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Directed by | |||
| Miguel Sapochnik | |||
Writing credits(WGA) | ||
| Eric Garcia | (screenplay) & | |
| Garrett Lerner | (screenplay) | |
| Eric Garcia | (novel "The Repossession Mambo") | |
Produced by | |||
| Andrew Z. Davis | .... | executive producer | |
| Mike Drake | .... | executive producer | |
| Jon Mone | .... | executive producer | |
| Miguel Sapochnik | .... | executive producer | |
| Scott Stuber | .... | producer | |
Original Music by | |||
| Marco Beltrami | |||
Cinematography by | |||
| Enrique Chediak | |||
Film Editing by | |||
| Richard Francis-Bruce | |||
Casting by | |||
| Mindy Marin | |||
Production Design by | |||
| David Sandefur | |||
Art Direction by | |||
| Dan Yarhi | |||
Set Decoration by | |||
| Clive Thomasson | |||
Costume Design by | |||
| Caroline Harris | |||
Makeup Department | |||
| Andy Clement | .... | special makeup effects designer/creator | |
| David Monzingo | .... | special makeup effects artist | |
| Donald Mowat | .... | makeup department head | |
| Lancel Reyes | .... | shop effects supervisor | |
| Chad Washam | .... | special makeup effects technician | |
Production Management | |||
| Karyn McCarthy | .... | unit production manager: Islamorada | |
| Steve Wakefield | .... | unit production manager | |
| Sean T. Stratton | .... | post-production supervisor (uncredited) | |
Second Unit Director or Assistant Director | |||
| Adam Bocknek | .... | third assistant director | |
| Richard Cowan | .... | first assistant director | |
| Stephen P. Del Prete | .... | second assistant director: Florida | |
| Jonnie Katz | .... | assistant director (crowd scenes) | |
| Travis McConnell | .... | trainee assistant director | |
| Joanna Moore | .... | second assistant director | |
| Patrick Murphy | .... | third assistant director | |
Art Department | |||
| Darleen Abbott | .... | construction accountant | |
| Joseph Bower | .... | assistant head scenic | |
| Lorne Chaitov | .... | art production assistant | |
| Jody Lynn Clement | .... | second assistant art director | |
| Brian Cranstone | .... | carpenter | |
| J.P. Dame | .... | set dresser | |
| Bill Harman | .... | construction coordinator | |
| Ron Hewitt | .... | property master | |
| Michael Huschka | .... | assistant property master | |
| Michael Anthony Jackson | .... | storyboard artist | |
| Walter Klassen | .... | specialty props | |
| William Koon | .... | assistant key scenic | |
| Ray Lai | .... | concept artist | |
| Ray Lai | .... | graphic illustrator | |
| Rob McCallum | .... | concept artist | |
| Peter Müller | .... | greens | |
| Vince Peets | .... | storyboard artist | |
| Sorin Popescu | .... | assistant art director | |
| Reet Puhm | .... | key scenic artist | |
| Corinna Schmitt-Porsia | .... | assistant art director | |
| Jaclyn Shoub | .... | set decoration buyer | |
| Mark Steel | .... | set dresser | |
| Shawn Thomas | .... | graphic designer | |
| Michael Vanderteems | .... | key greensman | |
| Meredith Woodley | .... | trainee assistant art director | |
| Taku Dazai | .... | specialty props (uncredited) | |
Special Effects by | |||
| Stephanie Appleby | .... | special effects crew | |
| Warren Appleby | .... | special effects coordinator | |
| Ryan Banfield | .... | mold maker | |
| Tim Barraball | .... | special effects key | |
| Jason Board | .... | special effects rigging key | |
| Fiona MacPherson | .... | special effects shop coordinator | |
| Philippe Maurais | .... | special effects technician | |
| Larry Odien | .... | mechanical effects supervisor: Creative Character | |
| Cameron Patterson | .... | special effects technician | |
| David Reaume | .... | special effects technician | |
| Brodie Spaull | .... | special effects technician | |
Visual Effects by | |||
| Adnan Ahmed | .... | visual effects coordinator | |
| Mathieu Archambault | .... | digital compositor: Mr. X Inc | |
| Ioan Balcosi | .... | compositor | |
| Sarah Barber | .... | visual effects coordinator: Mr. X Inc. | |
| Barb Benoit | .... | digital compositor | |
| Dennis Berardi | .... | senior visual effects producer: MR. X Inc. | |
| Harshal Bhujbal | .... | digital compositor | |
| Kristy Blackwell | .... | visual effects artist | |
| Jeremy Boissinot | .... | matte painting td: Rodeo FX | |
| Mathew Borrett | .... | matte painter | |
| Jean-Christophe Boue | .... | digital compositor: Mr. X | |
| Branden Bratuhin | .... | visual effects editor | |
| Ayo Burgess | .... | lighting technical director: Mr. X Inc. | |
| Craig Calvert | .... | CG Supervisor: Mr. X | |
| Zac Campbell | .... | compositor | |
| Jeff Capogreco | .... | digital artist | |
| Dan Carnegie | .... | tracking supervisor: Mr. X Inc. | |
| Kris Carson | .... | digital compositor: Mr. X, Inc. | |
| Andy Chan | .... | visual effects compositor: Mr. X Inc. | |
| Erik Charlebois | .... | visual effects artist: Mr. X | |
