Bertram Pincus is a man whose people skills leave much to be desired. When Pincus dies unexpectedly, but is miraculously revived after seven minutes, he wakes up to discover that he now has the annoying ability to see ghosts.
Award-winning actor/comedian Ricky Gervais' first-ever HBO stand-up special features his unique takes on such disparate issues as fund-raising, autism, fame, nursery rhymes, Nazis, moronic friends, obesity and more.
A family's moral codes are tested when Ray Tierney investigates a case that reveals an incendiary police corruption scandal involving his own brother-in-law. For Ray, the truth is revelatory, a Pandora's Box that threatens to upend not only the Tierney legacy but the entire NYPD.
It's a world where everyone tells the truth - and just about anything they're thinking. Mark Bellison is a screenwriter, about to be fired. He's short and chunky with a flat nose - a genetic setup that means he won't get to first base with Anna, the woman he loves. At a bank, on the spur of the moment he blurts out a fib, with eye-popping results. Then, when his mother's on her deathbed, frightened of the eternal void awaiting her, Mark invents fiction. The hospital staff overhear his description of Heaven, believe every word, and tell others. Soon Mark is a prophet, his first inventive screenplay makes him rich, and he's basically a good guy. But will that be enough for Anna? Written by
Ricky Gervais insisted that Louis C.K. shave off his goatee because he needed to look like a caveman for the opening scene. C.K. was very reluctant but he eventually shaved it off. The cavemen scene was filmed but it was deleted from the main feature, and presented as a short film on the DVD. See more »
The establishing shot for the motel where Mark brings the Blonde (Stephanie March) shows a one-story building with red doors, but when he leaves, the door is black and numbered "222". See more »
I was pleasantly surprised by this film. From a simple premise as "lying doesn't exist" it develops into a thoughtful tale with a touch of satire. On the one hand it exposes early on the basic first impressions we all have of each other and of situations we find ourselves in. On the other, it touches on the importance of being honest about what we know and especially honest about what we don't know.
I could examine all the inconsistencies inherent to a concept like this. One would think that without the concept of duplicity, we should be far more advanced than we currently are. One would also think that without lying, there would be no imagination and therefore very few scientific discoveries and advances. The story requires that you don't think about that too much, just to enjoy the script as it moves along.
Gervais carries the film along as planned, in his quiet, self-effacing way. The humor won't have you rolling on the floor, but the frankness of the casual insights should make anyone snicker with self-awareness at the truth of it all.
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