Bertram Pincus is a man whose people skills leave much to be desired. When Pincus dies unexpectedly, but is miraculously revived after seven minutes, he wakes up to discover that he now has the annoying ability to see ghosts.
A family's moral codes are tested when Ray Tierney investigates a case that reveals an incendiary police corruption scandal involving his own brother-in-law. For Ray, the truth is revelatory, a Pandora's Box that threatens to upend not only the Tierney legacy but the entire NYPD.
It's a world where everyone tells the truth - and just about anything they're thinking. Mark Bellison is a screenwriter, about to be fired. He's short and chunky with a flat nose - a genetic setup that means he won't get to first base with Anna, the woman he loves. At a bank, on the spur of the moment he blurts out a fib, with eye-popping results. Then, when his mother's on her deathbed, frightened of the eternal void awaiting her, Mark invents fiction. The hospital staff overhear his description of Heaven, believe every word, and tell others. Soon Mark is a prophet, his first inventive screenplay makes him rich, and he's basically a good guy. But will that be enough for Anna? Written by
Gervais insisted that Louis C.K. shave off his goatee because he needed to look like a caveman for the opening scene. C.K. was very reluctant but he eventually shaved it off. The cavemen scene was filmed but it was deleted from the final cut. See more »
When Mark exits his car when the mob is formed around his house; his seat belt automatically moves up the side of the car, but in the next shot he exits the car without trouble and his seat belt is in the original down position as it would be when he is driving. See more »
Brilliant concept and terrific execution. Wonderful casting.
Ricky Gervais and Jennifer Garner are absolutely believable throughout their respective characters' evolution, and they play off each other very well. In fact, everyone's performance is spot on. And the cinematography beautifully plays up (or down, rather) the fictional world which is the story's setting.
If you're hoping for non-stop one-liners and ridiculousness throughout, this is not your film. While this film's cheeky, pointed story is loaded with wit - including some side-splitting scenes (I cried with laughter watching Ricky Gervais' character face questions from a credulous crowd) - it has a real and rather serious plot. There is a point to this fiction, indeed.
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