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Directed by | |||
| Ricky Gervais | |||
| Matthew Robinson | |||
Writing credits(WGA) | ||
| Ricky Gervais | (written by) & | |
| Matthew Robinson | (written by) | |
Produced by | |||
| Rachel Abarbanell | .... | associate producer | |
| Sue Baden-Powell | .... | executive producer | |
| Terry Dougas | .... | executive producer | |
| Ted Field | .... | executive producer | |
| Ricky Gervais | .... | producer | |
| Paris Kasidokostas Latsis | .... | executive producer | |
| Dan Lin | .... | producer | |
| Lynda Obst | .... | producer | |
| Oliver Obst | .... | producer (as Oly Obst) | |
| Max Keene | .... | associate producer (uncredited) | |
| Modi Wiczyk | .... | executive producer (uncredited) | |
Original Music by | |||
| Tim Atack | |||
Cinematography by | |||
| Tim Suhrstedt | (director of photography) | ||
Film Editing by | |||
| Chris Gill | |||
Casting by | |||
| Lynn Kressel | |||
| Francine Maisler | |||
Production Design by | |||
| Alec Hammond | (as Alexander Hammond) | ||
Art Direction by | |||
| Priscilla Elliott | |||
Set Decoration by | |||
| Kathleen Rosen | |||
Costume Design by | |||
| Susie DeSanto | |||
Makeup Department | |||
| Deborah La Mia Denaver | .... | makeup artist: Jennifer Garner | |
| Maryann Marchetti | .... | makeup department head | |
| E. Morrow | .... | key makeup artist (as Eve Morrow) | |
| Christine Domaniecki | .... | makeup artist (uncredited) | |
| Robert Maverick | .... | makeup artist (uncredited) | |
| Brenda McNally | .... | additional hair stylist (uncredited) | |
| Barbara Olvera | .... | personal hairdresser: Jennifer Garner (uncredited) | |
| Nichole Pleau | .... | makeup artist (uncredited) | |
| Aaron F. Quarles | .... | hair department head (uncredited) | |
| Sacha Quarles | .... | hair department head (uncredited) | |
| Eleanor Sabaduquia | .... | makeup artist: Los Angeles (uncredited) | |
Production Management | |||
| Jay Coquillon | .... | post-production supervisor | |
| Wendy Cox | .... | unit production manager | |
| Steve Harrow | .... | post production manager: Steeple Post Production Services Ltd. | |
| Chris Nixon | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Matthew Baker | .... | second assistant director | |
| Ali Jordan | .... | second second assistant director (as Alison Walker) | |
| Max Keene | .... | first assistant director (as Adam Maxwell Keene) | |
Art Department | |||
| Brooke Bowden | .... | art department staff assistant | |
| Max Bozeman | .... | lead person | |
| Justin Brady | .... | set dresser | |
| Thomas E. Brown | .... | charge scenic artist (as Thomas Brown) | |
| Rachel Burgio | .... | art department staff assistant | |
| Stacy Clinger | .... | scenic foreman | |
| Jeffrey DeBell | .... | key greensperson (as Jeff Debell) | |
| Frankie Dennall | .... | set dresser | |
| Jaima Fogg | .... | set dresser | |
| Charles Grimm | .... | property master | |
| J.M. Hunter | .... | art department coordinator | |
| Christopher Kennedy | .... | set dresser (as Chris Kennedy) | |
| Eric Matheson | .... | construction foreperson | |
| Jill McGraw | .... | property assistant | |
| Janine Moore | .... | assistant property master | |
| Grant Osborn | .... | scenic foreman | |
| Chris Patterson | .... | on-set dresser | |
| Paul Peabody | .... | construction coordinator | |
| Dan Post | .... | set dresser | |
| Aileen Sovronsky | .... | buyer | |
| Katie Tower | .... | graphic artist | |
| Michael Vojvoda | .... | set dressing gangboss (as Mike Vojvoda) | |
| Joshua Barnatt | .... | greensman (uncredited) | |
| Stefan Couture | .... | set dresser (uncredited) | |
| Janet Kusnick | .... | storyboard artist (uncredited) | |
| Etienne Martine | .... | set decorations buyer (uncredited) | |
