Bertram Pincus is a man whose people skills leave much to be desired. When Pincus dies unexpectedly, but is miraculously revived after seven minutes, he wakes up to discover that he now has the annoying ability to see ghosts.
A family's moral codes are tested when Ray Tierney investigates a case that reveals an incendiary police corruption scandal involving his own brother-in-law. For Ray, the truth is revelatory, a Pandora's Box that threatens to upend not only the Tierney legacy but the entire NYPD.
It's a world where everyone tells the truth - and just about anything they're thinking. Mark Bellison is a screenwriter, about to be fired. He's short and chunky with a flat nose - a genetic setup that means he won't get to first base with Anna, the woman he loves. At a bank, on the spur of the moment he blurts out a fib, with eye-popping results. Then, when his mother's on her deathbed, frightened of the eternal void awaiting her, Mark invents fiction. The hospital staff overhear his description of Heaven, believe every word, and tell others. Soon Mark is a prophet, his first inventive screenplay makes him rich, and he's basically a good guy. But will that be enough for Anna? Written by
The wedding chapel at the end of the movie is located in Sudbury, Massachusetts, west of the Wayside Inn. The Martha-Mary Chapel was built by Henry Ford in 1938-9, also visible outside the chapel is the red schoolhouse made famous by Mary Sawyer, who had a lamb follow her to school. See more »
In the bar scene, there is a full glass of beer in front of Mark. When the camera cuts to the bartender then back to Mark, his beer glass is near empty, now accompanied by several empty shot glasses. See more »
I was pleasantly surprised by this film. From a simple premise as "lying doesn't exist" it develops into a thoughtful tale with a touch of satire. On the one hand it exposes early on the basic first impressions we all have of each other and of situations we find ourselves in. On the other, it touches on the importance of being honest about what we know and especially honest about what we don't know.
I could examine all the inconsistencies inherent to a concept like this. One would think that without the concept of duplicity, we should be far more advanced than we currently are. One would also think that without lying, there would be no imagination and therefore very few scientific discoveries and advances. The story requires that you don't think about that too much, just to enjoy the script as it moves along.
Gervais carries the film along as planned, in his quiet, self-effacing way. The humor won't have you rolling on the floor, but the frankness of the casual insights should make anyone snicker with self-awareness at the truth of it all.
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