When seasoned comedian George Simmons learns of his terminal, inoperable health condition, his desire to form a genuine friendship cause him to take a relatively green performer under his wing as his opening act.
At first fancying himself an "enigmatic poet", twenty something Art gradually realizes that he must take action if he's going to escape his depressed life as a struggling musician in London. A solution comes in the shape of a book titled "It's Not Your Fault". Not content to just draw inspiration from its pages, however, Art invites the elderly author of the book to come live with him and his parents, which quickly becomes a painfully funny journey about dysfunction and growing up. Written by
Lovely, quirky, and polished film. Pattinson is great, but so is everything else.
I attended the DC Independent Film Festival's screening of How To Be here in Washington, DC.
I loved it! I like quiet little movies like this. It's all dialogue-rich, and location sets, and natural composition. I thought the casting was perfect: the characters were organic and realistic, other than Dr. Ellington (the personal therapist) who was supposed to be a caricature rather than a true character in the film. This gave it a subtly surreal dynamic, which I thought was a nice touch.
The script was great, IMO. I generally like good character sketches, though, so I suppose I could see people who are not interested in the same being less than thrilled with it. But I like the themes that Art brings to the story. They are typical and simple themes, like love, direction, family, friends, work, sadness, happiness. The characters are wholly irreverent and hilariously unique. For a very small film, this script is nicely fleshed out.
The direction, production, and editing were great! I didn't catch any mistakes. They had a thorough cinematographer, too. I thought the lighting was pleasing, and the sound was mixed/edited nicely.
And yes. Rob Pattinson's performance is stellar. For being a self-proclaimed "untrained" actor, he's got such a wonderful and daring on-screen presence. Art is pathetic...so freakin' pathetic. And Pattinson embodies him with such precise depth. His comedic delivery, his physical timing, his vocal performance; I swear, it's all flawless. He really reaches inside himself to find that space where depression and anxiety live, and he dives into the process of putting himself back together again. You really root for the guy, pathetic as he is. As Pattinson's fame swells exponentially in the coming years, this one will become a sleeper testament to his acting chops--teeny bopper vampire love stories be damned.
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