A thriller involving an ongoing unsolved mystery in Alaska, where one town has seen an extraordinary number of unexplained disappearances during the past 40 years and there are accusations of a federal cover up.
Computer scientist Hannon Fuller has discovered something extremely important. He's about to tell the discovery to his colleague, Douglas Hall, but knowing someone is after him, the old man... See full summary »
In 2270, Earth is completely depleted and no one lives there anymore. Those that have money move to Rhea; but most of the population lives in orbit in space stations. Dr. Laura Portmann ... See full summary »
Anna Katharina Schwabroh,
An unsuspecting, disenchanted man finds himself working as a spy in the dangerous, high-stakes world of corporate espionage. Quickly getting way over-his-head, he teams up with a mysterious femme fatale.
Cloverfield follows five New Yorkers from the perspective of a hand-held video camera. The movie is exactly the length of a DV Tape and a sub-plot is established by showing bits and pieces of video previously recorded on the tape that is being recorded over. The movie starts as a monster of unknown origin destroys a building. As they go to investigate, parts of the building and the head of the Statue of Liberty come raining down. The movie follows their adventure trying to escape and save a friend, a love interest of the main character. Written by
The only "score" composition for this film is an instrumental piece by Michael Giacchino played over the end credits, titled "Roar! (Cloverfield Overture)". This composition was intended to evoke the score of classic monster movies of the '50s and '60s (e.g. Godzilla). Roar! was not included on the soundtrack CD (which was packaged as a mix CD of music from Rob's surprise party), and as of 2011 has not been officially released on CD, but it was included when the soundtrack collection was later released on iTunes. See more »
Coming through the Narrows from Lower New York Bay (off Coney Island, where the monster was awoken) and onwards to Liberty Island (where the monster first makes its presence felt) there's no straight-line path that would subsequently put the monster in lower Manhattan. If it continued on a straight line from here it would wind up in Jersey City or Union city. However this assumes that the creature would continue in a straight line. Given that the monster is a disoriented, angry sea creature, and that it negotiated the Narrows to stay in the water until it came across Liberty Island, it's not unreasonable that it returned to the Upper New York Bay after attacking the statue instead of pushing onwards over land. If it continued inland up the Bay, it would inevitably run into Manhattan Island as we see in the movie. See more »
It's 6:42 AM. Beth's dad's place. He's out of town. And it's already a good day.
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During the Paramount and Bad Robot logos, ambiance can be heard faintly in the background. See more »
It was nice to finally watch movie that didn't seem like anything I'd ever seen before. This, much like Spielberg's "War of the Worlds" and "Children of Men", completely immerses you in this incredible situation with absolutely no knowledge to comfort you. It's very disorienting, which adds to the experience; you never figure out what the hell is going on but you're so into survival that you put it past you. You're placed with a bunch of characters whom you get to know and eventually must join in their frenzied search for a friend while being subjected to some horrifying imagery and new threats.
The effects look great and realistic thanks to the hand-held camera, which isn't too bad-looking if you manage to get a seat further from the screen. The filmmakers came up with some really great creature designs that were menacing yet very much original. If you're bound to be upset over seeing a movie with a lack of music, then stay for the credits, during which a fantastic suite of music composed by Michael Giacchino titled "Roar! (Cloverfield Theme)" plays.
All in all, a fantastic time at the movies. A little more background on the monster would be nice, though the absence of this information is intentional. Everyone in the theater was rooting for a sequel; maybe a second set of footage is found elsewhere? Or perhaps there is more the the viral marketing -- what exactly were Slusho and Tagruato? Also be prepared to suspend some disbelief, but considering the movie is about a monster destroying New York City, that shouldn't be too difficult.
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