| Photos (See all 11 | slideshow) | Videos (see all 5) |
| Robert Pattinson | ... | Art | |
| Rebecca Pidgeon | ... | Mother | |
| Powell Jones | ... | Dr. Ellington | |
| Jeremy Hardy | ... | Jeremy | |
| Michael Irving | ... | Father | |
| Mike Pearce | ... | Nikki | |
| Johnny White | ... | Ronny | |
| Alisa Arnah | ... | Jessica | |
| Joe Hastings | ... | Dave | |
| Biddy Rowe | ... | Woman at Old House | |
| Tim Rowe | ... | Boy at Old House | |
| Bart Kusse | ... | Child Art | |
| Augustin Irving | ... | Child Father | |
| Mirabel Kelly | ... | Woman in Supermarket | |
| Bernard Kelly | ... | Landlord | |
| David Hoggard | ... | Child Dr. Ellington | |
| Grace Hoggard | ... | Child Mother | |
| Callum Needham | ... | Skateboard Boy | |
| Sarah Needham | ... | Dr. Ellington's Mother | |
| Michael Williams | ... | Gareth | |
| Nic Tuft | ... | Supermarket Manager | |
| Tim Barker | ... | Man on Train | |
| Phillip Carey | ... | Re-Birth Hippy | |
| Katkin Tague | ... | Re-Birth Hippy / Nikki's Girlfriend | |
| Winston Rutherford | ... | Homeless Man #1 | |
| Matt Grimwood | ... | Homeless Man #2 | |
| Amy Hickey | ... | Nikki's Girlfriend | |
| Christian Hedges | ... | Goth Boy | |
| Claire Scotton | ... | Goth Girl | |
| Davinder Singh | ... | Newsagent | |
| Brenda Fox | ... | Care Centre Resident | |
| Emma Fenn | ... | Care Centre Resident | |
| William Hayward | ... | Care Centre Resident | |
| Sarah Hughes | ... | Care Centre Resident | |
| Claire John | ... | Care Centre Resident | |
| Nick King | ... | Care Centre Resident | |
| Nicola Patterson | ... | Care Centre Resident | |
| Andrew White | ... | Ronny's Dad | |
| Angela Abelian | ... | Ronny's Dad's Girlfriend | |
| David Kelly | ... | Office Client #1 | |
| John Wong | ... | Office Client #2 | |
| Mioko Fujisaki | ... | Office Client #3 | |
| Sarah Hyman | ... | Office Secretary | |
| Stephen Noel | ... | Sleeping Man at Gig | |
| Gary Moore | ... | Gig Sound Man | |
| Andre Els | ... | Gig Darts Player | |
| Bonnie Kennell | ... | Gig Venue Punter | |
| Camila Fiori | ... | Leona (Girl at the bar) | |
| Lucy Harvey | ... | Gig Venue Punter | |
| Albert Walsh | ... | Barman | |
| Trisha Faulkner | ... | Carboot Seller #1 | |
| Bart Tuft | ... | Carboot Seller #2 (as Bartholomew Tertius Tuft) | |
| Lee Tailor | ... | Car Boot Buyer | |
| Victoria Steventon | ... | Scooter Girl | |
| Joe Bor | ... | Pub Crowd | |
| Hester Campbell | ... | Pub Crowd | |
| Amy Clamp | ... | Pub Crowd | |
| Emma Coleman | ... | Pub Crowd | |
| Miles Coleman | ... | Pub Crowd | |
| Imogen Crouch-Hyde | ... | Pub Crowd | |
| Kirsty Grafton | ... | Pub Crowd | |
| Ellie Grouin | ... | Pub Crowd | |
| Sophie Hampton | ... | Pub Crowd | |
| Joe Horwood | ... | Pub Crowd | |
| Nik Jennings | ... | Pub Crowd | |
| Adam Killip | ... | Pub Crowd | |
| Winnie Salisbery | ... | Pub Crowd | |
| Shizue Shigeta | ... | Pub Crowd | |
| Gwenllian Stein | ... | Pub Crowd | |
| Tim Stewart | ... | Pub Crowd | |
| Emma Stradwick | ... | Pub Crowd | |
| Maria von Schantz Tylestam | ... | Pub Crowd | |
| Kristina Vulganoua | ... | Pub Crowd | |
| Danielle Walker | ... | Pub Crowd | |
| Martin Zuerto | ... | Pub Crowd |
Directed by | |||
| Oliver Irving | |||
Produced by | |||
| Scott Bassett | .... | line producer | |
| Justin Kelly | .... | producer | |
| Michael Williams | .... | associate producer | |
Original Music by | |||
| Joe Hastings | |||
Cinematography by | |||
| Paul Swann | |||
Film Editing by | |||
| Reuben Irving | |||
Casting by | |||
| Urvashi Chugani | |||
Production Design by | |||
| Nic Tuft | |||
Art Direction by | |||
| Stefania Buonajuti | |||
| Paul Harvey | |||
Makeup Department | |||
| Amy Elliot | .... | assistant makeup artist | |
| Rachael Py | .... | makeup artist | |
| Tinks Reding | .... | makeup artist: Rebecca Pidgeon | |
Production Management | |||
| Scott Bassett | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Francesca Farran-Lee | .... | third assistant director | |
| Nick Simmonds | .... | second assistant director | |
| Lee Tailor | .... | first assistant director | |
Art Department | |||
| Rebecca Amissah | .... | art department assistant | |
| Bart Tuft | .... | standby art director | |
Sound Department | |||
| Tim Barker | .... | sound recordist | |
| Steve Browell | .... | supervising dialogue editor | |
