Directed by | |||
| Donovan Marsh | |||
Writing credits(in alphabetical order) | ||
| Donovan Marsh | screenplay | |
| John Van De Ruit | novel | |
Produced by | |||
| Nic Evans | .... | executive producer | |
| Ross Garland | .... | producer | |
| Richard Green | .... | line producer | |
| Jeremy Katzen | .... | co-executive producer | |
| Brad Logan | .... | producer | |
| Mompati Setlogelo | .... | co-executive producer | |
Original Music by | |||
| Ed Jordan | |||
Cinematography by | |||
| Lance Gewer | |||
Film Editing by | |||
| Megan Gill | |||
Art Direction by | |||
| Tom Gubb | |||
Set Decoration by | |||
| Celia Bobak | |||
Costume Design by | |||
| Mariano Gomez | |||
Second Unit Director or Assistant Director | |||
| Bart Fouche | .... | first assistant director | |
| Thabani Gigaba | .... | second assistant director | |
Art Department | |||
| David Atherstone | .... | art department assistant | |
Sound Department | |||
| Michael Botha | .... | dialogue editor | |
| Michael Broomberg | .... | foley artist (as Michael J. Broomberg) | |
| Barry Donnelly | .... | sound effects editor | |
| Barry Donnelly | .... | sound re-recording mixer | |
| Oliver Machin | .... | sound fx and atmos recordist | |
| Ivan Milborrow | .... | sound recordist | |
| Philip Olckers | .... | assistant sound editor | |
| Mark Shehab | .... | foley recordist | |
| Stephen Webster | .... | a.d.r. mixer | |
Special Effects by | |||
| Leon Breytenbach | .... | special effects supervisor | |
| Jenn Robinson | .... | special effects coordinator | |
Visual Effects by | |||
| Isaac Lui | .... | visual effects artist | |
| Cyril Schumann | .... | flame artist | |
| Lauren Van Rensburg | .... | di producer | |
Stunts | |||
| Wesley Allan-Reynolds | .... | stunt double: John "Spud" Milton | |
| Leon Breytenbach | .... | stunt supervisor | |
| Mark Eaton | .... | stunt coordinator | |
| David Mahlangu | .... | stunts | |
| Thobile Mahlangu | .... | stunts | |
| Grant Oliver | .... | stunt double: The Guv | |
Camera and Electrical Department | |||
| Greg Fell | .... | epk | |
| Greg Fell | .... | still photographer | |
| James Frater | .... | camera operator | |
| James Frater | .... | steadicam operator | |
| Houston Hadden | .... | assistant camera | |
| Dean Leslie | .... | still photographer | |
| Vera Platt | .... | camera trainee | |
Casting Department | |||
| Bonnie Lee Bouman | .... | casting director: johannesburg | |
Editorial Department | |||
| Nicci Van Niekerk | .... | first assistant editor | |
Transportation Department | |||
| Roy Choromanski | .... | action vehicles coordinator | |
| Jason Siddall | .... | action vehicles coordinator | |
Other crew | |||
| Simon P. Crane | .... | stand-in for Aaron Mcilroy | |
| Trevor Crighton | .... | unit publicist | |
| Greg Fell | .... | e.p.k. shooter/editor | |
| Lon Haber | .... | publicist | |
| Nick Hill | .... | pilot | |
| Dean Leslie | .... | e.p.k. shooter/editor | |
| Tamsin MacCarthy | .... | production coordinator | |
| Bruce MacLarty | .... | dog/cat wrangler | |
| Annelie Mare | .... | assistant to producer | |
| Atta Opperman | .... | assistant wrangler | |
| Melinda Stokes | .... | production accountant | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb South Africa section |
I enjoyed 'Spud' today. I wasn't expecting much, which always helps. It was filmed in my old school, Michaelhouse, and it shows it very well for the beautiful place that it is - in a lovely setting.
Mostly the action is quite accurate too, for live in that particular boarding school, as I remember it. It hasn't changed all that much, either, over the past 35 odd years. The old Chemistry Lecture theatre is now the English classroom in the film, which seems slightly odd. The theatre was being built when I was there - a boy called Cook, fell through the skylight onto the floor below, leaving his teethmarks in the floor. He fell in front of the painting of the three witches in Macbeth - which I didn't see in the film, sensible.
The acting is good, and the South African accents authentic without being too grating. John Cleese acts very well - an not his usual comic style at all.
I'm not sure how you'll find the film if you didn't go to school there - probably better because you'll not be thinking of what all the different places meant to you, over the years!