Bertram Pincus is a man whose people skills leave much to be desired. When Pincus dies unexpectedly, but is miraculously revived after seven minutes, he wakes up to discover that he now has the annoying ability to see ghosts.
A family's moral codes are tested when Ray Tierney investigates a case that reveals an incendiary police corruption scandal involving his own brother-in-law. For Ray, the truth is revelatory, a Pandora's Box that threatens to upend not only the Tierney legacy but the entire NYPD.
It's a world where everyone tells the truth - and just about anything they're thinking. Mark Bellison is a screenwriter, about to be fired. He's short and chunky with a flat nose - a genetic setup that means he won't get to first base with Anna, the woman he loves. At a bank, on the spur of the moment he blurts out a fib, with eye-popping results. Then, when his mother's on her deathbed, frightened of the eternal void awaiting her, Mark invents fiction. The hospital staff overhear his description of Heaven, believe every word, and tell others. Soon Mark is a prophet, his first inventive screenplay makes him rich, and he's basically a good guy. But will that be enough for Anna? Written by
Director, writer and actor Ricky Gervais sponsored an online Photoshop contest related to the movie theme by asking contestants to edit known movie posters as if those posters were usually lying to the audience. See more »
In the bar scene, there is a full glass of beer in front of Mark. When the camera cuts to the bartender then back to Mark, his beer glass is near empty, now accompanied by several empty shot glasses. See more »
I found the movie to be mind stretching. Gee, the movie may exaggerate human suggestibility, but we are quite susceptible to what others tell us--especially if we want to believe what they say. Our susceptibility also results from our prior cultural experiences. Some cultures are very authoritarian. Thus, people from those backgrounds are more susceptible than those people from cultures that encourage questioning.
Another aspect I enjoyed was the recognition of the character that his power to influence others could be used selfishly or to help others. A related aspect of the influencing is the unpredictability of the effects that the influence will have on others--one might call these effects "collateral damage, complications, and benefits". I relate these interventions to all human interactions--including interventions into the affairs of other countries.
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