| Chon Wachananon | ... | Tawan | |
| Wichan Jarujinda | ... | Dr. Taa | |
| Chidjan Rujiphun | ... | Nook | |
| Kanya Rattapetch | ... | Ae | |
| Dollaros Dachapratumwan | ... | Jo | |
| Ase Wang | ... | Yim | |
| Ampaiwan Techapoowapat | ... | Am | |
| Ampairat Techapoowapat | ... | Orn | |
| Libby Brien | ... | Additional Voices (voice: English version) | |
| Philip Hersh | ... | Additional Voices (voice: English version) |
Directed by | |||
| Piraphan Laoyont | |||
| Thodsapol Siriwiwat | |||
Produced by | |||
| Tech Akarapol | .... | producer (as Akarapol Techaratanaprasert) | |
| Thananop Bhalbulaya | .... | line producer | |
| Prachya Pinkaew | .... | producer | |
| Somsak Techaratanaprasert | .... | executive producer | |
| Sukanya Vongsthapat | .... | producer | |
| Sita Vosbein | .... | associate producer | |
Casting by | |||
| Chanop Sirikamolmas | |||
Production Design by | |||
| Sira Talthong | |||
Art Direction by | |||
| Thawatchai Phutsri | (as Thawachchai Phutsri) | ||
Costume Design by | |||
| Panchalee Pintong | (as Punchalee Pinthong) | ||
Makeup Department | |||
| Monta Harnwichai | .... | hair stylist | |
| Phusanisa Kitikriengkrai | .... | makeup artist | |
| Jirayuth Numsank | .... | hair stylist (as Jirayut Numsang) | |
| Sunchai Roonkert | .... | makeup artist | |
| Terd Yodthong | .... | hair stylist | |
Production Management | |||
| Warunee Kasikitsakulpol | .... | production manager | |
| Sutthiket Khongthaworn | .... | assistant production manager | |
| Nuchchanart Markswat | .... | assistant production manager (as Nuchchanart Maksawat) | |
Second Unit Director or Assistant Director | |||
| Puttamart Kongchalalai | .... | second assistant director (as Putthamart Kongchalalai) | |
| Jirapong Phetkhiew | .... | second assistant director | |
| Aphinate Ruenphanich | .... | first assistant director (as A-Phinate Ruenphanich) | |
Art Department | |||
| Sippapart Phukae | .... | prop master | |
| Rannachai Pukpanjun | .... | assistant art director | |
| Kongkrit Thongdee | .... | assistant art director | |
Costume and Wardrobe Department | |||
| Wassana Likitapsorn | .... | costume staff | |
| Ratchaneekorn Sutanonda | .... | costume staff | |
Editorial Department | |||
| Manussa Vorasingha | .... | assistant editor | |
Transportation Department | |||
| Komsan Lumkuntod | .... | transportation | |
| Pairod Siriwan | .... | transportation (as Pairat Siriwan) | |
| Todsarorn Ternthongkum | .... | transportation | |
Other crew | |||
| Malee Bunyasrisavad | .... | interpreter | |
| Mama Daeng | .... | cook (as Mama Deng) | |
| Yanatip Montonbundit | .... | production accountant | |
| Somchai Moonma | .... | action choreographer (as Somchai Munma) | |
| Jaruda Mungkun | .... | caterer | |
| Chanpen Narumit | .... | continuity | |
| Waraporn Phibomrung | .... | location manager | |
| Varavut Phunjapalakonkul | .... | location scout | |
| Jatupol Ratanasupavet | .... | caterer (as Jatupol Rattanasupavet) | |
| Warinya Ratipakorn | .... | production coordinator | |
| Kavinthip Yeamsuwan | .... | production coordinator | |
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| Enter the Void | One Missed Call | The Grudge 2 | So Sweet, So Dead | Eyes Wide Shut |
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| Full cast and crew | Company credits | External reviews |
| IMDb Crime section | IMDb Thailand section |
This is a film that wallows and writhes in ecstatic abandon with the pure joy of being a B-Movie. I'm sure it never pretends to be anything else, and as such should be rated in those terms. Maybe as a 'film' it deserves its IMDb rating of 4.3, but as an exploitation/horror flick it would have to rate a solid 7.5. For those who enjoy the genre, you should find much to love.
The basic premise is this ... get a bunch of babes in form-fitting nurse costumes, point the camera at them a lot while they're walking away, introduce the obligatory Asian hair ghost, and sprinkle liberally with copious amounts of blood and creative death sequences.
Yeah its got a story, but who cares. Read one of the other reviews if that concerns you.
Fans of Asian horror will no doubt find it somewhat derivative - this is a 2007 film using the whole hair-ghost angle that was already tired and overdone in 2005. Connoisseurs will also recognise a famous scene lifted from Takashi Miike's Gozu, but in the spirit of Tarantino lets call it 'an homage'. In any case, it really doesn't matter - the film is too much fun to get hung up on critical technicalities. Crack open a beer and enjoy the show!