| Kay Tong Lim | ... | Johan Tan | |
| Shanty | ... | Sita | |
| Lukman Sardi | |||
| Indi Barends |
Directed by | |||
| Nan Triveni Achnas | |||
Writing credits(in alphabetical order) | ||
| Nan Triveni Achnas | ||
Produced by | |||
| Nan Triveni Achnas | .... | producer | |
| Natacha Devillers | .... | co-producer | |
| Shanty Harmayn | .... | producer | |
| Paquita Widjaja | .... | producer (as Paquita Widjaja-Afief) | |
Original Music by | |||
| Sri Aksan Sjuman | (as Aksan Sjuman) | ||
| Titi Handayani Sjuman | (as Titi Sjuman) | ||
Cinematography by | |||
| Yadi Sugandi | |||
Film Editing by | |||
| Sastha Sunu | |||
Sound Department | |||
| Satrio Budiono | .... | supervising sound editor | |
| Handy Ilfat Ibrahim | .... | sound recordist | |
| Xavier Marsais | .... | sound re-recording mixer | |
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| Paris, je t'aime | Cafe Society | Mr. Klein | The Good Thief | Chinese Box |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Indonesia section |
Touching, if a bit melodramatic, this Indonesian film about the growing friendship between a prostitute hiding from her violent pimp and a dying portrait photographer weighed down by a lifelong secret is lovely to look at, gentle, with a good heart. It's a film I wish I loved even more.
The intentions are wonderful, but the tendency to go over the top with the acting (especially the old man), and the fact you could see where the story was heading for quite a while kept a lid on my enthusiasm. So did the emotional distance of the style and very slow pace (and I love slow movies).
All that said, it was good enough that I will see it again, and discover if it pulls me in deeper next time, knowing ahead of time the very low-key approach to the story, and the slightly heightened performances (an odd, interesting contradiction there).