Monsters generate their city's power by scaring children, but they are terribly afraid themselves of being contaminated by children, so when one enters Monstropolis, top scarer Sulley finds his world disrupted.
The toys are mistakenly delivered to a day-care center instead of the attic right before Andy leaves for college, and it's up to Woody to convince the other toys that they weren't abandoned and to return home.
A young Carl Fredrickson meets a young adventure-spirited girl named Ellie. They both dream of going to a lost land in South America. 70 years later, Ellie has died. Carl remembers the promise he made to her. Then, when he inadvertently hits a construction worker, he is forced to go to a retirement home. But before they can take him, he and his house fly away. However, he has a stowaway aboard: an 8-year-old boy named Russell, who's trying to get an Assisting the Elderly badge. Together, they embark on an adventure, where they encounter talking dogs, an evil villain and a rare bird named Kevin. Written by
The first Pixar film since Finding Nemo (2003) not to be presented in the 2.35:1 aspect ratio. See more »
Soon after the house is first launched and has clipped two TV aerials, an external shot of the house roof shows the weather vane rotating so the arrow is pointing south. This indicates the wind is blowing from south to north, and could not possibly take the house to South America. See more »
Movietown News presents, "Spotlight on Adventure." What you are now witnessing is footage never before seen by civilized humanity: a lost world in South America. Lurking in the shadow of majestic Paradise Falls, it sports plants and animals undiscovered by science. Who would dare set foot on this inhospitable summit? Why, our subject today, Charles Muntz!
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The photographs of characters shown during the end credits thematically match the crew members' positions, as do the "Wilderness Explorer" badges that also appear. See more »
This is another film in which it really helps to know in advance what it is, or more specifically, what it isn't. Then, you go from there. I enjoyed the animated film very much but, some of that was due to the fact a friend clued me in first, saying "this isn't really a comedy or a film for little kids. Don't expect a ton of laughs." So, instead of seeking laughs (although I still got them here and there), I just enjoyed the adventure story and marveled at the amazing artwork.
Seen on Blu-Ray, this is yet another example in which you shake your head and wonder, "How does the artwork get any better than this?" Then, about six months from now, another will come along and I'll say the same thing. Overall movies may not be better today than "in the old days," but there is no dispute there are two areas in which films keep getting better and better: special-effects and animation. This is another example of that.
The colors and the detail in here are almost beyond description. The artwork ranges from bold to subdued, but always stunning. I lost track how many times I wanted to just pause and admire the picture for a few minutes. From super-sharp closeups of the old man's face to lush jungle scenery, this high-definition disc is worth every penny/
Back to the story, I found it a combination adventure-fantasy-comedy-suspense-sentimental story, about in that order, too. Generally-speaking, I would think adults would like this more than kids, but I may be wrong. Everyone - regardless of age - will have their jaw drop more than once viewing the incredible-looking scenes. It's really a feast for the eyes. Finally, if you like extras, there are tons of them in the four-disc DVD set.
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