| Richard Chiu | .... | digital compositor | |
| Ovidiu Cinazan | .... | compositor | |
| Patrick Clancey | .... | digital opticals | |
| Tommaso Corona | .... | digital compositor | |
| Roberto D'Ippolito | .... | digital compositor (as D'Ippolito Roberto) | |
| Simon Devault | .... | digital compositor: Rodeo FX | |
| Jeremy Dineen | .... | visual effects animator: Mr. X Inc | |
| Laura Dittmann | .... | visual effects production assistant | |
| Anand Dorairaj | .... | digital compositor | |
| Amélie Dubois | .... | digital compositor | |
| Danny Duchesneau | .... | compositor | |
| Mike Duffy | .... | flame artist: Mr X Inc. | |
| Shaiju Ep | .... | digital compositor | |
| Gustavo Fernandes | .... | lighting td | |
| David Fix | .... | senior systems administrator: Mr. X Inc | |
| Tommy Gervais | .... | visual effects production assistant | |
| Andrei Gheorghiu | .... | digital compositor | |
| Mohamed Ghouse | .... | digital compositor | |
| Matt Glover | .... | visual effects production assistant | |
| Jason Gougeon | .... | digital artist: Mr. X Inc. | |
| Roopesh Gujar | .... | visual effects production manager: Anibrain | |
| Anna Joukova | .... | digital compositor: Tantrum Visual Effects and Design | |
| Sushil Kalyanshetti | .... | visual effects artist | |
| Dushyant Kashyap | .... | digital effects artist | |
| Mike Kwan | .... | digital compositor: Mr. X Inc. | |
| Raphael Lacoste | .... | digital matte artist | |
| Eric Lacroix | .... | digital artist | |
| Isabelle Langlois | .... | digital effects producer: Mr. X Inc. | |
| Mai-Ling Lee | .... | digital artist | |
| Jackson Li | .... | digital artist | |
| Nitin Mahajan | .... | digital compositor | |
| Philippe Majdalani | .... | digital intermediate assistant producer | |
| Elliot Mallon | .... | digital artist | |
| Ken McCuen | .... | concept artist | |
| Claire McLachlan | .... | digital compositor: Mr. X Inc. | |
| Sarah McMurdo | .... | visual effects producer: Mr. X Inc. | |
| Jaideep Mohan | .... | digital compositor | |
| Jesh Murthy | .... | visual effects: Anibrain | |
| Jessica Nolet | .... | digital artist | |
| Pete O'Connell | .... | visual effects artist | |
| Christophe Pacaud | .... | digital compositor | |
| Hojin Park | .... | digital compositor | |
| Rob Phillips | .... | visual effects production assistant | |
| Vincent Poitras | .... | flame compositor: RodeoFX | |
| Sebastien Proulx | .... | digital compositor | |
| Kevin Quatman | .... | compositor | |
| Matt Ralph | .... | digital artist | |
| Mathieu Raynault | .... | digital matte painter/supervisor: RodeoFX | |
| Vishal Rustgi | .... | digital compositor | |
| Paul Saint-Hilaire | .... | digital compositor nuke | |
| Mag Sarnowska | .... | digital compositor | |
| James Schermerhorn | .... | visual effects editor | |
| Matt Schofield | .... | matte painter | |
| Jerry Seguin | .... | digital compositor | |
| Carolyn Shelby | .... | digital compositor | |
| Safia Siad | .... | visual effects production assistant | |
| Ben Simons | .... | senior technical supervisor: MrX Inc. | |
| Gavin Soares | .... | animator | |
| Gavin Soares | .... | lead pre-viz artist | |
| Laurent Spillemaecker | .... | Flame artist: RodeoFX | |
| Frederic St-Arnaud | .... | digital matte artist | |
| Bridget M. Taylor | .... | senior compositor: Mr. X | |
| Abu Thahir | .... | digital compositor | |
| David Thompson | .... | digital compositor | |
| Benoit Touchette | .... | operations manager: Rodeo FX | |
| Armando Velazquez | .... | digital compositor | |
| Aaron Weintraub | .... | visual effects supervisor: Mr. X Inc. | |
| Clement Yip | .... | animator | |
| Gwen Zhang | .... | compositor: Mr. X Inc. | |
| Bhushan Humbe | .... | digital compositor (uncredited) | |
| Pankaj Sonawane | .... | digital compositor (uncredited) | |
Animation Department | |||
| Saxena Abhishek | .... | animator | |
Casting Department | |||
| Deirdre Bowen | .... | casting: Canada | |
| Zameret Kleiman | .... | extras casting | |
| Terry L. Lamfers | .... | casting executive | |
| Kara Lipson | .... | casting associate | |
| Meagan Lopez | .... | casting assistant | |
| Christopher Richards | .... | casting assistant: Canada | |
| Carlos Rojas | .... | extras casting | |
Costume and Wardrobe Department | |||
| Trysha Bakker | .... | assistant costume designer | |
| Katherine Burchill | .... | costume supervisor | |
| Karen Eppstadt | .... | key wardrobe breakdown artist | |
| Ritta Koleva | .... | chief costume maker | |
| Richard Krough | .... | costume supervisor | |
| Leonie Reid | .... | costume buyer | |
| Carol Wong | .... | costume buyer | |
Editorial Department | |||
| Clare Bambrough | .... | assistant editor | |
| Toby Francis-Bruce | .... | assistant editor | |
| Yvan Lucas | .... | colorist: Efilm | |
| Jennifer Mangan | .... | assistant editor (as Jennifer Spenelli) | |
| Robert Mead | .... | additional editor | |
