Set in the near future when artificial organs can be bought on credit, it revolves around a man who struggles to make the payments on a heart he has purchased. He must therefore go on the run before said ticker is repossessed.
In the future humans have extended and improved our lives through highly sophisticated and expensive mechanical organs created by a company called "The Union". The dark side of these medical breakthroughs is that if you don't pay your bill, "The Union" sends its highly skilled repo men to take back its property... with no concern for your comfort or survival. Former soldier Remy is one of the best organ repo men in the business. But when he suffers a cardiac failure on the job, he awakens to find himself fitted with the company's top-of-the-line heart-replacement... as well as a hefty debt. But a side effect of the procedure is that his heart's no longer in the job. When he can't make the payments, The Union sends its toughest enforcer, Remy's former partner Jake, to track him down. Written by
Despite the fact that this was filmed with Hawk anamorphic lenses, "Filmed in Panavision" is listed in the end credits. See more »
Jake and Frank are denied access to the reclamation room because they lack an Artiforg to scan and are forced to scavenge one from a dead guard, despite being surrounded by dead Repo men who presumably had numerous reclaimed Artiforgs already in their possession. See more »
In the near future, a mega company called 'The Union' has sophisticated and expensive mechanical organs that can be bought on credit. When the customers can't pay, they bring in Repo Men. Remy (Jude Law) is one of those repo men. Jake (Forest Whitaker) is a fellow repo man and a brute. Remy has known Jake since childhood when Jake was a big bully. Frank (Liev Schreiber) is the cold hearted organ salesman. After a failed extraction with a faulty shocker, Remy is given an artificial heart. His wife kicks him out for still keeping the job. That's when he starts having difficulties with his job.
It's a fascinating sci-fi concept. The audience badly needs a reason to root for these characters. It takes way too long to get the story to where Remy becomes compelling. It could easily chop off a chunk from the first half to speed up the pacing. The visual style has a slight Blade Runner vibe added to today's Toronto. It's not the best mid-range movie with big budget aspirations. The effects are not up to the top levels, and the action could be better. So could the movie have been much better.
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