A drama based on the true story of Melvin B. Tolson, a professor at Wiley College Texas. In 1935, he inspired students to form the school's first debate team, which went on to challenge Harvard in the national championship.
A working mother puts herself through law school in an effort to represent her brother, who has been wrongfully convicted of murder and has exhausted his chances to appeal his conviction through public defenders.
Bertram Pincus is a man whose people skills leave much to be desired. When Pincus dies unexpectedly, but is miraculously revived after seven minutes, he wakes up to discover that he now has the annoying ability to see ghosts.
Ray is a 30 something engineer obsessed with Gundam toys. He has a motto not to become close to anyone. During his mother's funeral he showed no emotions. His life is further turned upside ... See full summary »
The story of the country-western singer Hank Williams, who in his brief life created one of the greatest bodies of work in American music. The film chronicles his rise to fame and its tragic effect on his health and personal life.
Across the Canadian prairies, the lives of an unsuspecting group of people are about to change in ways they could never imagine. When it's all over, twelve lost and damaged souls will have ... See full summary »
Based on the true story of college professor and part-time inventor Robert Kearns' long battle with the U.S. automobile industry, Flash of Genius tells the tale of one man whose fight to receive recognition for his ingenuity would come at a heavy price. But this determined engineer refused to be silenced, and he took on the corporate titans in a battle that nobody thought he could win. The Kearns were a typical 1960s Detroit family, trying to live their version of the American Dream. Local university professor Bob married teacher Phyllis and, by their mid-thirties, had six kids who brought them a hectic but satisfying Midwestern existence. When Bob invents a device that would eventually be used by every car in the world, the Kearns think they have struck gold. But their aspirations are dashed after the auto giants who embraced Bob's creation unceremoniously shunned the man who invented it. Ignored, threatened and then buried in years of litigation, Bob is haunted by what was done to ... Written by
Early on Robert, as a "professor of mechanical engineering", said a pause in the wiper couldn't be done mechanically. But it can - if he knew how a clock works, a cog and clutch make up the escapement to intermittently drive the hands by a mainspring at even tension. His electronic design, however, had two fewer dragging parts to wear down. See more »
Whatever happened to this little thing called justice we talked about?
This is justice, Bob. This is how justice is dispensed in this country - with checkbooks. There are no brass bands, you know, there are no ticker tape parades, the mayor doesn't give you the key to the city and call you a hero. You get a check, and that check makes the lives of you and your family a little easier... a little more pleasant. It's that simple.
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There's a typo in the end credits, listing Bill Smitrovich as 'Bill Smitrovitch', although his name is spelled correctly in the main cast credits. See more »
Just imagine over 30 years ago inventing something as useful as the intermittent windshield wiper, a device everyone uses when it rains. Now that's immortality for inventor Bob Kearns, professor and engineer.
What is more astonishing is he was almost forgotten after the Ford Motor Company usurped the design and promoted it as its own. The dramatic tension is Kearns' fight for recognition involving years of personal and familial losses. The two moments of inspiration, the "flash of genius," one a personal eye injury and the other driving in the driving rain, are dramatically satisfying if not downright underplayed (appealing to my minimalist sensibilities).
The film is exciting when Kearns is developing the device with those design inspiration moments fleshed out and the partnering with Ford slowly materializing. The film slows down as if in a school zone when at least a third of the Kearns' time is spent struggling with wife Phyllis Kearns (Lauren Graham) over the cost to them in time and trauma to go after Ford. The dutiful wife suffering the ambitious husband has been played in American cinema and theater too much to be fresh, no different here. The scenes with family, especially his wife, evoke my usual response: All right, already, I get the point. Now get on to the good stuff.
Similarly, Kinnear plays Kearns so low key as to be soporific. Although I don't doubt Kearns was an introverted geek, a dramatic rendition would have enlivened the character without compromising his essence.
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