| Photos (See all 17 | slideshow) | Videos (see all 5) |
| Nathan Phillips | ... | Jack | |
| Leigh Whannell | ... | Matt | |
| Bille Brown | ... | Harvey / Rowan | |
| Mirrah Foulkes | ... | Nina | |
| Melanie Vallejo | ... | Rebecca | |
| Ken Radley | ... | Liam | |
| Elaine Hudson | ... | Ethel | |
| Sheridan Harvey | ... | Katie | |
| Peter Docker | ... | Alexander Pierce | |
| Boris Brkic | ... | Sgt. Symons | |
| Phillip McInnes | ... | Guard #1 | |
| Ian 'Paddy' McIvor | ... | Guard #2 (as Paddy McIvor) | |
| James Portanier | ... | Guard #3 | |
| Sally McDonald | ... | Ruth | |
| Peter Finlay | ... | Hunter #1 | |
| Christopher Stevenson | ... | Hunter #2 | |
| Ian Scott | ... | University Professor | |
| Des Fleming | ... | Colleague #1 | |
| Michelle Jones | ... | Colleague #2 | |
| Pamela Achesonharding | ... | Woman in Window | |
| Brendan Donoghue | ... | Gareth | |
| Reg Evans | ... | Alfred | |
| Dylan Lloyd | ... | Troopers Drinker #1 | |
| Tim Harris | ... | Troopers Drinker #2 | |
| Andy Poulter | ... | Troopers Drinker #3 | |
| Greg Parker | ... | Older Policeman | |
| Tim Stitz | ... | Younger Policeman | |
| rest of cast listed alphabetically: | |||
| Steven Haar | ... | Mechanic | |
Directed by | |||
| Jody Dwyer | |||
Writing credits(in alphabetical order) | ||
| Michael Boughen | screenplay | |
| Jody Dwyer | screenplay | |
| Rod Morris | writer | |
Produced by | |||
| Michael Boughen | .... | producer | |
| Christopher Mapp | .... | executive producer | |
| Rod Morris | .... | producer | |
| Matthew Street | .... | executive producer | |
| David Whealy | .... | executive producer | |
Original Music by | |||
| Nerida Tyson-Chew | |||
Cinematography by | |||
| Geoffrey Hall | |||
Film Editing by | |||
| Mark Perry | |||
Casting by | |||
| Anousha Zarkesh | |||
Production Design by | |||
| David McKay | |||
Art Direction by | |||
| Janie Parker | |||
Costume Design by | |||
| Katie Graham | |||
Makeup Department | |||
| Nick Kocsis | .... | assistant makeup effects technician | |
| Paul Pattison | .... | makeup department head | |
Production Management | |||
| Kate Cooper | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Julian Duggan | .... | third assistant director | |
| Rod Morris | .... | second unit director | |
Art Department | |||
| Anna McEwan | .... | set dresser | |
| Ben Walker | .... | standby props | |
Sound Department | |||
| Emma Bortignon | .... | sound designer | |
| Mark Cornish | .... | sound recordist | |
| Brendan Croxon | .... | adr recordist | |
| Brendan Croxon | .... | foley recordist | |
| Doron Kipen | .... | sound re-recording mixer | |
| Chris O'Shea | .... | boom operator | |
| Jed Palmer | .... | sound effects editor | |
| Livia Ruzic | .... | dialogue editor | |
Special Effects by | |||
| Justin Dix | .... | special effects makeup supervisor | |
| Charlene Hyde | .... | additional special effects assistant | |
| Troy McManus | .... | special effects | |
Visual Effects by | |||
| Julia Egerton | .... | digital compositor: Iloura | |
| Alan Fairlie | .... | digital compositor: Iloura | |
| Soren Jensen | .... | visual effects supervisor | |
| Ineke Majoor | .... | visual effects producer: Iloura | |
| Brett Morris | .... | visual effects | |
| Matthew Pascuzzi | .... | digital compositor | |
| Bertrand Polivka | .... | digital compositor | |
| Peter Webb | .... | digital compositor: Iloura | |
Stunts | |||
| Danny Baldwin | .... | stunt coordinator | |
| Riko Shai | .... | stunts | |
Camera and Electrical Department | |||
| Glenn Arrowsmith | .... | key grip | |
| Steven Bailey | .... | second assistant camera: "a" camera | |
| Laurie Fish | .... | gaffer | |
| Louis Puli | .... | Steadicam operator | |
| Louis Puli | .... | camera operator | |
| Kevin Scott | .... | first assistant camera: "a" camera | |
| Adam Signorelli | .... | camera attachment | |
Costume and Wardrobe Department | |||
| Katherine Milne | .... | costume supervisor | |
| Barbara Pinn | .... | key costumer | |
| Polly Smyth | .... | costume assistant | |
| Polly Smyth | .... | second stand-by costume | |
Editorial Department | |||
| Rachel McKellar-Harding | .... | digital intermediate producer | |
| Brett Morris | .... | assistant editor | |
Music Department | |||
| Paul Chew | .... | music recording engineer | |
| Coralie Hartl | .... | orchestra contractor | |
| Phillip Hartl | .... | concertmaster | |
| Michael Morgan | .... | music recorded and mixed by | |
| Nerida Tyson-Chew | .... | conductor | |
| Nerida Tyson-Chew | .... | music producer | |
| Nerida Tyson-Chew | .... | orchestrator | |
Other crew | |||
| Kira Bohn | .... | script supervisor | |
| Shelley Marie Brown | .... | promotions | |
| Gemma Crofts | .... | production assistant | |
| John Fox | .... | armorer | |
| Manisha Goyal | .... | legal and business affairs | |
| Samantha Hately | .... | publicist | |
| Hamish MacLeod | .... | unit assistant | |
| Jessica Mitchell | .... | production secretary | |
| Nicola Moore | .... | assistant to producer | |
| Penny Murden | .... | assistant to producer | |
| Stephen Rutter | .... | travel manager | |
| Jill Ryan | .... | post production accountant | |
| John Sandow | .... | production coordinator | |
| Trudy Talbot | .... | production accountant | |
| Vanessa Younger | .... | assistant production coordinator | |
Thanks | |||
| Tim O'Connell | .... | thanks | |
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| Friday the 13th | Priest | The Professional: Golgo 13 | Torso | Blade of the Ripper |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb Australia section |
While I'm not sure that I'd watch Dying Breed again, I have to admit that I enjoyed it through the first time.
There are some great landscape shots in this movie and, overall, I felt the atmosphere was creepy, lending itself well to the dark tone of the picture. There was some suspense and a bit of gore as well. However, there was nothing really new or interesting in the plot. Similar movies have covered the same material before (Wrong Turn, perhaps to a lesser extent even The Chainsaw Massacre movies...) and although there's a link to an actual historical figure, it's a pretty weak link and there's no new twists to make this unique.
The characters are all pretty unlovable, so there's not much to relate to in that department.
The production values are high, so I have to recommend this over some of the other After Dark Horror Fest films I've seen. I feel it's a solid five; flawed but very watchable.