Bertram Pincus is a man whose people skills leave much to be desired. When Pincus dies unexpectedly, but is miraculously revived after seven minutes, he wakes up to discover that he now has the annoying ability to see ghosts.
A family's moral codes are tested when Ray Tierney investigates a case that reveals an incendiary police corruption scandal involving his own brother-in-law. For Ray, the truth is revelatory, a Pandora's Box that threatens to upend not only the Tierney legacy but the entire NYPD.
Kids show host Rainbow Randolph is fired in disgrace while his replacement, Sheldon Mopes, aka Smoochy the Rhino, finds himself a rising star. Unfortunately for Sheldon, the kid's TV business isn't all child's play.
It's a world where everyone tells the truth - and just about anything they're thinking. Mark Bellison is a screenwriter, about to be fired. He's short and chunky with a flat nose - a genetic setup that means he won't get to first base with Anna, the woman he loves. At a bank, on the spur of the moment he blurts out a fib, with eye-popping results. Then, when his mother's on her deathbed, frightened of the eternal void awaiting her, Mark invents fiction. The hospital staff overhear his description of Heaven, believe every word, and tell others. Soon Mark is a prophet, his first inventive screenplay makes him rich, and he's basically a good guy. But will that be enough for Anna? Written by
The film's credits are set in the Windsor typeface, used notably in the films of Woody Allen. See more »
When Greg and Mark are being pulled over by the motorcycle cop, the rearward shot clearly shows that they are on a 4 lane street with buildings on each side, and he stops in the left lane near the center line. But in the remainder of the scene they are stopped in the right lane of a long bridge.
Also, the lights on the police motorcycle are still flashing as the officer walks up to confront the driver of the car. Later in the scene, the lights on the motorcycle are not on anymore. See more »
[surprised by the homeowner during a burglary]
What are you doing here? It's Monday at noon. You're not supposed to be home now!
Man at the Door:
If you must know, I'm incredibly stressed at work, I've come home early, I'm having a bit of me-time. More importantly, what are you doing?
Well, I was gonna rob your house.
Man at the Door:
I don't like that idea. Not a fan of that at all.
I'm not gonna do it now, because you're in.
Man at the Door:
Do you know what's gonna happen? I'm gonna call the police, you're gonna be arrested.
Well, I'm just ...
[...] See more »
I was pleasantly surprised by this film. From a simple premise as "lying doesn't exist" it develops into a thoughtful tale with a touch of satire. On the one hand it exposes early on the basic first impressions we all have of each other and of situations we find ourselves in. On the other, it touches on the importance of being honest about what we know and especially honest about what we don't know.
I could examine all the inconsistencies inherent to a concept like this. One would think that without the concept of duplicity, we should be far more advanced than we currently are. One would also think that without lying, there would be no imagination and therefore very few scientific discoveries and advances. The story requires that you don't think about that too much, just to enjoy the script as it moves along.
Gervais carries the film along as planned, in his quiet, self-effacing way. The humor won't have you rolling on the floor, but the frankness of the casual insights should make anyone snicker with self-awareness at the truth of it all.
36 of 42 people found this review helpful.
Was this review helpful to you?