| Luca Argentero | ... | Mattia | |
| Violante Placido | ... | Cecilia Ferri | |
| Neri Marcorè | ... | Maestro Corrado | |
| Hassani Shapi | ... | Kamal | |
| Monica Scattini | ... | Letizia | |
| Francesco Pannofino | ... | Luigi | |
| Vito | ... | Osvaldo | |
| Josefia Forlì | ... | Corrado Mineo | |
| Matteo Oleotto | ... | Milo | |
| Rolando Ravello | ... | Presentatore | |
| Ivano Marescotti | ... | Giancarlo Ugolini | |
| rest of cast listed alphabetically: | |||
| Salami Bahija | ... | Shamira | |
| Mauro Celaia | ... | Garzone | |
| Alessandro Checcobelli | ... | Jaffar | |
| Costanza Farroni | ... | Ragazza bionda | |
| Federico Fazioli | ... | Sindaco | |
| Stefania Floresta | ... | Giornalista | |
| Alessia Lauteri | ... | Ragazza mora | |
| Geremia Longobardo | ... | Inserviente | |
| Nadir Mura | ... | Radu | |
| Danilo Nigrelli | |||
| Regina Orioli | ... | Clara | |
| Jatinder Pal | ... | Venditore di rose | |
| Cecilia Eleonora Pippo | ... | Responsabile scuola (as Eleonora Pippo) | |
| Joseph Queen | ... | Nonno kamal | |
| Giulia Ruffinelli | ... | Ragazza castana | |
| Giovanni Trevisanello | ... | Padre milo | |
Directed by | |||
| Claudio Cupellini | |||
Writing credits | ||
| Fabio Bonifacci | ||
| Christian Poli | (screenplay collaborator) | |
Original Music by | |||
| Teho Teardo | |||
Cinematography by | |||
| Giovanni Cavallini | |||
Film Editing by | |||
| Danilo Torre | |||
Casting by | |||
| Barbara Giordani | |||
Production Design by | |||
| Alessandro Vannucci | |||
Costume Design by | |||
| Sonoo Mishra | |||
Makeup Department | |||
| Raffaella Ragazzi | .... | key makeup artist | |
Production Management | |||
| Francesca De Filippi | .... | unit production manager | |
| Antonella Viscardi | .... | production manager | |
Art Department | |||
| Valerio Desiderio | .... | assistant property master | |
| Luca Ferretti | .... | property master | |
Sound Department | |||
| Curzio Aloisi | .... | sound assistant | |
| Giuseppe D'Amato | .... | sound editor | |
| Gianni Pallotto | .... | sound re-recording mixer | |
| Alessandro Rolla | .... | sound mixer | |
Special Effects by | |||
| Tiberio Angeloni | .... | special effects supervisor | |
Stunts | |||
| Alessandro Novelli | .... | stunt performer | |
| Emiliano Novelli | .... | stunt coordinator | |
Editorial Department | |||
| Francesco Bilotti | .... | assistant editor | |
| Angelo Francavilla | .... | grader | |
| Andrea Gargano | .... | final colorist (uncredited) | |
Other crew | |||
| Joshua Berman | .... | co-production supervisor | |
| Sarah Louise Bliss | .... | production coordinator | |
| Nicolangelo Gelormini | .... | documentarist | |
| Francesco Startari | .... | production secretary | |
| Raffaello Vignoli | .... | production secretary | |
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| I Am Love | 8½ | It's Easier for a Camel... | The Barbarian Invasions | Giant |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb Italy section |
This movie is set in Perugia, Italy where Mattia, played by Luca Argentero, is a self-centred, carreerist, building promoter who, in order to break into the market accepts cheap contracts and cuts corners by buying cheap material, hiring black labour, paying little and not caring for his team's safety. On one occasion, one of the workers, an Egyptian, Kamal, played by Hassani Shapi, has an accident and falls from a roof.
Kamal could denounce Mattia, who would end in prison and see his career ruined. To avoid this, the two strike a deal...
The movie's strength, in my opinion, is in the lightness through which the story passes us a delicate message about immigration and about those in margin of society. The film is about how, if we take time, we can appreciate someone else's culture and point of view, and that, things that seem odd and perhaps picturesque, make sense when one lives them, or at least, sees them from closer by. This movie is about what matters in life: values such as quality over mediocrity, helping and achieving together over selfishness, and truth over lies. It is also about how people on the margins of society are confronted by everyday life through a different perspective than the everage middle-class citizen. The movie brings through all these serious messages in a very easy flowing and light way. Although there is quite a bit of stereotyping, it is mastered for the sake of the message, and I for one, at no point felt it was offending. The actors are OK, and the film does not offer any technical break-throughs but flows pretty well. All in all, it is a very pleasant and positive film, with an intelligenty written screenplay and a worthy message behind. Bravo.