A group of eternally young fighter pilots known as Kildren experience the sudden loss of innocence as they battle the enemy in astonishing dogfights above the clouds.
In a future world, young people are increasingly becoming addicted to an illegal (and potentially deadly) battle simulation game called Avalon. When Ash, a star player, hears of rumors that... See full summary »
Director:
Mamoru Oshii
Stars:
Malgorzata Foremniak,
Wladyslaw Kowalski,
Jerzy Gudejko
In a world where clone soldiers from three military tribes are locked in a perpetual battle of air, land and technology, one clone is separated from the battle and finds herself on the run with a group of unlikely companions.
Director:
Mamoru Oshii
Stars:
Mélanie St-Pierre,
Kevin Durand,
Lance Henriksen
A group of eternally young fighter pilots known as Kildren experience the sudden loss of innocence as they battle the enemy in astonishing dogfights above the clouds.
SPOILER: After the end credits, a new pilot lands at the airbase and introduces himself to Kusanagi in her office. The scene is almost identical to the opening scene but we do not see the pilot's face. See more »
I know not everybody appreciates the parsimonious style and deep subjects which have the films directed by Mamoru Oshii,but I am delighted by the existence of a filmmaker who always offers us scenes of an amazing visual beauty and exciting action,but which are always endorsed by fascinating ideas.I think there is not any other contemporary director who combines the tools from modern cinema with philosophical monologues,metaphysical fantasies and analysis of subjects like,for example,the conscience or the soul.In summary,Oshii is not afraid of making unaccessible films for the casual spectator.With every new movie,Oshii seems to be more far away from the "normal" narrative,because from the humor and action from the saga Patlabor,he went to showing spiritual reflections in Ghost in the Shell; then,he criticized the ontological reality in Avalon; after that,he analysed the reality of the existence in Ghost in the Shell : Innocence; and now,he makes a study of the function and limits of memory in the construction of human identity in The Sky Crawlers,which may be his least obtained film to the moment,but it is still very interesting.The plot summary from this film may make it seem as it is focused on the causes and consequences of the war conflict it portrays.But reality is not like that.In spite of showing us some excellent scenes of air combat,the authentic melodrama from this movie is on the earth,pushed by laconic conversations and monologues which slowly and precisely show us an ambiguous image of the function of war,the fighters' identities and the curious condition which avoids them of growing older.But,as in Oshii's previous films,there are not easy answers or simple solutions to the questions raised by the characters,so the movie leaves the spectator the homework of taking out conclusions.I think that's the best element from this movie.As I said before,the sequences of air combat are excellent,because they certainly produce impact.The ending is ambiguous but it is satisfactory,because it closes the movie on a solid way.However,there are some fails on this movie.On a few moments,it gets a little bit tiring and there are other moments which feel pretentious.There are a few other fails,but they are minor.I liked The Sky Crawlers pretty much,but I do not know if I can recommend it to everyone.I found it very interesting but I am sure other people may find it boring.I do not think it is a great movie,but I appreciated its narrative and emotional complexity very much.
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I know not everybody appreciates the parsimonious style and deep subjects which have the films directed by Mamoru Oshii,but I am delighted by the existence of a filmmaker who always offers us scenes of an amazing visual beauty and exciting action,but which are always endorsed by fascinating ideas.I think there is not any other contemporary director who combines the tools from modern cinema with philosophical monologues,metaphysical fantasies and analysis of subjects like,for example,the conscience or the soul.In summary,Oshii is not afraid of making unaccessible films for the casual spectator.With every new movie,Oshii seems to be more far away from the "normal" narrative,because from the humor and action from the saga Patlabor,he went to showing spiritual reflections in Ghost in the Shell; then,he criticized the ontological reality in Avalon; after that,he analysed the reality of the existence in Ghost in the Shell : Innocence; and now,he makes a study of the function and limits of memory in the construction of human identity in The Sky Crawlers,which may be his least obtained film to the moment,but it is still very interesting.The plot summary from this film may make it seem as it is focused on the causes and consequences of the war conflict it portrays.But reality is not like that.In spite of showing us some excellent scenes of air combat,the authentic melodrama from this movie is on the earth,pushed by laconic conversations and monologues which slowly and precisely show us an ambiguous image of the function of war,the fighters' identities and the curious condition which avoids them of growing older.But,as in Oshii's previous films,there are not easy answers or simple solutions to the questions raised by the characters,so the movie leaves the spectator the homework of taking out conclusions.I think that's the best element from this movie.As I said before,the sequences of air combat are excellent,because they certainly produce impact.The ending is ambiguous but it is satisfactory,because it closes the movie on a solid way.However,there are some fails on this movie.On a few moments,it gets a little bit tiring and there are other moments which feel pretentious.There are a few other fails,but they are minor.I liked The Sky Crawlers pretty much,but I do not know if I can recommend it to everyone.I found it very interesting but I am sure other people may find it boring.I do not think it is a great movie,but I appreciated its narrative and emotional complexity very much.