Steve Angelo (of "The Hacienda" and "The Couch" fame) made this early Harmony Films release with an eye toward excess, outstripping most of his peers in terms of sheer high-energy, non-step sex. For that reason it holds up rather well a decade later, when this sort of assault on the porn viewer's senses has unfortunately become routine. To use a jazz parallel, it's as if Coltrane's wild "Ascension" LP date of 1965 had caught on and caused jazz to take cacophony as its starting point rather than a climax, while in a similar time frame the Adult Cinema world has adopted the gonzo approach as not a stunt but rather the required norm.
It is structured in the modern manner not as a continuous feature or show but rather as five separate (and separately timed/accessed via menu, without any "Play Feature" mechanism) vignettes plus a quality bonus scene that should have just been one of six rather than demarcated off by its lonesome.
At first, I was impressed by a novel notion Angelo employs, as the first 3 segments on the Menu list have overlapping set-up/context footage before focusing respectively on three separate arenas of the three-ring circus that makes up the Orgy party of the title. We see the same players in the same positions, with simply different key camera movements to complete each scene riveted to one couple (or group) for the duration.
One of these couples is the Lesbian tandem of Nicolette (identified in IMDb as Angelina Crow) and Sandy Cage going at it with a strap-on dildo and as much gusto as their surrounding heterosexual party-goers. Their spotlight segment is simply titled "The Dykes".
Always a reliable "I'll do anything" broad, Annette Schwarz stars in "Abuse Me", with George Uhl and Jazz Duro living up to the title honors.
"Gang Bang Me" is the showy, lengthy introductory vignette in which the unfamiliar "Nancy" (IMDb lists the actress as Roxanne Loveitt with no obvious supporting evidence) takes on a bevy of studs including Dirty Dog/Ian Tate, Ben Kelly and Olivier Sanchez, all stalwarts of the Harmony Films label. Perhaps this format is what reduced the untitled "Bonus Scene" to non-inclusion in the main event, as it consists of the late, great Savannah Gold having a warehouse gang-bang, far sexier than this one, with the aforementioned Kelly, Sanchez and Tate plus guest star James Cowen.
"Face F*ck Me" is the most concise segment, over in a scant 10 minutes, as Sahara Knite (misspelled Night in the superimposed credit) takes on the redoubtable Mr. Foot Long named Sensi, and repeatedly deep throats him with impressive ease. By my reckoning this counts as IR content, matching her Indian ancestry with Sensi's African roots.
Finale of the feature proper is titled "Cock Tale", perhaps because this four-way swap-fest has so many tight closeups of a pair of huge cocks rending two redoubtable heroines: superstar Claudia Rossi and the always sexy Euro Porn goddess Sharka Blue. Besides the big dick of Jay R., we get a pleasant surprise of Scandinavian import Samson Biceps, billed simply as Samson, on loan from Mike Beck for whom he was the resident Black stud in so many of the Swedish pornographers fun turn of the century XXX features from the land of Bergman and Widerberg. It's the only time I've seen him on loan-out away from the icy north, and usually eagle-eyed IMDb credit mavens can be forgiven for not matching him up to the role (I had to fix the credit listing just now).
It is structured in the modern manner not as a continuous feature or show but rather as five separate (and separately timed/accessed via menu, without any "Play Feature" mechanism) vignettes plus a quality bonus scene that should have just been one of six rather than demarcated off by its lonesome.
At first, I was impressed by a novel notion Angelo employs, as the first 3 segments on the Menu list have overlapping set-up/context footage before focusing respectively on three separate arenas of the three-ring circus that makes up the Orgy party of the title. We see the same players in the same positions, with simply different key camera movements to complete each scene riveted to one couple (or group) for the duration.
One of these couples is the Lesbian tandem of Nicolette (identified in IMDb as Angelina Crow) and Sandy Cage going at it with a strap-on dildo and as much gusto as their surrounding heterosexual party-goers. Their spotlight segment is simply titled "The Dykes".
Always a reliable "I'll do anything" broad, Annette Schwarz stars in "Abuse Me", with George Uhl and Jazz Duro living up to the title honors.
"Gang Bang Me" is the showy, lengthy introductory vignette in which the unfamiliar "Nancy" (IMDb lists the actress as Roxanne Loveitt with no obvious supporting evidence) takes on a bevy of studs including Dirty Dog/Ian Tate, Ben Kelly and Olivier Sanchez, all stalwarts of the Harmony Films label. Perhaps this format is what reduced the untitled "Bonus Scene" to non-inclusion in the main event, as it consists of the late, great Savannah Gold having a warehouse gang-bang, far sexier than this one, with the aforementioned Kelly, Sanchez and Tate plus guest star James Cowen.
"Face F*ck Me" is the most concise segment, over in a scant 10 minutes, as Sahara Knite (misspelled Night in the superimposed credit) takes on the redoubtable Mr. Foot Long named Sensi, and repeatedly deep throats him with impressive ease. By my reckoning this counts as IR content, matching her Indian ancestry with Sensi's African roots.
Finale of the feature proper is titled "Cock Tale", perhaps because this four-way swap-fest has so many tight closeups of a pair of huge cocks rending two redoubtable heroines: superstar Claudia Rossi and the always sexy Euro Porn goddess Sharka Blue. Besides the big dick of Jay R., we get a pleasant surprise of Scandinavian import Samson Biceps, billed simply as Samson, on loan from Mike Beck for whom he was the resident Black stud in so many of the Swedish pornographers fun turn of the century XXX features from the land of Bergman and Widerberg. It's the only time I've seen him on loan-out away from the icy north, and usually eagle-eyed IMDb credit mavens can be forgiven for not matching him up to the role (I had to fix the credit listing just now).