Dying God (2008)

Director:

Fabrice Lambot

Writers:

Nicanor Loreti (screenplay)
Germán Val (screenplay)
(more)

Release Date:

2008 (Argentina)

Genre:

Horror

Tagline:

The hunt begins

Plot:

In a dark and decadent city, Sean Fallon - a corrupt cop - will have to face his own demons to put an...

Cast

Luciana Aguirre	...	Raped woman
Samuel Arena	...	Duncan
Louis Ballester	...	Nicky
Gabriela Cóceres	...	Steffie
Agathe de La Boulaye	...	Angel
Iván Espeche	...	Ray
Hugo Halbrich	...	Bennell
Lance Henriksen	...	Chance
James Horan	...	Sean Fallon
Brad Krupsaw	...	Gallagher
Enrique Liporace	...	Angelo
Victoria Maurette	...	Ingrid
Misty Mundae	...	Mary (as Erin Brown)
Pablo Padilla	...	Unknown man
Kevin Schiele	...	Charlie
Mariana Seligmann	...	Camila
Maxime Seugé	...	Nano
Nicolás Silvert	...	Kurupi Monster (as Nicolás Silbert)

Directed by
Fabrice Lambot

Writing credits (in alphabetical order)
Uriel Barros		original story
Jean Depelley		screenplay
Fabrice Lambot		screenplay
Fabrice Lambot		story
Nicanor Loreti		screenplay
Matt Timm		translator
Germán Val		screenplay

Produced by
Uriel Barros	....	executive producer
Betty Chappe	....	associate producer
Fabrice Lambot	....	co-producer
Gabriela Lambot	....	associate producer
Jean-Pierre Putters	....	producer

Original Music by
Sup

Cinematography by
José María 'Pigu' Gómez		(director of photography)

Film Editing by
Guille Gatti

Casting by
Patricia Julia

Art Direction by
Catalina Oliva
Mariela Rípodas

Set Decoration by
Mariela Rípodas

Costume Design by
Victoría Giacani Markert

Makeup Department
Gonzalo Pasos	....	special makeup effects artist

Second Unit Director or Assistant Director
María Martelotti	....	assistant director

Sound Department
Gigi Chaves	....	foley artist
Pablo Gamberg	....	sound recordist
Martín Grignaschi	....	sound
Lucas Page	....	sound editor
Lucas Page	....	sound mixer
Guillermo Picco	....	boom operator

Special Effects by
Franco Burattini	....	weapon master
Gonzalo Pasos	....	special effects

Stunts
Soledad Aguirre	....	stunts
Sebastian Berlanga	....	stunts
Gonzalo Pasos	....	stunt coordinator

Camera and Electrical Department
José María 'Pigu' Gómez	....	camera operator
Alejandro Padín	....	electrician
Sebastián Tolosa	....	electrician

Editorial Department
Gonzalo Bernasconi	....	assistant editor

Thanks
Justin Humphreys	....	special thanks

Production Companies

• Metaluna Productions
• Buenos Aires Rojo Shocking (in association with)

Distributors

• Metaluna Productions (2007) (France) (theatrical)
• Green Apple Entertainment (2010) (USA) (DVD)
• Kam & Ronson Enterprise Co (2008) (Hong Kong) (DVD)
• Sunfilm Entertainment (2009) (Germany) (DVD)

Special Effects

• Studio FX

Also Known As:

"Final Spawn" - USA (DVD title)

MPAA:

Rated R for strong violence and gore, sexual content, nudity, language and brief drug use

Runtime:

France:85 min | Germany:85 min | USA:85 min

Country:

France | Argentina

Language:

English

Color:

Color

Aspect Ratio:

1.78 : 1

Sound Mix:

Dolby Digital

Certification:

Germany:18 | USA:R (certificate #46474)

Filming Locations:

Buenos Aires, Federal District, Argentina

Company:

Metaluna Productions

Goofs:

Continuity: When Sean Fallon returns from the hospital to his apartment and checks his messages, there is one message from "Mary" stating that she cleaned his apartment. This voice is not the same actress who was Mary earlier, which was Misty Mundae (Erin Brown). The voice in this message has a very strong accent and is not Misty's American voice.

Poorly acted, cliché ridden worthless rubbish.

If you started off with the premise that you could make one of the worst films ever whilst talking to a group of ten year old school kids, and then wrote a script together with them that contained no original dialogue, a plot that was predictable in every way possible and then cast a bunch of incompetent actors (Even Henriksen is bad in this one!), mix it together with an absurd blend of clichés and some bare breasts, then this is what you would probably end up with.

Some films are so bad that they're good fun. The trash aesthetic and all that, but this one is just trash. Rubbish. Truly and utterly awful.

The only thing that kept me watching was the vague hope that it couldn't get any worse. But at least it didn't disappoint in that respect.

The score was good. And there you have the one and only redeeming factor for this execrably bad, fetid piece of tripe.

Cheers, Will