| Juan Manuel Delfin | .... | assistant sound editor | |
| Dominique Devoucoux | .... | adr supervisor | |
| Dominique Devoucoux | .... | director of sound services | |
| Dominique Devoucoux | .... | foley supervisor | |
| Phil Freudenfeld | .... | foley editor | |
| Phil Freudenfeld | .... | sound designer | |
| Phil Freudenfeld | .... | sound effects editor | |
| Gernot Fuhrmann | .... | sound recordist | |
| Sue Harding | .... | foley artist | |
| Yagmur Kaplan | .... | adr mixer | |
| Juliet Plumptre | .... | boom operator | |
| Kath Pollard | .... | sound re-recording mixer | |
| Vanesa Lorena Tate | .... | dialogue editor | |
| Vanesa Lorena Tate | .... | sound designer | |
| Vanesa Lorena Tate | .... | supervising sound editor | |
Visual Effects by | |||
| James Ballard | .... | production executive: Dragon DI | |
| Geoffrey R. Case | .... | digital colourist | |
| Valentina Catena | .... | digital colorist assist | |
| Michele De Benedetti | .... | digital clean-up | |
| Julie Harding | .... | DI producer: Dragon DI (as Julie Pucher) | |
| Myfanwy Harris | .... | digital intermediate operator: Dragon DI | |
| Tony Ray | .... | digital intermediate executive: Dragon DI | |
| Paul J. Wright | .... | scanning and recording manager | |
Camera and Electrical Department | |||
| Gareth Brough | .... | best boy spark | |
| Grace Donaldson | .... | key grip | |
| Thomas English | .... | Steadicam operator | |
| James Friend | .... | best boy: additional photography | |
| Gunnar Heidar | .... | gaffer: additional photography | |
| Rod Patterson | .... | camera car | |
| Rod Patterson | .... | grip | |
| Richard Perry | .... | sparks | |
| Sol Saihati | .... | gaffer: additional photography | |
| Richard Unger | .... | still photographer | |
| Chris Williams | .... | first assistant camera | |
| Chris Williams | .... | focus puller | |
Casting Department | |||
| Rohan Chand | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Lucy Harvey | .... | wardrobe | |
Music Department | |||
| Gary John Moore | .... | music score engineer | |
Other crew | |||
| Will Abbott | .... | set runner | |
| Charles Bates | .... | production accountant | |
| Mathilde Bouts | .... | script supervisor | |
| Matt Grimwood | .... | production coordinator | |
| Vinnie Jassal | .... | location manager | |
| Danielle Kummer | .... | location assistant | |
| Brenda Marchetti | .... | production assistant | |
Thanks | |||
| Denis Krupnov | .... | special thanks | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb UK section |
I attended the DC Independent Film Festival's screening of How To Be here in Washington, DC.
I loved it! I like quiet little movies like this. It's all dialogue-rich, and location sets, and natural composition. I thought the casting was perfect: the characters were organic and realistic, other than Dr. Ellington (the personal therapist) who was supposed to be a caricature rather than a true character in the film. This gave it a subtly surreal dynamic, which I thought was a nice touch.
The script was great, IMO. I generally like good character sketches, though, so I suppose I could see people who are not interested in the same being less than thrilled with it. But I like the themes that Art brings to the story. They are typical and simple themes, like love, direction, family, friends, work, sadness, happiness. The characters are wholly irreverent and hilariously unique. For a very small film, this script is nicely fleshed out.
The direction, production, and editing were great! I didn't catch any mistakes. They had a thorough cinematographer, too. I thought the lighting was pleasing, and the sound was mixed/edited nicely.
And yes. Rob Pattinson's performance is stellar. For being a self-proclaimed "untrained" actor, he's got such a wonderful and daring on-screen presence. Art is pathetic...so freakin' pathetic. And Pattinson embodies him with such precise depth. His comedic delivery, his physical timing, his vocal performance; I swear, it's all flawless. He really reaches inside himself to find that space where depression and anxiety live, and he dives into the process of putting himself back together again. You really root for the guy, pathetic as he is. As Pattinson's fame swells exponentially in the coming years, this one will become a sleeper testament to his acting chops--teeny bopper vampire love stories be damned.