Keep track of everything you watch; tell your friends.
If your account is linked with Facebook and you have turned on sharing, this will show up in your activity feed. If not, you can turn on sharing
here
.
An aspiring author during the civil rights movement of the 1960s decides to write a book detailing the African-American maids' point of view on the white families for which they work, and the hardships they go through on a daily basis.
Director:
Tate Taylor
Stars:
Emma Stone,
Viola Davis,
Bryce Dallas Howard
An airline pilot saves almost all his passengers on his malfunctioning airliner which eventually crashed, but an investigation into the accident reveals something troubling.
Director:
Robert Zemeckis
Stars:
Nadine Velazquez,
Denzel Washington,
John Goodman
Anna Fitzgerald looks to earn medical emancipation from her parents who until now have relied on their youngest child to help their leukemia-stricken daughter Kate remain alive.
Director:
Nick Cassavetes
Stars:
Abigail Breslin,
Walter Raney,
Cameron Diaz
Disgruntled Korean War vet Walt Kowalski sets out to reform his neighbor, a young Hmong teenager, who tried to steal Kowalski's prized possession: his 1972 Gran Torino.
Director:
Clint Eastwood
Stars:
Clint Eastwood,
Christopher Carley,
Bee Vang
After his parents' death, Jacob Jankowski is left penniless and homeless. Events lead him to joining the circus as their vet, working under their unstable boss August whose violent tendencies give everyone reason to be cautious around him, including his beautiful and quiet wife Marlena, whom August is very possessive of and who Jacob finds himself soon falling in love with. Written by
mel47
While in the speakeasy August leaves the table that he, Marlena and Jacob are sitting at. Marlena is smoking a fairly short cigarette. In the next scene, the cigarette is noticeably longer. See more »
Quotes
Jacob:
I don't know if I picked that circus. But something told me that circus picked me.
See more »
Crazy Credits
In 'The producers wish to thank' section of the credits, the Circus World Museum is listed as being in Barbaroo, WI. The actual town is Baraboo, WI. See more »
Water For Elephants got released here a full week ahead of the US and first let me indulge in the joy of being able to review such a highly anticipated film before my fellow American film-loving counterparts.
The film completely fulfilled my expectations. It is a well scripted, meticulously shot and finely acted period drama, the likes of which are increasingly less to come by at the movies these days. A big congratulations to all those involved with the production for having the confidence to delve into this venture. Actually I am very curious about its box-office. Last year was a surprisingly profitable year for adult dramas and if that is any indication, this fine film should continue the same trend.
Water For Elephants really impresses with the production design, atmosphere, costumes and stunts. Most of the time I felt like I was watching a classic film made during the studio era; it looked that authentic and faultless. The three main actors all seem satisfied for having such meaty parts and deliver more than satisfactory performances. Robert Pattinson shines and proves that he is capable as a serious actor. Reese Witherspoon has always been a true professional and here with her stunts demonstrates that again. She also fits surprisingly well to the 1930s platinum blonde beauty type. Christopher Waltz is a wonderful actor and here it becomes very clear that his success in Inglorious Basterds was not a one-off. The story is very emotional and while it touches the heart romantically, it also manages to lay down a heretofore unseen dark aspect of old era circus entertainment in particular and also crowd entertainment as a whole. I almost wished for a three hour epic after it ended; it left me wanting more. The whole thing was really interesting.
All in all a wonderful and deeply satisfying experience at the movies, well worth every dime. Go see it so that adult dramas of this caliber (in terms of star power, production budget and subsequent attention to detail) could continue to be made.
96 of 125 people found this review helpful.
Was this review helpful to you?
Water For Elephants got released here a full week ahead of the US and first let me indulge in the joy of being able to review such a highly anticipated film before my fellow American film-loving counterparts.
The film completely fulfilled my expectations. It is a well scripted, meticulously shot and finely acted period drama, the likes of which are increasingly less to come by at the movies these days. A big congratulations to all those involved with the production for having the confidence to delve into this venture. Actually I am very curious about its box-office. Last year was a surprisingly profitable year for adult dramas and if that is any indication, this fine film should continue the same trend.
Water For Elephants really impresses with the production design, atmosphere, costumes and stunts. Most of the time I felt like I was watching a classic film made during the studio era; it looked that authentic and faultless. The three main actors all seem satisfied for having such meaty parts and deliver more than satisfactory performances. Robert Pattinson shines and proves that he is capable as a serious actor. Reese Witherspoon has always been a true professional and here with her stunts demonstrates that again. She also fits surprisingly well to the 1930s platinum blonde beauty type. Christopher Waltz is a wonderful actor and here it becomes very clear that his success in Inglorious Basterds was not a one-off. The story is very emotional and while it touches the heart romantically, it also manages to lay down a heretofore unseen dark aspect of old era circus entertainment in particular and also crowd entertainment as a whole. I almost wished for a three hour epic after it ended; it left me wanting more. The whole thing was really interesting.
All in all a wonderful and deeply satisfying experience at the movies, well worth every dime. Go see it so that adult dramas of this caliber (in terms of star power, production budget and subsequent attention to detail) could continue to be made.