Set in the near future when artificial organs can be bought on credit, it revolves around a man who struggles to make the payments on a heart he has purchased. He must therefore go on the run before said ticker is repossessed.
Set in a futuristic world where humans live in isolation and interact through surrogate robots, a cop is forced to leave his home for the first time in years in order to investigate the murders of others' surrogates.
In a future mind-controlling game, death row convicts are forced to battle in a 'Doom'-type environment. Convict Kable, controlled by Simon, a skilled teenage gamer, must survive thirty sessions in order to be set free. Or won't he?
In the year 2019, a plague has transformed almost every human into vampires. Faced with a dwindling blood supply, the fractured dominant race plots their survival; meanwhile, a researcher works with a covert band of vamps on a way to save humankind.
Lincoln Six Echo is just like everyone else - he's waiting to go to the Island, the only place left in the world to actually live a life. Thousands of people stay at a facility waiting to ... See full summary »
The wanted criminal Riddick arrives on a planet called Helion Prime, and finds himself up against an invading empire called the Necromongers, an army that plans to convert or kill all humans in the universe.
Veteran-turned-mercenary Toorop takes the high-risk job of escorting a woman from Russia to America. Little does he know that she is host to an organism that a cult wants to harvest in order to produce a genetically modified Messiah.
In the future humans have extended and improved our lives through highly sophisticated and expensive mechanical organs created by a company called "The Union". The dark side of these medical breakthroughs is that if you don't pay your bill, "The Union" sends its highly skilled repo men to take back its property... with no concern for your comfort or survival. Former soldier Remy is one of the best organ repo men in the business. But when he suffers a cardiac failure on the job, he awakens to find himself fitted with the company's top-of-the-line heart-replacement... as well as a hefty debt. But a side effect of the procedure is that his heart's no longer in the job. When he can't make the payments, The Union sends its toughest enforcer, Remy's former partner Jake, to track him down. Written by
To secure a product placement deal with Volkswagen, the production was required to feature one of their cars for 9 minutes. See more »
When they get on the subway train (TTC Bay Station) the car they enter is either a Hawker Siddeley(Urban Transportation Development Corporation) H5 or H6. After the first interior scene the car becomes a Bombardier Transportation's T1 for the rest of the scenes. See more »
Mr. Smythe's Date:
[Remy is about to reclaim Mr. Smythe's liver]
[hits hard Remy]
Mr. Smythe's Date:
Don't you fucking touch me!
No need for violence, Miss!
[she tries to hit him again, but Remy shoots her]
See more »
An advertisement screen for The Union appears at the end of the closing credits. See more »
5446 Was My Number
Written by Toots Hibbert (as Frederick Hibbert)
Performed by Toots & The Maytals (as The Maytals)
Courtesy of Sanctuary Records Group
Under license from Universal Music Enterprises See more »
Movies like Repo Men are those that take interesting, even fascinating, premises and butcher them to the point of disfigurement; a bland cookie- cutter version of how the plot could have unravelled. In addition to the obvious plot arc that can easily be surmised from the trailers, any good will built up over the running time is similarly bastardized by a horrendous final twist that is not only nonsensical but cheap. This reveal is not only blatantly alluded to early on but even for those who did not pick up on it will not be surprised by the finale.
In yet another paint-by-numbers dystopian future where highly advanced artificial organs are now a reality, we follow two repo men by the names of Remy (Jude Law) and Jake (Forest Whitaker) whose task it is to reclaim said organs from customers who have fallen behind on payments. They gleefully extract hearts, livers, kidneys, etc leaving their former customers on the wrong side of alive. Yet, after an on the job accident leaves Remy himself with an 'artiforg', as they are called, and subsequently is unable to make payments he goes on the run. With the help of a woman who is nearly all 'fake' so to speak (it is eye-rolling developments like this that make up Repo Men) he tries to bring down his former employer with Jake hot on his trail.
Thank goodness at the center of it all we get three solid performances from Jude Law and Forest Whitaker as the titular repo men, and Liev Schreiber as their morally defunct boss. Without this trio to ground the movie in some realm of watchability this could have been an unmitigated disaster instead of just a near-disaster. The gore is ample in Repo Men but it appears in all the wrong places. Instead of using the violent repossessions as tentpole instances of shock, they pepper the story with such frequency, everything becomes white-washed (or should I say red- washed) and muted in effectiveness.
I will admit, there are some well choreographed, badass action sequences but they can do little to lift the remaining material. Even with these kinetic bursts, the characters at the center are all so unlikable, whether they live or die becomes moot. Are we truly supposed to root for a murderer just because he had a moral epiphany and who in addition cheats on his wife after she condemns his job and then proceeds to abandon her and his son? All this is loosely strung together by a bland and sporadic voice-over which serves no discernible purpose.
There are so many unanswered questions floating around Repo Men. What has happened to lead up to this future? What is government like to give this company absolute power to slaughter countless people? And where is the money in selling organs to those who cannot pay anyways? It is questions like these and more that leave Repo Men a vapid and unmemorable vision of the future with little to say about much of anything.
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