| John Potter | .... | digital preview colorist | |
| Tom Reiser | .... | colorist assist: Efilm | |
| Mary Beth Smith | .... | negative cutter | |
| Dawn M. Stoliar | .... | assistant editor | |
| Michael Struk | .... | assistant editor | |
| Jordan Wood | .... | dailies assistant editor | |
| Chisako Yokoyama | .... | supervising effects editor | |
| Gilbert Carreras | .... | color timer (uncredited) | |
Music Department | |||
| Pete Anthony | .... | conductor | |
| Pete Anthony | .... | orchestrator | |
| William Boston | .... | orchestrator | |
| Tim Davies | .... | orchestrator | |
| Steve Durkee | .... | music editor | |
| Rossano Galante | .... | orchestrator | |
| Vicki Hiatt | .... | music editor | |
| iZLER | .... | composer: additional music | |
| John Kurlander | .... | music recording engineer | |
| John Kurlander | .... | score mixer | |
| Kathy Nelson | .... | music supervisor | |
| Dana Niu | .... | orchestrator | |
| Victor Pesavento | .... | music preparation | |
| Bryan Pezzone | .... | musician: piano | |
| Peter Rotter | .... | orchestra contractor | |
| Steven L. Smith | .... | music preparation | |
| Del Spiva | .... | music editor | |
| Ceiri Torjussen | .... | composer: additional music | |
| Marcus Trumpp | .... | composer: additional music | |
Transportation Department | |||
| Rudy Baccuchi | .... | transportation co-captain | |
| Jon Bergholz | .... | transportation captain: Florida | |
| Lee Bryan | .... | picture car coordinator | |
| Aleck Duncan | .... | principal cast driver: Forest Whitaker | |
| Stuart Hughes | .... | transportation captain | |
| William 'Mac' Maquez | .... | driver | |
| Jason McCormack | .... | driver: honeywagon | |
| Jennifer Mccormack | .... | driver: second honeywagon | |
| John Mourtzis | .... | picture car wrangler | |
| William L. Tataryn | .... | exclusive driver: Alicia Braga/Jude Law | |
| Grant Volkers | .... | transportation coordinator | |
Thanks | |||
| Pietro Scalia | .... | special thanks | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
Movies like Repo Men are those that take interesting, even fascinating, premises and butcher them to the point of disfigurement; a bland cookie- cutter version of how the plot could have unravelled. In addition to the obvious plot arc that can easily be surmised from the trailers, any good will built up over the running time is similarly bastardized by a horrendous final twist that is not only nonsensical but cheap. This reveal is not only blatantly alluded to early on but even for those who did not pick up on it will not be surprised by the finale. In yet another paint-by-numbers dystopian future where highly advanced artificial organs are now a reality, we follow two repo men by the names of Remy (Jude Law) and Jake (Forest Whitaker) whose task it is to reclaim said organs from customers who have fallen behind on payments. They gleefully extract hearts, livers, kidneys, etc leaving their former customers on the wrong side of alive. Yet, after an on the job accident leaves Remy himself with an 'artiforg', as they are called, and subsequently is unable to make payments he goes on the run. With the help of a woman who is nearly all 'fake' so to speak (it is eye-rolling developments like this that make up Repo Men) he tries to bring down his former employer with Jake hot on his trail. Thank goodness at the center of it all we get three solid performances from Jude Law and Forest Whitaker as the titular repo men, and Liev Schreiber as their morally defunct boss. Without this trio to ground the movie in some realm of watchability this could have been an unmitigated disaster instead of just a near-disaster. The gore is ample in Repo Men but it appears in all the wrong places. Instead of using the violent repossessions as tentpole instances of shock, they pepper the story with such frequency, everything becomes white-washed (or should I say red- washed) and muted in effectiveness. I will admit, there are some well choreographed, badass action sequences but they can do little to lift the remaining material. Even with these kinetic bursts, the characters at the center are all so unlikable, whether they live or die becomes moot. Are we truly supposed to root for a murderer just because he had a moral epiphany and who in addition cheats on his wife after she condemns his job and then proceeds to abandon her and his son? All this is loosely strung together by a bland and sporadic voice-over which serves no discernible purpose. There are so many unanswered questions floating around Repo Men. What has happened to lead up to this future? What is government like to give this company absolute power to slaughter countless people? And where is the money in selling organs to those who cannot pay anyways? It is questions like these and more that leave Repo Men a vapid and unmemorable vision of the future with little to say about much of anything.