| Dennis Chan | ... | Ping | |
| Tim Chiou | ... | Yul | |
| Amy Smart | ... | Melissa |
Directed by | |||
| Eduardo Sánchez | |||
Writing credits(in alphabetical order) | ||
| Jamie Nash | story | |
| Eduardo Sánchez | story and screenplay | |
Produced by | |||
| Chen On Chu | .... | line producer: Hong Kong | |
| Matt Compton | .... | producer | |
| Robin Cowie | .... | producer | |
| Bob Eick | .... | executive producer | |
| Gregg Hale | .... | producer | |
| Ann Lu | .... | co-producer | |
Original Music by | |||
| Tony Cora | |||
| Kent Sparling | |||
Cinematography by | |||
| Wah-Chuen Lam | |||
Film Editing by | |||
| Michael Cronin | |||
| Johnny Rice | (co-editor) | ||
Casting by | |||
| Paul Palo | |||
| Linda Phillips-Palo | |||
Production Design by | |||
| Yuet-nam Lau | |||
Costume Design by | |||
| William Fung | |||
| Anna Roth | |||
Makeup Department | |||
| Mike Elizalde | .... | creature and makeup effects designer | |
| Cass McClure | .... | mud make up design: Spectral Motion | |
Production Management | |||
| On Lam | .... | assistant unit production manager: Hong Kong | |
Art Department | |||
| Rob Bigwood | .... | designer | |
| Klaus Heesch | .... | designer | |
| Dan Provost | .... | designer | |
| Andrew White | .... | set designer | |
Sound Department | |||
| Mark Berger | .... | sound re-recording mixer | |
| Brian Chumney | .... | supervising assistant sound editor | |
| Sean England | .... | foley mixer | |
| Judah Getz | .... | adr mixer | |
| Chris Gridley | .... | supervising assistant sound editor | |
| Samuel H. Hinckley | .... | sound editor | |
| Zach Martin | .... | sound mix technician | |
| Robert Shoup | .... | supervising sound editor | |
| Clint Smith | .... | sound mix technician | |
| Kent Sparling | .... | re-recording mixer | |
Special Effects by | |||
| Roland Blancaflor | .... | makeup effects technician | |
| Kevin Carter | .... | special effects contact lenses | |
| Mary Elizalde | .... | CFO: Spectral Motion Inc. | |
| Russell Lukich | .... | special effects | |
| Larry Odien | .... | makeup effects supervisor: Spectral Motion | |
| Brian Walsh | .... | production supervisor: Spectral Motion Inc | |
Visual Effects by | |||
| Kristen Branan | .... | head of production: Zoic Studios | |
Camera and Electrical Department | |||
| Joey Kan | .... | digital technician | |
Editorial Department | |||
| George Koran | .... | HD colorist | |
Other crew | |||
| Robin Myriah Hatcher | .... | production staff | |
| David Pollison | .... | acquisitions for Ghost House Underground | |
| Dan Karcher | .... | website producer (uncredited) | |
Thanks | |||
| Dan Karcher | .... | thanks | |
| Joe Nagy | .... | special thanks | |
| Ben Rock | .... | special thanks | |
| Linda Wang | .... | very special thanks | |
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| Dead End | They Wait | An American Haunting | Dreamcatcher | Stardust |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
In accordance with the Chinese Myth, on the full moon of the seventh lunar month, the gates of hell open and the spirits of the dead are freed to roam among the living.
Melissa (Amy Smart) and her husband Yul (Tim Chiou) are spending their honeymoon in the month of the ghosts in China, where they intend to visit his relatives. They participate in the Senwun (Ghost Festival) during the day, where they drink a lot of booze, and their driver Ping (Dennis Chan) heads to Anxian when the nights falls. A couple of hours later, Ping parks his car and tells that he is lost. He asks the couple to wait for him in his car while he asks for directions in a small village in the countryside. One hour later, Melissa and Yul decide to seek out Ping in the village, and they see the houses closed with live offering and the locals saying something in Cantonese. Yul does not understand what they are saying and the couple returns to the car and drive away trying to find the way back to the city. Sooner they meet a stranger, Wei, wounded on the road and Melissa decides to help the man. They are attacked by creepy creatures and they discover that the spirits of the dead are hunting the living. Melissa and Yul try to find a way to protect themselves and survive the hellish night.
"Seventh Moon" is a forgettable low-budget horror movie with a reasonable story and basically four characters only. Unfortunately the camera work is awful, with excessive use of closes and blurred while showing the fiends, maybe due to the limited budget for special effects. My vote is four.
Title (Brazil): "A Maldição da Sétima Lua" ("The Curse of the 7th Moon")