In order to power the city, monsters have to scare children so that they scream. However, the children are toxic to the monsters, and after a child gets through, 2 monsters realize things may not be what they think.
The toys are mistakenly delivered to a day-care center instead of the attic right before Andy leaves for college, and it's up to Woody to convince the other toys that they weren't abandoned and to return home.
Carl Fredricksen as a boy wanted to explore South America and find the forbidden Paradise Falls. About 64 years later he gets to begin his journey along with a Boy Scout named Russel with help from 500 balloons. On their journey they discover many new friends including a talking dog and Carl and Russel figure out that someone evil plans. Carl soon realizes that this evildoer is his childhood idol. Will they be able to defeat him and will they find Paradise Falls?
Russell's Wilderness Explorer sash has several in-jokes and tributes. The most obvious is a Luxo Jr. (1986) ball, which can also be seen on the floor of the room of a girl watching Carl's house float by. One badge has a hamburger with a candle in it. This is a nod to Merritt Bakery in Oakland - which creates cakes in that shape - a favorite hangout of director Pete Docter and producer Jonas Rivera. Another badge is a tribute to 2-D animation, showing a perforated paper that is used by 2D animators to line up their drawings correctly. He also has badges for First Aid and Second Aid, which may be a reference to a short on the Up website where Russell struggles to apply bandages to Carl. Yet another badge depicts a multicolored pinwheel - the "hang" icon of Apple's Mac OS X operating system Windows uses an hourglass icon). Several of the badges are shown in the credits. An additional tribute to Apple and Steve Jobs (former CEO of Pixar) shows Russell trying to teach Carl how to use a computer. The font used for the numbers on Carl's alarm clock is the "Chicago" font, one of the first fonts designed for the Macintosh. Steve Jobs, also spearheaded the original Macintosh project at Apple. See more »
The house's interior is actually quite larger than the exterior. In various scenes, it is shown that Carl and Ellie's chairs are placed in front of a bay window, which is not shown on the exterior of the home. It would have been located on the side opposite of the porch, but is not there. The only other bay window is at the front, where Carl stands to steer the house. See more »
Movietown News presents, "Spotlight on Adventure." What you are now witnessing is footage never before seen by civilized humanity: a lost world in South America. Lurking in the shadow of majestic Paradise Falls, it sports plants and animals undiscovered by science. Who would dare set foot on this inhospitable summit? Why, our subject today, Charles Muntz!
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The closing credits are presented as text typed in a scrapbook, with photographs and mementos taped onto the pages. See more »
UP, Pixar's latest animated feature, is just delightful. But how do you go about extolling the movie's virtues without giving away its surprises? Like the kid at the beginning of the movie, you don't try to conquer the immovable force; you work around it.
The one clue I can give away because it's the movie's heavily hyped premise is that Carl Fredrickson, a gruffy old widower (voiced with gruffy old charm by Ed Asner), miraculously inflates enough balloons to use his house as an aircraft. Soon, he finds himself reluctantly sharing his ride with a short-attention-spanned kid named Russell.
I'll also mention a couple of other items that can gauge your potential interest in the movie. One is a gag that is a take-off on a famous painting perhaps too inside of an inside joke, but typical of Pixar's cheery attempts to appeal to viewers of all ages.
Also, part of the plot involves Carl's long-held wish to meet a Lindbergh-type adventurer named Charles Muntz (Christopher Plummer!). This is another in-joke that's even vaguer than the first one. Cartoon historians know that Walt Disney started in the cartoon biz by creating Oswald the Rabbit for producer Charles Mintz, who then greedily stole the rights to Disney's creation. This gives you a pretty good idea where the ostensible hero Muntz stands in the scheme of things.
Beyond that, I can only offer you some enticing clues about the characters. There's a dog who's the leader of his pack and in menacing beyond measure, until he opens his mouth and gets one of the movie's biggest laughs. There's a huge, awkward bird that is a big laugh-getter at first. Then she becomes a real enough character that at least in the audience I was in when she's injured, she elicits screams of fright worthy of Bambi's late mother.
There's surprising, heartfelt emotion, vivid imagery (you can almost touch the landscapes and skies), and a music score by Michael Giacchino that's practically a character in the movie particularly in a thoughtful montage that takes Carl from childhood to widowhood.
There aren't many (or at least not enough) live-action movies that are engrossing as this cartoon. Pixar Studios has gotten to be one of those movie icons that shouldn't even have to deliver a premise to get funded anymore. The moneymen should just shut up, hand over the money, and trust they'll get a product that will appeal to everyone.
UP is only the second Pixar feature to get a PG rating, only for mildly intense imagery and action nothing off-color in the least. Again, if you can handle "Bambi," this film should be a breeze.
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