By tying thousands of balloons to his home, 78-year-old Carl sets out to fulfill his lifelong dream to see the wilds of South America. Russell, a wilderness explorer 70 years younger, inadvertently becomes a stowaway.
Monsters generate their city's power by scaring children, but they are terribly afraid themselves of being contaminated by children, so when one enters Monstropolis, top scarer Sulley finds his world disrupted.
The toys are mistakenly delivered to a day-care center instead of the attic right before Andy leaves for college, and it's up to Woody to convince the other toys that they weren't abandoned and to return home.
In the middle of her family's move to the suburbs, a sullen 10-year-old girl wanders into a world ruled by gods, witches, and monsters; where humans are changed into animals; and a bathhouse for these creatures.
A young Carl Fredrickson meets a young adventure-spirited girl named Ellie. They both dream of going to a lost land in South America. 70 years later, Ellie has died. Carl remembers the promise he made to her. Then, when he inadvertently hits a construction worker, he is forced to go to a retirement home. But before they can take him, he and his house fly away. However, he has a stowaway aboard: an 8-year-old boy named Russell, who's trying to get an Assisting the Elderly badge. Together, they embark on an adventure, where they encounter talking dogs, an evil villain and a rare bird named Kevin. Written by
The villain Charles Muntz is named after Charles Mintz, the Universal Pictures executive who in 1928 stole Walt Disney's production rights to his highly-successful "Oswald the Lucky Rabbit" cartoon series. This led Walt Disney to create Mickey Mouse, who soon eclipsed Oswald in popularity. See more »
In the scene where Russell finds the lever to operate the house direction he moved it first towards right then to its left and again to its right and finally leaves it in the center and goes towards the window, but in the next shot its found positioning to its right. See more »
Movietown News presents, "Spotlight on Adventure." What you are now witnessing is footage never before seen by civilized humanity: a lost world in South America. Lurking in the shadow of majestic Paradise Falls, it sports plants and animals undiscovered by science. Who would dare set foot on this inhospitable summit? Why, our subject today, Charles Muntz!
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The closing credits are presented as text typed in a scrapbook, with photographs and mementos taped onto the pages. See more »
If there's a list of great computer animation movies of all time, Pixar would dominate most of the top positions. Great story, great voice talent, great timing, great for all ages. It'd be hard to pick just one above another and perhaps another viewing of Up may be in order to figure out where I'd place it among so much stellar work.
Up is by far the most emotional human drama of any Pixar movies thus far, very heavy, so much so if you're looking for pure fun with some jaw-dropping chase and/or thematic scenes and no downer moments, Up may not be for you. I saw it in a packed theatre of about a 65% adult, 35% adult split audience and it's the only time I can remember being in ANY animated movie where there was sniffles and watery eyes, and that was within the first 10 minutes of the movie. There's an undercurrent of life after losing a loved one in this movie, which I don't feel gives anything away. It's pretty heavy subject matter, Pixar handles it, like they do everything they touch, incredibly well, but it doesn't make it any less sad to have the material threaded throughout much of the movie you're reminded of it, but I suppose it's up to one's own interpretation of loss and how to place it in your life that perhaps will have an emotional effect on you.
Story is what makes a great movie great. Without story, you don't really have anything, maybe some effects, some action, maybe some cute or clever sight gags, maybe some laughs, hopefully some emotion, where Pixar shines above all others in animation and over a good 99% of the movies out there is they can intertwine it all and do it seemingly effortless, which is an incredible feat. To do this in a few movies is one thing, but Pixar has pretty much nailed this now for their entire career of making movies, that's just simply unprecedented.
I should note I saw the 3D version which, to be honest, didn't really take the movie to the next level. One of the more well known syndicated reviewers had said you're better off seeing the non-3D version on screen, and I actually agree. The 3D glasses added little to nothing to the movie except for an eye-strain headache later in the night. It didn't take away from Up mind you, it just didn't add to it either.
Up is a great movie either way you slice it and it should be noted, the theatre I saw it in gave it a fairly loud round of applause at the end. It's pretty rare these days that an audience applauds after a movie, perhaps we as a society has become too jaded, or too just expecting of the goods or feeling we're entitled to the entertainment. It's nice when a movie hits on all cylinders and elicits such a range and emotional reaction people who don't know each other in a packed room all gasp, laugh, cry, and applaud together. Great movies however can do that and Up is truly a great movie.
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