Directed by | |||
| Gregory Dark | |||
Writing credits(in alphabetical order) | ||
| Robert Dean Klein | writer | |
Produced by | |||
| Sharlotte Blake | .... | producer | |
| Gregory Dark | .... | producer | |
| Robert Dean Klein | .... | co-producer | |
| David B. Kravis | .... | executive producer | |
| Margo Kravis | .... | producer | |
| Shana Landsburg | .... | co-producer | |
| Matthew Modine | .... | executive producer | |
| Pennie Leigh Orcutt | .... | assistant producer | |
| James R. Rosenthal | .... | line producer | |
Cinematography by | |||
| Gavin Kelly | |||
Film Editing by | |||
| Bob Mori | |||
| David Moritz | |||
Casting by | |||
| Rebecca Gushin | |||
Production Design by | |||
| Travis Zariwny | |||
Art Direction by | |||
| Kent Daniels | |||
Costume Design by | |||
| Mary Cheung | |||
Makeup Department | |||
| Arpine Dadrian | .... | makeup artist | |
| James Lacey | .... | assistant makeup artist | |
| Natalia Senina | .... | key makeup artist | |
Production Management | |||
| Josh Holden Hume | .... | unit production manager | |
Art Department | |||
| Jonathan Buchanan | .... | property master | |
| Liza Chenault | .... | assistant art director | |
| Eric Hull | .... | weapon specialist | |
| J. Zachary Smith | .... | on-set dresser | |
Sound Department | |||
| Aaron Grice | .... | boom operator | |
| Mickey McMullen | .... | sound mixer | |
| Andrew Spence | .... | sound designer | |
| Andrew Spence | .... | sound re-recording mixer | |
| Bryan Watkins | .... | dialogue editor | |
| Bryan Watkins | .... | m&e re-recording mixer | |
Stunts | |||
| Jeff Danoff | .... | stunts | |
| Adam Hart | .... | stunt double | |
| Paul Lacovara | .... | stunt performer | |
| Cole S. McKay | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Joseph Arena | .... | Steadicam operator | |
| Marco Bercasio | .... | grip | |
| Tom Burruss | .... | still photographer | |
| Ben Chananie | .... | grip | |
| Traci Chappell | .... | second assistant camera | |
| Jose Elias Felix | .... | grip | |
| Brian Garbellini | .... | camera operator: additional photography, second unit | |
| Brian Garbellini | .... | director of photography: second unit | |
| Chris Garlington | .... | best boy grip | |
| Jimmy Hammond | .... | second assistant camera | |
| Tom Howard | .... | key grip | |
| Nick Huizing | .... | electrician | |
| Luke Kalteux | .... | electrician | |
| Daron Keet | .... | first assistant camera | |
| Michael Kowalczyk | .... | second assistant camera | |
| Tom Morash | .... | best boy electric | |
| Tom Morash | .... | lighting board operator | |
| Roger Peterson | .... | grip | |
| Sonoko Shimoyama | .... | gaffer: second unit | |
| David E. Thomas Jr. | .... | first assistant camera: second unit pick ups | |
| Nick Tully | .... | grip | |
| Sergio Villegas | .... | gaffer | |
| Rick Taylor | .... | first assistant camera (uncredited) | |
Casting Department | |||
| Carmen Betancourt | .... | extras casting | |
Costume and Wardrobe Department | |||
| Naomi P. Cruz | .... | wardrobe intern | |
| Angela M. Eads | .... | costume assistant | |
| Sarah Fleming | .... | assistant costume designer | |
| Erica D. Schwartz | .... | wardrobe supervisor | |
| Mary Beth Sterling | .... | set costumer | |
Editorial Department | |||
| Diana Fishman | .... | assistant editor | |
| Daniel R. Padgett | .... | assistant editor (as Dan Padgett) | |
| Robb Sullivan | .... | additional editor | |
| Vincent E. Toto | .... | colorist | |
Transportation Department | |||
| Dale Lee | .... | transportation captain | |
Other crew | |||
| Elena Chernock | .... | production assistant | |
| Bobby Jauregui | .... | production assistant | |
| Ryan Kennedy | .... | key set production assistant | |
| Andrew Kravis | .... | production assistant | |
| Sylvia Sether | .... | production assistant | |
| James Singleton | .... | production assistant | |
| Jerry Urbina | .... | set intern | |
| Justin Wineburgh | .... | legal counsel | |
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| Blood In, Blood Out | Lone Star State of Mind | Starsky & Hutch | Intermission | One Night at McCool's |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
Yes, this film jumped on the ZG bandwagon and that's probably the only reason anyone honestly watched this film. It's also the only reason anyone got to see an interesting idea get completely butchered by terrible writing and equally awful directing. Perhaps it's because the budget was so low, perhaps its because the writers and director were simply talentless. The concept, without spoiling it for you (but really, don't bother) is a discussion of violence and what is evil, what is addiction, and what is human nature. Interesting, right? Yeah. Toss in some relatively talented and interesting actors and its all up to the writing and directing to bring this film together. Those two cogs fail miserably, and we're left with a film that features a superb ZG doing what he does best for about fifteen minutes. After that, you're left to fumble around the film on your own. Good luck, but don't bother. This film was a failure. A good idea, but poorly executed.