A comedy from an original script by Michael Maren, about a failed Brooklyn writer, Nathan Fisher, played by Bryan Greenberg, who visits his ailing parents in Florida. His mother (Lavin) has... See full summary »
Kathleen Rose Perkins
People say to me, "You're so lucky. You had faith." But Stalin had faith. Hitler had faith. Would it be wonderful to believe in the virgin birth? I don't think so. Or that trees speak to you? Wouldn't that just mean you were mad? Faith's not valuable, not in itself. It's what you have faith in that matters.
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Three-hander about the nature of addictive obsession
A quiet but tense piece, definitely not for those who hope for blatant excitement, being more a study of characters, each in his/her own privately nightmarish situation. Essentially a three-hander between Pryce, Considine and Thurman, all of whom turn in excellent performances of a solid script with many well observed turns of phrase and personality. Main weakness is how it dwells, for around 70 minutes, on alcoholic addiction to the exclusion of most else; but, if you know that going in, maybe you can handle it. Conversion from stage to screen works okay.
FWIW, the end credits show it as co-production of BBC and HBO.
12 of 16 people found this review helpful.
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