| Uma Thurman | ... | Elsa Quinn | |
| Jonathan Pryce | ... | Victor Quinn | |
| Paddy Considine | ... | Paul Peplow | |
| Sara Powell | ... | Maxine | |
| Veronica Quilligan | ... | Finnoula | |
| rest of cast listed alphabetically: | |||
| Mat Curtis | ... | AA Member (uncredited) | |
| Neg Dupree | ... | Frank (uncredited) | |
| Helen Mallon | ... | Alley Girl (uncredited) | |
| Lisa McDonald | ... | Lady in Toilet (uncredited) | |
| Olivia Poulet | ... | Girl (uncredited) | |
Directed by | |||
| Anthony Page | |||
Writing credits(in alphabetical order) | ||
| David Hare | play and screenplay | |
Produced by | |||
| Jenne Casarotto | .... | executive producer | |
| Frank Doelger | .... | producer | |
| Fleur Fontaine | .... | associate producer | |
| Robert Fox | .... | executive producer | |
| Lee Morris | .... | producer | |
| Tracey Scoffield | .... | producer | |
| Jonathan Stern | .... | line producer | |
Original Music by | |||
| Simon Boswell | (music by) | ||
Cinematography by | |||
| Brian Tufano | (director of photography) | ||
Film Editing by | |||
| John Scott | |||
Casting by | |||
| Nina Gold | |||
Production Design by | |||
| Luciana Arrighi | |||
Art Direction by | |||
| Tony Woollard | |||
Set Decoration by | |||
| Joanne Woollard | |||
Costume Design by | |||
| Jane Robinson | |||
Production Management | |||
| Phil Brown | .... | post-production supervisor | |
| Mark L. Mitchell | .... | post production executive | |
| Monique Mussell | .... | production manager | |
| Bobby Prince | .... | unit manager | |
Art Department | |||
| Catherine Byrne | .... | stand-by art director | |
| David Cheesman | .... | property master | |
| Harriet Orman | .... | production buyer | |
Sound Department | |||
| Alistair Crocker | .... | production sound mixer | |
| Nick Foley | .... | adr mixer | |
| James Harbour | .... | daily sound mixer | |
| James Harbour | .... | sound maintenance | |
| Hugo Jeffreys | .... | adr recordist | |
| Chips Paul | .... | foley editor | |
| Adrian Rhodes | .... | sound re-recording mixer | |
| Rob Saunders | .... | sound assistant | |
| Peter Gleaves | .... | adr mixer (uncredited) | |
| Chris Gurney | .... | daily boom operator (uncredited) | |
| Christopher Wilson | .... | assistant sound re-recording mixer (uncredited) | |
Special Effects by | |||
| Thomas M. Horton | .... | visual effects executive producer | |
Visual Effects by | |||
| Kris Anderson | .... | digital compositor | |
| Phil Ashton | .... | digital colourist | |
| Steven Bray | .... | digital compositor | |
| Richard Graham | .... | visual effects producer | |
| Charlotte Gray | .... | digital restoration artist | |
| Stephanie C. Kelly | .... | digital compositor | |
| Rick Leach | .... | digital compositor | |
| Joe Pavlo | .... | lead digital artist | |
| Natalie Stopford | .... | visual effects line producer | |
| Ben Turner | .... | digital compositor | |
| Audrius Urbonavicius | .... | digital matte artist | |
Camera and Electrical Department | |||
| Alex Crowe | .... | grip assistant | |
| Camilla Drennan | .... | additional clapper loader | |
| Brian Fawcett | .... | electrician | |
| James Foster | .... | second assistant camera | |
| Jonathan Harvey | .... | director of photography: second unit | |
| Jem Morton | .... | key grip | |
| Gary Nolan | .... | gaffer | |
| Jennie Paddon | .... | first assistant camera | |
| James Perry | .... | central loader | |
| Ang Richards | .... | second assistant camera: dailies | |
| Mike Scott | .... | Steadicam operator | |
| Mike Scott | .... | camera operator: "a" camera | |
| Martyn Welland | .... | best boy | |
Casting Department | |||
| Robert Sterne | .... | casting assistant | |
| Rose Wicksteed | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Anna Bingemann | .... | additional costumes | |
| Amy Brown | .... | costume assistant | |
| Joseph La Corte | .... | costumer to Ms. Thurman | |
| Ann Maskrey | .... | costume supervisor | |
Editorial Department | |||
| Alex Anstey | .... | first assistant editor | |
| Matthew Benns | .... | digital intermediate data manager | |
| Paul Ensby | .... | digital color timer | |
| Bejhan Kalantar | .... | post-production coordinator | |
| Todd Kleparski | .... | digital intermediate producer | |
| Lisa-Anne Morris | .... | first assistant editor | |
Music Department | |||
| Terry Davies | .... | conductor | |
| Terry Davies | .... | orchestrator | |
| Graham Sutton | .... | music editor | |
Transportation Department | |||
| Stephen Lawrence | .... | driver: Paddy Considine | |
| Lol Smith | .... | driver: cast | |
Other crew | |||
| Annie Barclay | .... | assistant production coordinator | |
| Matt Curtis | .... | title designer | |
| Emily Hobbs | .... | production assistant | |
| Joel Holmes | .... | location manager | |
| Tim Monich | .... | dialect coach | |
| Billy Pegg | .... | location assistant | |
| Penelope Robinson | .... | production accountant | |
| Jayne Spooner | .... | script supervisor (2008) | |
| Camilla Stephenson | .... | location manager | |
| Neil Ferris | .... | floor runner: additional photography:reshoots (uncredited) | |
| Justin Wolfe | .... | assistant to producer (uncredited) | |
| Recent Posts (updated daily) | User |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
This film is about a psychological tug of war between a rich guy and two recovering alcoholics.
The first half of the film is just plain dialogs between people who do not even have any body gestures. To make matters worse, the scenes were shot with a statically positioned camera. The dialogs are probably meant to be sharp, crisp and challenging, but they turn out to be dull, repetitive and pretentious. Furthermore, the whole plot is so monotonous, pointless and narrow. It only repetitively talks about Paul's desire to stay abstinent despite Victor's challenges. And why did Victor challenge Paul in the first place? The filmmakers should have at least spend a little effort on character development.
"My Zinc Bed" is a huge waste of time.