| Gilbert Plourde | .... | carpenter (uncredited) | |
| Eugene Pope | .... | construction foreman (uncredited) | |
| Helen Rasmussen | .... | draper (uncredited) | |
| John Ryder | .... | props (uncredited) | |
| Hugo Santiago | .... | set designer (uncredited) | |
| Mimi Watstein | .... | set dresser (uncredited) | |
| Peter Wilcox | .... | construction location foreman (uncredited) | |
| Jeremy Woodward | .... | set designer (uncredited) | |
Special Effects by | |||
| Yves De Bono | .... | special effects supervisor | |
| Jonn Herzberger | .... | special effects foreman | |
Visual Effects by | |||
| Ray Chang | .... | digital compositor: Gradient Effects | |
| Shane Cook | .... | compositing supervisor: Gradient FX | |
| Jay Frankenberger | .... | compositor: Gradient FX | |
| Dylan Highsmith | .... | visual effects editor: Gradient FX | |
| Kelley Ray | .... | digital effects supervisor: Gradient FX | |
| Anita Razzano | .... | flame artist: Gradient FX | |
| Thomas Tannenberger | .... | visual effects supervisor: Gradient FX | |
| Cameron Thomas | .... | lead compositor: Gradient FX | |
| Shane Christopher Wicklund | .... | compositor: Gradient FX (as Shane Wicklund) | |
| Louie Alexander | .... | digital compositor: Framestore (uncredited) | |
| Matthew Baker | .... | retouch and restoration: Framestore (uncredited) | |
| Zachary Bloom | .... | scanning and recording: Framestore (uncredited) | |
| Jerome Dewhurst | .... | di engineer (uncredited) | |
| Richard Edwards | .... | digital intermediate data operator: Framestore (uncredited) | |
| Bob Froehlig | .... | lead systems engineer: Gradient FX (uncredited) | |
| Andrew Harvey | .... | retouch and restoration: Framestore (uncredited) | |
| Adam Hawkes | .... | digital compositor (uncredited) | |
| Karsten Hecker | .... | film mastering engineer (uncredited) | |
| Thomas Kernan | .... | lead modeler: Gradient FX (uncredited) | |
| Ji Young 'Gina' Kim | .... | digital artist (uncredited) | |
| James Long | .... | digital intermediate data operator (uncredited) | |
| Kevin Lowery | .... | high definition engineer (uncredited) | |
| Veronica Marcano | .... | scanning & recording operator: Framestore (uncredited) | |
| Edwin Metternich | .... | digital intermediate retouch (uncredited) | |
| Andrea Paolino | .... | character technical director (uncredited) | |
| Adam Parker | .... | retouch and restoration: Framestore (uncredited) | |
| James Polk | .... | character effects/fur (uncredited) | |
| James Reed | .... | scanning and recording (uncredited) | |
| Rick Sander | .... | cg supervisor: Gradient FX (uncredited) | |
| Jimmy Saul | .... | scanning and recording manager (uncredited) | |
| Prasanna Siddharthan | .... | digital compositor: Gradient FX (uncredited) | |
| Anthony Smith | .... | digital compositor (uncredited) | |
| Olcun Tan | .... | digital effects supervisor (uncredited) | |
| Thomas Urbye | .... | preview colourist: The Look (uncredited) | |
Stunts | |||
| Haytham Kandil | .... | action driver (uncredited) | |
Casting Department | |||
| Lauren Grey | .... | casting associate: LA | |
| Kevin Kuffa | .... | casting associate: NYC | |
| Marisa Kushner | .... | extras casting | |
| Carolyn Pickman | .... | local casting | |
| Matt Bouldry | .... | casting assistant (uncredited) | |
| Peter Dudgeon | .... | casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Marisa Aboitiz | .... | costume supervisor | |
| Claire Bergkamp | .... | set costumer | |
| Maria Bradley | .... | costumer: Jennifer Garner | |
| Jamelle Flowers | .... | key set costumer | |
| Susan Kistler | .... | key costumer | |
| Maggie Ronck | .... | additional costumer | |
| Deborah Lynn Scott | .... | costume consultant (as Deborah Scott) | |
| Tim Baum | .... | assistant tailor (uncredited) | |
| Laurie Buehler | .... | seamstress (uncredited) | |
