| Videos (see all 5) |
| Tammin Sursok | ... | Stacey | |
| Chris Jericho | ... | Levi | |
| Richard Christy | ... | Caleb | |
| Duane Whitaker | ... | Jeremiah | |
| Sunkrish Bala | ... | Sanjay | |
| Nick Richey | ... | Brian | |
| Alicia Lagano | ... | Melody | |
| Kevin Spirtas | ... | Preacher | |
| Christopher Michael White | ... | Jacob | |
| Alex Neustaedter | ... | Samuel | |
| Bianca Barnett | ... | Pig Bitch | |
| Paul Ford | ... | Old Dwarf | |
| Joe Koenig | ... | Pudge #1 | |
| James Koenig | ... | Pudge #2 | |
| Doris Rapp | ... | Waitress | |
| Shelby Janes | ... | Shelby | |
| Joicie Appell | ... | Mrs. Ruth | |
| Jackson Curtis | ... | Mute Boy | |
| Troy Dunkle | ... | Pin Head | |
| Ryan Shields | ... | Big Eye | |
| Mike Strain Jr. | ... | Smash Face | |
| Barry Curtis | ... | Split Lip | |
| Beth Graveman | ... | Bird Girl | |
| Kelly Ostrem | ... | Twin #1 | |
| Blair Ostrem | ... | Twin #2 | |
| rest of cast listed alphabetically: | |||
| Paige Aberasturi | ... | Revival Participant | |
| Ryan J. Murray | ... | Revival Participant | |
Directed by | |||
| Joe Anderson | |||
| Sean McEwen | |||
Writing credits(in alphabetical order) | ||
| Joe Anderson | writer | |
| Sean McEwen | writer | |
Produced by | |||
| Joe Anderson | .... | producer | |
| Barry Curtis | .... | co-producer | |
| Gary Curtis | .... | associate producer | |
| Tom Fulton | .... | executive producer | |
| Sean McEwen | .... | producer | |
| Rachelle Ryan | .... | producer | |
| Jason Stewart | .... | line producer | |
| Jason Stewart | .... | producer | |
Original Music by | |||
| Scott Rockenfield | |||
Cinematography by | |||
| René Jung | |||
Film Editing by | |||
| Dan O'Brien | |||
Casting by | |||
| Kimberly Foster-McCollum | (as Kimberly Lenae Foster) | ||
| Chuck McCollum | |||
Production Design by | |||
| Cat Cacciatore | |||
Art Direction by | |||
| Cat Cacciatore | |||
Costume Design by | |||
| A. Jeffrey Schoenberg | |||
Makeup Department | |||
| Jason Barnett | .... | special makeup effects supervisor: Industrial Monsters & Props | |
| Colleen May | .... | makeup department head | |
| Michelle White | .... | makeup artist | |
Production Management | |||
| Amanda Starr DeMille | .... | production staff | |
| Eric M. Klein | .... | post-production manager | |
| Mia Morale | .... | production supervisor | |
| Chris Smith | .... | unit production manager | |
Art Department | |||
| Beth Graveman | .... | scenic artist | |
| Keri Losche Noerrlinger | .... | scenic artist | |
| Thom Sciacca | .... | scenic artist | |
| Flynn Thomas Smith | .... | on-set dresser (as Flynn Smith) | |
| Tim Stephens | .... | property master | |
Sound Department | |||
| Reza Moosavi | .... | boom operator | |
| Reza Moosavi | .... | sound mixer | |
| Reza Moosavi | .... | sound recordist | |
| Jamey Scott | .... | sound designer | |
| Jamey Scott | .... | sound re-recording mixer | |
| Jamey Scott | .... | supervising sound editor | |
Special Effects by | |||
| Bianca Barnett | .... | special effects assistant | |
| Kevin Carter | .... | special effects contact lenses | |
| Ryan Cooke | .... | dental technician: Industrial Monsters & Props | |
| Andie Donnelly | .... | painter: Industrial Monsters & Props | |
| Bill Fesh | .... | blood effects technician: Industrial Monsters & Props | |
| Jack Firman | .... | moldmaker: Industrial Monsters & Props | |
| Megan Flagg | .... | moldmaker: Industrial Monsters & Props | |
| Jim Kundig | .... | animatronic designer: Industrial Monsters & Props | |
| Greg Polutanovich | .... | sculptor: Industrial Monsters & Props | |
| Robert Scot | .... | pyrotechnician: Fantasy Creations FX | |
| Mike Strain Jr. | .... | pyrotechnician: Fantasy Creations FX | |
| Mike Strain Jr. | .... | special effects technician: Fantasy Creations FX | |
| Erick de la Vega | .... | painter: Industrial Monsters & Props | |
| Mark Viniello | .... | foam lab supervisor: Industrial Monsters & Props | |
| Chris Walker | .... | creature conceptual designer: Industrial Monsters & Props | |
| Lynne Watson | .... | hair technician: Industrial Monsters & Props | |
Visual Effects by | |||
| Bret Bolton | .... | visual effects supervisor | |
| Gerry R. Kissell | .... | grip | |
Stunts | |||
| Bianca Barnett | .... | stunt performer | |
| Tom Graveman | .... | precision driver | |
| Ryan Shields | .... | stunt coordinator | |
| Ryan Shields | .... | stunt performer | |
| Mike Strain Jr. | .... | stunt rigger | |
Camera and Electrical Department | |||
| Kelsey Amara | .... | best boy electric | |
| Jon Breitkreutz | .... | key grip | |
| Ry Brown | .... | second assistant camera | |
| Hanuman Brown-Eagle | .... | gaffer | |
| Robert P. Campbell | .... | electrician | |
| Jason Cantu | .... | jib operator | |
| Collin Martin | .... | first assistant camera | |
| Morgan Miller | .... | still photographer | |
| Tony Ontiveros | .... | swing grip | |
| Dave Rutherford | .... | Steadicam operator | |
| Taylor Sloan | .... | grip | |
| Derek Smith | .... | videographer: behind the scenes | |
| Michael Stoecker | .... | key grip | |
| Chris Turner | .... | best boy grip | |
Costume and Wardrobe Department | |||
| Deb Keeney | .... | wardrobe assistant | |
| Deborah Keeney | .... | costume assistant | |
| Ivy Thaide | .... | costume assistant | |
