 (USA) (14 October 2011)

Gross:

$51,780,537 (USA) (6 January 2012)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Unlike the original, Kenny Wormald performed most of his own dance moves due to his dancing background. See more »

Goofs

When Ren and the others are driving back from Atlanta and are crossing the bridge, they are driving on the wrong side of the road. See more »

Quotes

[first lines]
Rev. Shaw Moore: *He* is testing us. Our Lord is testing us. Especially now, when we are consumed with despair. When we are asking our God why this had to happen. No parent should ever have to know the horror of burying their own child. And yet, five of Bomont's brightest have lost their lives. Among them, my only son... my boy, Bobby. We have other children to raise here in Bomont. And one day, they will no longer be in our embrace and in our care. They will belong to the world. A world filled ...
See more »

Crazy Credits

This film is dedicated to Herbert Ross = 1927 - 2001. See more »

Connections

Featured in Maltin on Movies: John Carter (2012) See more »

Soundtracks

Almost Paradise
Written by Dean Pitchford & Eric Carmen
Performed by Victoria Justice & Hunter Hayes
Produced by John Shanks
Victoria Justice performs courtesy of Columbia Records
Hunter Hayes performs courtesy of Atlantic Recording Corporation
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Not as awful as it could have been, but not overly great either
2 October 2011 | by (Canada) – See all my reviews

I enjoy bad movies, and enjoy bad remakes even more. So when the opportunity to get advanced passes to the atrocious looking remake of Footloose came, I pounced on them just out of the sheer will to see what kind of monstrosity Craig Brewer and company came up with. The film had gone through a number of changes, and had plenty of room to improve on the original. Sadly, I do not think there was ever any hope for it.

After a horrific accident takes the lives of five high school seniors, the town of Bomont, Tennessee outlaws a number of activities for the teenage populace including dancing. Enter Ren McCormack (Kenny Wormald), a city kid and distinct outsider to the close knit Bomont townspeople. He is confused by the bans, and after making a few new friends, sets out to get them abolished.

While the nostalgia factor may cloud the memories of some people, the original Footloose is really nothing more than a fun diversion packed alongside an absolutely infectious soundtrack that is still great even today. It is a fairly silly film really, but with the help of Kevin Bacon's 1984-era charm and charisma, the film remains a wildly enjoyable film. Yet somehow, in remaking the film for an audience in 2011, it seems like the filmmakers missed more than a few steps along the way.

Now I will be the first to admit that this new remake does have a handful of fun scenes and astonishing dance choreography. The trailers do a good job of showing off just how great some of the dance moves are from this new cast, but what it does not let on too much is that most of these scenes come when they are replicating scenes from the original film. I basked in the glory of hearing Kenny Loggins blasting, while watching the various pairs of feet dancing to the beat. And seeing Willard (Miles Teller) learning how to dance is one of the highlights of the film, much like it is the original film. A key dance sequence late in the film is also significantly better than I could have ever predicted.

But that is where the enjoyment ends.

The rest of the film that surrounds these scenes is dull and lifeless, moving at a snail's pace and just going through the motions. There is very little fun to be had, and should someone venture into the film without having seen the original, they may wonder why anyone wanted to remake it in the first place. Instead of trying to improve and make the plot line less ludicrous, the filmmakers left the entire crux of the film the exact same. They merely changed a few character traits around, shuffled in some racy dialogue, and took out the tractors and added in school buses. They sucked out all the fun, and what is left seems like a mere project that was cranked out with little to no thought for what audiences may actually perceive to be enjoyable.

Worse yet, the soundtrack is a totally forgettable affair. While it is the crucial element of the original film, it feels like a largely laughable affair here. I was originally intrigued at the idea of the film containing all the original songs, albeit covered by new artists. But somehow, all of the catchiness of the original tunes seems to have been stripped from these new ones. Instead, we are left with versions that have a country twang or overtly urban feel to them, and absolutely no reason to want to listen to these new versions ever again. I would be lying if I did not think the most memorable tracks in the film were the two original ones that somehow were deemed okay to fit into the film. I would register a guess that this is the influence of Brewer, who is best known for Hustle & Flow and Black Snake Moan. He has a distinctly Southern taste to his body of work, and practically forces it on this film. But in forcing this ideology, alongside two completely different genres of music, he crushes the film into submission, leaving many scenes an absolute mess.

The acting in the film is even more disappointing. Dennis Quaid looks embarrassed in every scene he is in, overacting as much as he possibly can to forget that he is in the film. Andie McDowell looks like she wandered in off the wrong set, and just decided to stick around as a background character. Wormald is a poor substitute for Bacon, and is an even worse lead for a major motion picture. I realize he is a dancer first and foremost, but leaving him to carry this film was an awful decision. He looks frightened and confused for the majority of the film, and quivers through most of his lines. He lacks Ren's charm, and is never believable when he rebels against authority. You want to believe in this character, but all you will do is laugh at how staggeringly bad Wormald's performance is. Julianne Hough, the female lead, at least attempts to act. She comes close to a breakthrough in more than one instance, but she comes off a bit too amateur for her own good. She makes a great dance partner for Wormald, but for what little shred of chemistry she has, it is made totally moot when he opens his mouth.

What redeems the film from being the awful travesty it should be is Teller's performance as Willard. The moment he walks on-screen, he has an energy to him that is simply unmatchable. He is the single best thing about the film, embodying the innocence, spirit and fun of Chris Penn's original performance. If you venture into this remake, see it for him and ignore the rest. You may find some remotely enjoyable experience buried in there somewhere.

4/10.


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Disgrace to Chris Penn's memory! scottturner468
Let's remake all the movies from 1984... Jeffbball5
Hiring Dancer instead of Actor to play the lead. Good or bad move? peri0701
Whaaaa! WWhaaaaa! Whaaaaa!!!!! larzhoban-930-720978
Remakes are a good thing ... REALLY here is my reasoning peri0701
NO reason to remake a classic.....however, I gotta say... comedygold
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