In order to power the city, monsters have to scare children so that they scream. However, the children are toxic to the monsters, and after a child gets through, two monsters realize things may not be what they think.
The toys are mistakenly delivered to a day-care center instead of the attic right before Andy leaves for college, and it's up to Woody to convince the other toys that they weren't abandoned and to return home.
Carl Fredricksen as a boy wanted to explore South America and find the forbidden Paradise Falls. About 64 years later he gets to begin his journey along with a Boy Scout named Russel with help from 500 balloons. On their journey they discover many new friends including a talking dog and Carl and Russel figure out that someone evil plans. Carl soon realizes that this evildoer is his childhood idol. Will they be able to defeat him and will they find Paradise Falls?
All characters are based upon circles and rectangles, except for the villains who are triangles. Not only are Carl and Ellie based on squares and circles, but objects around them are based on their shapes, like their chairs and picture frames. When they both appear in a photograph, the frame is both circle and square. See more »
According to the commentary, there are fewer balloons on the house (which are also larger than usual) in some shots of the house from far away. This was done to make the individual balloons stand out more from a distance. See more »
Movietown News presents, "Spotlight on Adventure." What you are now witnessing is footage never before seen by civilized humanity: a lost world in South America. Lurking in the shadow of majestic Paradise Falls, it sports plants and animals undiscovered by science. Who would dare set foot on this inhospitable summit? Why, our subject today, Charles Muntz!
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The closing credits are presented as text typed in a scrapbook, with photographs and mementos taped onto the pages. See more »
The opening film of this year's festival, and the first animated film ever to have this honour, Up is truly a film for all ages. The story of the adventures of an old man and a young boy, a flying house tethered to countless balloons, a long-lost (and mad) explorer, a giant bird called Kevin and assorted 'talking' dogs gets funnier and more exciting as it goes along.
This isn't slapstick humour, although there are some lovely visual gags, but deeper, more thoughtful. At times Up is even touching and poignant.
Visually, this is a treat and while I was sceptical about the use of 3D to begin with, it is built into the story so seamlessly that it really is worth the effort to seek it out. At the same time, I can't help feeling the 2D version could be even better because the 3D glasses had the effect of dimming the picture. The use of colour in the film is especially noteworthy, with various palettes used according to mood, character and phase of the story. Character voicing and music are also spot on.
I have no connection with Pixar, Disney or the film whatsoever, even if this review reads like a puff piece. The fact is, Up is an incredible piece of cinema, was a big hit with a very demanding press audience, and is worthy of your time and money.
Anyone who says animated films cannot amuse and entertain, while at the same time delivering any kind of emotion, does not know what they are talking about.
Up is so good I can now forgive Pixar for Cars!
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