Jerry and Rachel are two strangers thrown together by a mysterious phone call from a woman they have never met. Threatening their lives and family, she pushes Jerry and Rachel into a series of increasingly dangerous situations, using the technology of everyday life to track and control their every move.
Jerry Shaw is an amiable slacker with an over-achieving twin brother. After his twin dies in an accident, strange things happen to Jerry at a dizzying pace: a fortune shows up in his bank account, weapons are delivered to his flat, and a voice on his cell phone tells him the police are on their way. Jerry follows the voice's instructions, and soon he and a woman he's never met are racing through the city, on to a plane, and eventually to the Pentagon, chased by the FBI. She is Rachel Holloman, a single mom; the voice has threatened her son's death if she doesn't cooperate. The voice seems to know everything. Who is behind it, what is being planned, and why Jerry and Rachel? Written by
The film takes place in January because this is when the State of the Union address, key to the plot of the film, is traditionally held every year. See more »
When they are arguing under the power lines, ARIIA makes one of the power lines explode off the power line and kill someone. This is impossible, as there is no way to pinpoint a surge of electricity to a single location like that. If anything were to happen at all during a surge a breaker or fuse would blow. The part of the line that explodes contains no breakers or fuses - it's just insulators keeping the wires from actually touching the power poles. It would be virtually impossible for ARIIA to cause the lines to explode at that precise point, let alone fall in such a specific manner as to target a specific person at a specific point on the ground. See more »
Valhalla, this is Thor. Valhalla, this is Thor. We have visual on a possible high value target.
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Sometime Around Midnight
Written by Mikel Jollett
Performed by The Airborne Toxic Event (as The Airborne Toxic Event)
Courtesy of Majordomo Records, a division of Shout! Factory, LLC
By special arrangement with Natural Energy Lab See more »
Yeah, there is a bit of 2001 Space Odyssey, I Robot, Bourne Supremacy--any movie that has computers, surveillance, and government, coupled with unwilling participants. But it works. It does. Don't let the naysayers dispel you from a movie worth watching. Who cares if Spielberg favors Shia? I couldn't think who else could duck cars, cranes, the FBI, and still crack a joke that fits right in place. From Holes to Eagle Eye, Shia proves worth watching (okay, I Robot, was a bit silly). Eagle Eye does start out fresh and exciting in the beginning, gets a little boggy in the middle, and is soft at the end--BUT, it is still worth the admission price. You won't want to leave at anytime during the movie, the pace is so tightly executed. The stunt action is primo--the car crashes alone are standout. And the chase scene in the airport conveyor system is something else. The whole question of do we have too much technology is the theme. Don't forget to leave your cell phone at home.
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