The adventures of Gustave H, a legendary concierge at a famous hotel from the fictional Republic of Zubrowka between the first and second World Wars, and Zero Moustafa, the lobby boy who becomes his most trusted friend.
F. Murray Abraham,
Harvard student Mark Zuckerberg creates the social networking site that would become known as Facebook, but is later sued by two brothers who claimed he stole their idea, and the co-founder who was later squeezed out of the business.
A young man who survives a disaster at sea is hurtled into an epic journey of adventure and discovery. While cast away, he forms an unexpected connection with another survivor: a fearsome Bengal tiger.
Filmed over 12 years with the same cast, Richard Linklater's BOYHOOD is a groundbreaking story of growing up as seen through the eyes of a child named Mason (a breakthrough performance by Ellar Coltrane), who literally grows up on screen before our eyes. Starring Ethan Hawke and Patricia Arquette as Mason's parents and newcomer Lorelei Linklater as his sister Samantha, BOYHOOD charts the rocky terrain of childhood like no other film has before. Snapshots of adolescence from road trips and family dinners to birthdays and graduations and all the moments in between become transcendent, set to a soundtrack spanning the years from Coldplay's Yellow to Arcade Fire's Deep Blue. BOYHOOD is both a nostalgic time capsule of the recent past and an ode to growing up and parenting. Written by
The scene where Mason goes off to college and moves into his dorm room was filmed in Fletcher Hall on the campus of Sul Ross State University. Fletcher Hall has long thought to have paranormal activity. See more »
When the saw blade is thrown into the piece of wood the second time, in later shots it is in a different place on the wood and deeper into it as well. See more »
[Enters the darkroom]
How long have you been in here, Mason?
I'm sure: All class. Did you complete your image diary?
Completed your digital contact sheet?
Not quite, but, I mean, it's not gonna take me long.
"Not yet." "Not quite." Darkroom time is extracurricular. I mean, technically, you don't ever have to be in here these days. And certainly not until you've completed your assignments. That's the deal.
I'm worried about you, Mason.
Why is that?
[...] See more »
The good: production, shooting, editing, sound -- were all good.
The great: the idea of following the same boy and others for 11 years. Transitions from age to age were beautiful.
The tiresome: the acting. It was OK, but nothing that grabs you. Ellar Coltrane was at his acting best when he was young, but gradually got more stilted. This could have been due to the director more than to him.
The ugly: The script. Existential drivel, over and over. Every character was written in a way that remained two-dimensional, especially his sister and mother. Ethan Hawke as his father did the best job of any of them in bringing some depth of life to his role.
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