Editorial Department | |||
| Dan Kuba | .... | post-production coordinator | |
| Adam Sonnenfeld | .... | assistant editor | |
Music Department | |||
| Reza Moosavi | .... | composer: additional music | |
Transportation Department | |||
| Tim Schau | .... | transportation captain | |
Other crew | |||
| Jason Barnett | .... | technical director | |
| Timothy C. Burns | .... | combined continuity script | |
| Amanda Starr DeMille | .... | production staff | |
| Kevin Hindley | .... | script clearance | |
| Kristen Kent | .... | script supervisor | |
| Bobby McGee | .... | production coordinator | |
| Cody Meehan | .... | production assistant | |
| Tana Miller | .... | craft service | |
| Nico Monetti | .... | production assistant | |
| Adam Sonnenfeld | .... | video and computer playback operator | |
| Thomas H. Vidal | .... | production legal | |
| Lacy Whitman | .... | second production coordinator | |
Thanks | |||
| Michael Baumgarten | .... | thanks | |
| Andrea Sporcic | .... | thanks | |
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| Hellementary: An Education in Death | The School in the Woods | The Dead Don't Scream | Death Valley: The Revenge of Bloody Bill | Box Elder |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
What could've been a very crafty and very intelligent piece of horror turns into a very formulaic and very familiar piece of the slasher film genre we see far too much of. Albino Farm's premise is interesting, but the execution is very poor, and we can see the movie struggle to maintain its short eighty-five minutes by delaying action until around forty minutes in.
Albino Farm takes forever to get going, and when it does, you only wish it had more to offer. The film focuses on four teenagers (Sursok Lagano, Richey, and Bala) who venture out to document the Ozark Mountains for a school project. When the duo get a flat, they head out to a gas station with a strange, unsettling owner who warns them to turn back. One of the dumbest, cockiest, lame-brained teenagers in recent memory convince the gang to travel up to see what the hype is about.
They stumble across the town of Shiloh, which looks like a ghost-town. They learn that many of the town folk fear a legend called "Albino Farm." The teens split up with two going in search of the farm, and two going in search of a church. After doing the genius thing of getting picked up by a hick and two identical twins, they are taken out and abandoned at the Albino Farm. Let the horror movie clichés, jokes, antics, and chase scenes begin.
I believe this film is based off of the legend of a group of College students adventuring around the Ozark Mountains and never returning home. Either this is the legend itself, or a followup to it. Whatever it is, it is poorly executed.
Low budget horror films can't be critiqued by their budget. What you have it what you have, and I believe I shouldn't penalize the producers, directors, etc for working with what they had. I can respect that. But so much is done poorly. In order to believe the characters, you have to throw logic out the window. What makes you want to venture out to the deep part of the Ozarks in the first place? Curiosity kills the cat, and when you stumble upon creepy woods, it's likely to kill you as well.
The sound editing is messy. One point there is dead silence, the next moment the bass almost blows your speakers followed up by very dim talking. Your remote may need to be in your hands at all times for this. Not to mention, the pitch dark lighting may call for a brightness tune up. What a temperamental film. You need to pretty much modify everything on your TV to be satisfied while watching Albino Farm.
This also seems to be influenced by every redneck-slasher film on the market today. Throw three great horror films like The Hills Have Eyes, The Texas Chainsaw Massacre, and Wrong Turn in a blender and it'll spit out this mediocre horror flick. Creativity is here, but the execution is like a dog on a leash fighting to inch itself closer to its desired destination while the owner is tugging back. Imagine the producers as the owner, the movie itself as the dog, and the destination being "typical redneck film schlock." There's a metaphor that will sum this up.
The makeup effects is where this film starts to redeem itself in quality. The effects on the creatures are realistic, but then the film wants to add some digital effects on some of the people. You can pretty much do that on any free editing system, and do it a lot better. Not being a Mac user, I still am sure this can be done one way or another on the Photo-booth program that comes free with the computer. They can do that, but they can't add some sort of effect to brighten up the scenery.
I can tell the crew were serious about making this film like the legend or something close to it. They didn't fall on their neck as much as they fell on their face in their attempts with this. Albino Farm, still, could've been great b-movie horror. What we have here, is just lazy editing and a lazy script ripping off so much of every other movie in its genre. It's a copy of a copy.
Starring: Chris Jericho, Richard Christy, Tammin Sursok, Duane Whitaker, Alicia Lagano, Nick Richey, and Sunkrish Bala. Directed by: Joe Anderson and Sean McEwen.