| Videos (see all 4) |
| Chico Buarque de Hollanda | ... | Himself | |
| Camané | ... | Himself | |
| Carlos do Carmo | ... | Himself | |
| Lila Downs | ... | Herself | |
| Toni Garrido | ... | Himself | |
| Lura | ... | Herself | |
| Alfredo Marceneiro | ... | Himself (archive footage) | |
| Mariza | ... | Herself | |
| Miguel Poveda | ... | Himself | |
| Amália Rodrigues | ... | Herself (archive footage) | |
| Argentina Santos | ... | Herself | |
| Ana Sofia Varela | ... | Herself | |
| Caetano Veloso | ... | Himself |
Directed by | |||
| Carlos Saura | |||
Writing credits(in alphabetical order) | ||
| Ivan Dias | ||
| Carlos Saura | ||
Produced by | |||
| Ivan Dias | .... | producer | |
| Luís Galvão Teles | .... | producer | |
| Antonio Saura | .... | producer | |
| José Velasco | .... | producer | |
Cinematography by | |||
| José Luis López-Linares | |||
| Eduardo Serra | |||
Film Editing by | |||
| Julia Juaniz | |||
Production Design by | |||
| Carlos Saura | |||
Makeup Department | |||
| Carolina Madera | .... | assistant makeup artist | |
Production Management | |||
| Leslie Calvo | .... | production manager | |
| Mariana Erijimovich | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Manuel Fernández Pinedo | .... | second assistant director | |
| Ângela Sequeira | .... | second assistant director | |
Sound Department | |||
| Daniel Bekerman | .... | sound | |
| Ricardo Viñas | .... | dolby sound consultant | |
Camera and Electrical Department | |||
| Pedro Cardeira | .... | first assistant camera | |
| João Tiago Costa | .... | camera operator | |
| Sonia Eguren | .... | second assistant camera | |
| Iana Ferreira | .... | first assistant camera | |
| Ramiro Sabell hijo | .... | video assist | |
| Miguel Sales Lopes | .... | camera operator | |
| Jesús Villafáñez | .... | gaffer (as Jesús Villafáñez González) | |
Casting Department | |||
| Raúl Pérez Pacheco | .... | extras casting | |
| Ángela Martín Suárez-Infiesta | .... | extras casting | |
Editorial Department | |||
| Miguel P. Gilaberte | .... | digital intermediate colorist | |
| Margarida Leitão | .... | additional editor | |
| Carolina Martínez Urbina | .... | assistant editor | |
Other crew | |||
| Aarón Arce Pozueta | .... | administrative assistant | |
| Israel García Fernández | .... | systems administrator | |
| Mariana Koenders | .... | production coordinator | |
| Curro Muñoz | .... | main and end titles | |
| Recent Posts (updated daily) | User |
|---|---|
| I hope this to be great! | vhs7 |
| Saura masterpiece again... | pywalkye2 |
| Soundtrack ? | ideasputtowork |
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| Camané As Gravações de Sempre de Mim | Lissabon Wuppertal Lisboa | Arte Xávega - O Chamamento do Mar | Batuque, l'âme d'un peuple | Belarmino |
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IMDb User Rating: |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb Portugal section |
this film is insulting. Fado is amazing music to be savored with a glass of wine or beer in a casa de fado or bar, it is not ballet or modern dance music. Saura had to extend his flamenco ideas (flamenco can be music and dance) to fado which apparently he doesn't understand and underestimates. It is just ridiculous having lovely svelte bodies twirling around with this music, some of which, in fact, is poorly chosen. Sorry, I love Chico and Caetano, but really, in a fado film? Give me a break. I've been to fado joints up and down the length of Portugal and 90 minutes in any single one of those was better than this nearly insufferable travesty. Also, in the version I watched, the song titles were displayed, but not the artists' names. Huh? Too bad he couldn't have thought this through a bit better. Has Saura ever been to Lisbon??????