| Rosa J. Colón | .... | additional set costumer (uncredited) | |
| Andrew Poleszak | .... | head tailor (uncredited) | |
| Michelle Wickland | .... | wardrobe mistress: UK only (uncredited) | |
Editorial Department | |||
| Tom Foligno | .... | assistant editor (as Thomas Folligno) | |
| Alec Gibson | .... | grader | |
| Emanuele Giraldo | .... | assistant editor | |
| Adam Inglis | .... | colorist | |
| Gavin Round | .... | digital intermediate producer | |
| James Van Patten | .... | apprentice editor | |
| John Claude | .... | digital intermediate colorist (uncredited) | |
| Steve Harrow | .... | post-production consultant (uncredited) | |
| Élodie Ichter | .... | digital intermediate editor (uncredited) | |
Music Department | |||
| Michael Connell | .... | music editor | |
| Matt Dunkley | .... | conductor | |
| Matt Dunkley | .... | orchestrator | |
| Dana Millman | .... | music supervisor (as Dana DuFine) | |
| Steve Oberman | .... | associate music supervisor | |
| Tim Atack | .... | musician: piano (uncredited) | |
| Chris Clad | .... | violin (uncredited) | |
| Isobel Griffiths | .... | orchestra contractor (uncredited) | |
Transportation Department | |||
| James C. Donahue | .... | transportation coordinator (as James Donahue) | |
| Ernie Panarti | .... | picture car coordinator (as Ernie Panariti) | |
| Mario Presterone | .... | transportation captain | |
| Henry Bautista | .... | transportation captain: additional photography (uncredited) | |
| Teresa Haney | .... | transportation coordinator (uncredited) | |
| David Kenney | .... | transportation (uncredited) | |
| Tony Ruiz | .... | transportation coordinator: additional photography (uncredited) | |
Other crew | |||
| Natalia Anderson | .... | assistant: Ms. Baden-Powell | |
| Natalie Angel | .... | production coordinator (as Natalie S. Angel) | |
| Julian Barnett | .... | location assistant | |
| Stacey Bishop | .... | location assistant | |
| Mana Butt | .... | office staff assistant | |
| Christine Colburn | .... | office staff intern | |
| Matt Curtis | .... | title design: main and end title | |
| Roger Dillingham Jr. | .... | medic (as Roger Dillingham) | |
| Minnie Duerr | .... | first assistant accountant | |
| Michael F. Dunn | .... | craft service (as Michael Dunn) | |
| Louise Green | .... | assistant accountant: post production | |
| Courtney Keefe | .... | set production assistant | |
| C. Killian | .... | production secretary | |
| Tiffany Noel Kinder | .... | location manager (as Tiffany Kinder) | |
| Tatiana Komlos | .... | assistant production coordinator (as Tatiana K. Post) | |
| Susan Loshin | .... | office staff assistant (as Suz Loshin) | |
| Alison Heathwood McCormack | .... | assistant location manager (as Alison McCormack) | |
| Emily Millard | .... | assistant: Ms. Garner | |
| Susan Murphy | .... | second assistant accountant | |
| Kerry O'Brien | .... | set production assistant | |
| Scott Peterson | .... | script supervisor | |
| Hannah Pillemer | .... | assistant: Ms. Obst | |
| Jillian Roache | .... | location assistant | |
| John Sargent | .... | production facilities provided by: UK | |
| Lara Sargent | .... | post production accountant | |
| Claire Severance | .... | set production assistant | |
| Jane Shapiro | .... | assistant: Mr. Robinson | |
| Peter J. Silbermann | .... | unit publicist | |
| Kristina Soderquist | .... | production accountant | |
| Ryan Sweeney | .... | set production assistant | |
| Kal Thompson | .... | set production assistant | |
| Seanne Wehrenfennig | .... | assistant: Dan Lin (as Seanne Winslow Wehrenfennig) | |
| Kirstie White | .... | assistant accountant: post production | |
| Guy Wood | .... | assistant: Mr. Gervais | |
| Jennifer Bydwell | .... | product placement (uncredited) | |
