| Aleece Jones | ... | Samantha Ballard | |
| Matthew Stiller | ... | Anthony Ballard | |
| Olivia Price | ... | Fiona Bloom | |
| Matthew Montgomery | ... | Mortimer Gladstein | |
| Meredith Barnett | ... | Eva Tinski | |
| Kiersten Hall | ... | Suzette | |
| Ryan Caldwell | ... | Rhett | |
| Roger Trammell | ... | Mondrique | |
| Monique La Barr | ... | Jocelyn | |
| Zach Wright | ... | Brad | |
| William Knight | ... | Arnold Tinski | |
| Art Roberts | ... | Reverend Severick / Mr. Hollender | |
| Olivia Hosken | ... | Anna Lisa | |
| Nicole Taylor | ... | Marla Tinski | |
| Ashley Elizabeth Campbell | ... | Julie | |
| Ryan Kean | ... | Chester | |
| Robert Hector | ... | Sgt. Gonzalez | |
| Jim McNally | ... | Officer Abercromby | |
| John F. Sullivan | ... | Uniformed Officer |
Directed by | |||
| Michael R. Morris | |||
Writing credits | ||
| Michael R. Morris | (screenplay) | |
| Michael R. Morris | (story) | |
| Roger Scott | (story) | |
Produced by | |||
| Nancy Criss | .... | line producer | |
| Nancy Criss | .... | producer | |
| Bruce Frigeri | .... | executive producer | |
| Jim McNally | .... | executive producer | |
| Jim McNally | .... | producer | |
| Michael R. Morris | .... | producer | |
Original Music by | |||
| David C. Morris | |||
Cinematography by | |||
| Skye Borgman | |||
Film Editing by | |||
| Michael R. Morris | |||
Production Design by | |||
| Natasha Baumgardner | |||
Makeup Department | |||
| Michael Dinetz | .... | makeup department head | |
| Elissa Prager | .... | key makeup artist | |
| George Troester | .... | sculptor | |
| Alexis Williams | .... | makeup artist | |
Art Department | |||
| Natasha Baumgardner | .... | property master | |
Sound Department | |||
| Dean Andre | .... | sound mixer | |
| David C. Morris | .... | supervising sound editor | |
| Joshua Moyer | .... | sound re-recording mixer | |
| Barry Shea | .... | boom operator | |
| Tony Smyles | .... | sound mixer | |
| Ed Turner | .... | sound recordist | |
| Scott D. Ward | .... | boom operator | |
Special Effects by | |||
| Michael Dinetz | .... | special makeup effects designer | |
| Kate Gnetetsky | .... | special makeup effects technician | |
| Ashley Hasson | .... | special makeup effects technician | |
| Gerardo Iribe | .... | special makeup effects technician | |
| John Jeffrey | .... | special makeup effects artist | |
| Tara Lang | .... | sculptor | |
| George Troester | .... | makeup effects sculptor | |
Camera and Electrical Department | |||
| Kyle Morgan | .... | first assistant camera | |
| John F. Sullivan | .... | gaffer | |
| David Thomas | .... | key grip | |
Casting Department | |||
| Valentin Galvan | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Shiela Radtke | .... | key costumer | |
Other crew | |||
| Michael Coulombe | .... | script supervisor | |
| Ahmed Johnson | .... | spider wrangler | |
| Dennis Marrell | .... | script supervisor | |
| Recent Posts (updated daily) | User |
|---|---|
| Wasnt that bad? | Strazdamonas |
| Wtf? | longhornssoftball8 |
| This isn't a real film is it? | dean-202 |
| P U | je_hill |
| release date? | rwwilliams |
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| Full cast and crew | Company credits | External reviews |
| IMDb Horror section | IMDb USA section | Add this title to MyMovies |
I have seen a lot of bad movies, but this must be the worst. The special effects (if you can call them special effects) are terrible. I can't believe this is a movie made in 2008. When you see it you'll think it is made in 1970 or so. How low budget can you go. To bad for the wasted time...
Never the less, I watched the movie completely since I hadn't anything else to do. Some parts of this movie is even humoristic. Some actors can use some more acting lessons. The plot however isn't that bad and it does get a bit better towards the end of the movie. So, in conclusion, the story ain't that bad, but the effect are in the style of jaws 1, you know, when the shark breaks trough the glass, it goes in frames, same here...