In order to power the city, monsters have to scare children so that they scream. However, the children are toxic to the monsters, and after a child gets through, two monsters realize things may not be what they think.
The toys are mistakenly delivered to a day-care center instead of the attic right before Andy leaves for college, and it's up to Woody to convince the other toys that they weren't abandoned and to return home.
When the newly crowned Queen Elsa accidentally uses her power to turn things into ice to curse her home in infinite winter, her sister, Anna, teams up with a mountain man, his playful reindeer, and a snowman to change the weather condition.
Carl Fredrickson is a little boy and a dreamer who idolizes the adventurer Charles Munts. When he meets Ellie, who also worships Munts, they become close friends. However Charles Munts falls into disgrace, accused of forging the skeleton of the monster of Paradise Falls. He travels in his blimp to South America to bring the monster back alive but is never seen again. Eventually Carl grows up and marries Ellie. They promise each other that they would travel together to Paradise Falls and build a house there. Many years later, Ellie dies and Carl, who's lonely, refuses to move from their house despite the offers of the owner of a construction company. When Carl accidentally hits a worker that damaged his mailbox, he is sentenced to move to a retirement home. However, he uses many balloons to float his house in order to travel to Paradise Falls. Adventure ensues. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The infomercial Carl watches on TV is a real infomercial. The ad was promoting a camera, but the advertiser accidentally mistook a picture of a butterfly as a picture of a horse. See more »
The door to the house has a different number of outside door knobs through out the film. The number varies from 3 to 4. See more »
Movietown News presents, "Spotlight on Adventure." What you are now witnessing is footage never before seen by civilized humanity: a lost world in South America. Lurking in the shadow of majestic Paradise Falls, it sports plants and animals undiscovered by science. Who would dare set foot on this inhospitable summit? Why, our subject today, Charles Muntz!
See more »
The closing credits are presented as text typed in a scrapbook, with photographs and mementos taped onto the pages. See more »
UP, Pixar's latest animated feature, is just delightful. But how do you go about extolling the movie's virtues without giving away its surprises? Like the kid at the beginning of the movie, you don't try to conquer the immovable force; you work around it.
The one clue I can give away because it's the movie's heavily hyped premise is that Carl Fredrickson, a gruffy old widower (voiced with gruffy old charm by Ed Asner), miraculously inflates enough balloons to use his house as an aircraft. Soon, he finds himself reluctantly sharing his ride with a short-attention-spanned kid named Russell.
I'll also mention a couple of other items that can gauge your potential interest in the movie. One is a gag that is a take-off on a famous painting perhaps too inside of an inside joke, but typical of Pixar's cheery attempts to appeal to viewers of all ages.
Also, part of the plot involves Carl's long-held wish to meet a Lindbergh-type adventurer named Charles Muntz (Christopher Plummer!). This is another in-joke that's even vaguer than the first one. Cartoon historians know that Walt Disney started in the cartoon biz by creating Oswald the Rabbit for producer Charles Mintz, who then greedily stole the rights to Disney's creation. This gives you a pretty good idea where the ostensible hero Muntz stands in the scheme of things.
Beyond that, I can only offer you some enticing clues about the characters. There's a dog who's the leader of his pack and in menacing beyond measure, until he opens his mouth and gets one of the movie's biggest laughs. There's a huge, awkward bird that is a big laugh-getter at first. Then she becomes a real enough character that at least in the audience I was in when she's injured, she elicits screams of fright worthy of Bambi's late mother.
There's surprising, heartfelt emotion, vivid imagery (you can almost touch the landscapes and skies), and a music score by Michael Giacchino that's practically a character in the movie particularly in a thoughtful montage that takes Carl from childhood to widowhood.
There aren't many (or at least not enough) live-action movies that are engrossing as this cartoon. Pixar Studios has gotten to be one of those movie icons that shouldn't even have to deliver a premise to get funded anymore. The moneymen should just shut up, hand over the money, and trust they'll get a product that will appeal to everyone.
UP is only the second Pixar feature to get a PG rating, only for mildly intense imagery and action nothing off-color in the least. Again, if you can handle "Bambi," this film should be a breeze.
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