| Mercedes Maria Daigle | .... | casting assistant (uncredited) | |
| Robert Foulkes | .... | location manager: additional photography (uncredited) | |
| Philippe Gallichet | .... | chef (uncredited) | |
| Stephen Gilchrist | .... | production executive (uncredited) | |
| Eric Gurian | .... | assistant: Tina Fey (uncredited) | |
| Julie Hansen | .... | post-production accountant (uncredited) | |
| Elton Hartney James | .... | production assistant (uncredited) | |
| Chris Judd | .... | floor runner: additional photography (uncredited) | |
| David LaCarubba | .... | production assistant (uncredited) | |
| Thomas Linay | .... | assistant: director: post production (uncredited) | |
| Faleshia Lo | .... | post production accountant (uncredited) | |
| Dan Marshall | .... | stand-in (uncredited) | |
| John Passarini | .... | production assistant (uncredited) | |
| Michael Rich | .... | production assistant (uncredited) | |
| Nicholas Rich | .... | set medic (uncredited) | |
| Karen Scarborough | .... | payroll accountant (uncredited) | |
| Rob Spence | .... | additional production coordinator (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
In a world where everyone must tell the truth, one man after being fired and almost evicted is pushed to the limits. His brain does something abnormal, he tells a lie. Not just any lie, the world's first lie. Since no one in this universe has ever heard a lie before, they take it as fact. Now this man has the world at his feet.
It is a clever concept, a clever and more massive spin on Liar Liar, yet that might not be such a good thing. The premise of this film is funny, but it becomes too much of itself and is tiresome after a while. The joke goes on and on, he tells lies, people believe him. In one scene a lie gets him in too deep to dig himself back up and that's where the conflict in this film comes in. Yet one can ask themselves a simple question, why not just lie his way out of it, instead of digging deeper holes.
Gervais is at the lead again, after his feel good comedy Ghost Town, which people decided to skip. This time around he's also behind the camera, yet nothing technical about this film pops out, it plays out like an average comedy, relying on it's one concept. The one concept gets some laughs here and there, but there are never any really laugh out loud moments.
The film has some emotional scenes, that influence the rest of the film. The comedy kind of takes a second step to the theme of religion. Some people may find this irritating. Jennifer Garner plays the romantic lead, who finds Gervais fat and with a stubby nose, not a good match genetically for a marriage and children. Yet they form a friendship, one in which Gervais hopes will blossom into something more. Does it? Well, how do romantic comedies usually work out? Here the outcome doesn't seem too believable. Things happens and people react without really knowing why, this leaves little for character arc.
How do people live in a world with no lies? Well, when you want to watch a film, you go to the theatre. In that theatre you'll see a guy sitting in a chair reciting history. Since, movies are mostly fiction, no one can make one, cause it would be a lie. See where this film goes? A retirement home becomes "A place where old people go to die", so on and so on.
The film does have some really funny cameos. It's mostly the usual comedy round, but there is at least one in which I was so caught off guard that I just couldn't help but laugh. Look out for a cop. Jonah Hill and Louis C.K. play two supporting character, neither are funny.
The film is funny, but not enough to warrant a theatre viewing. This has rental written all over it. It simply cannot stand on it's concept for too long, because it becomes a bit dull. If it were a short, I could enjoy it more.