By tying thousands of balloons to his home, 78-year-old Carl sets out to fulfill his lifelong dream to see the wilds of South America. Russell, a wilderness explorer 70 years younger, inadvertently becomes a stowaway.
The toys are mistakenly delivered to a day-care center instead of the attic right before Andy leaves for college, and it's up to Woody to convince the other toys that they weren't abandoned and to return home.
Monsters generate their city's power by scaring children, but they are terribly afraid themselves of being contaminated by children, so when one enters Monstropolis, top scarer Sulley finds his world disrupted.
When his new father-in-law, King Harold falls ill, Shrek is looked at as the heir to the land of Far, Far Away. Not one to give up his beloved swamp, Shrek recruits his friends Donkey and Puss in Boots to install the rebellious Artie as the new king. Princess Fiona, however, rallies a band of royal girlfriends to fend off a coup d'etat by the jilted Prince Charming.
A young Carl Fredrickson meets a young adventure-spirited girl named Ellie. They both dream of going to a lost land in South America. 70 years later, Ellie has died. Carl remembers the promise he made to her. Then, when he inadvertently hits a construction worker, he is forced to go to a retirement home. But before they can take him, he and his house fly away. However, he has a stowaway aboard: an 8-year-old boy named Russell, who's trying to get an Assisting the Elderly badge. Together, they embark on an adventure, where they encounter talking dogs, an evil villain and a rare bird named Kevin. Written by
The villain Charles Muntz is named after Charles Mintz, the Universal Pictures executive who in 1928 stole Walt Disney's production rights to his highly-successful "Oswald the Lucky Rabbit" cartoon series. This led Walt Disney to create Mickey Mouse, who soon eclipsed Oswald in popularity. See more »
When they are flying and Russell speaks of the cumulonimbus cloud, Frederickson turns his hearing aid off by turning the knob forward. When the lightning strikes, he turns it back on... by turning the knob forward. See more »
Movietown News presents, "Spotlight on Adventure." What you are now witnessing is footage never before seen by civilized humanity: a lost world in South America. Lurking in the shadow of majestic Paradise Falls, it sports plants and animals undiscovered by science. Who would dare set foot on this inhospitable summit? Why, our subject today, Charles Muntz!
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The closing credits are presented as text typed in a scrapbook, with photographs and mementos taped onto the pages. See more »
UP, Pixar's latest animated feature, is just delightful. But how do you go about extolling the movie's virtues without giving away its surprises? Like the kid at the beginning of the movie, you don't try to conquer the immovable force; you work around it.
The one clue I can give away because it's the movie's heavily hyped premise is that Carl Fredrickson, a gruffy old widower (voiced with gruffy old charm by Ed Asner), miraculously inflates enough balloons to use his house as an aircraft. Soon, he finds himself reluctantly sharing his ride with a short-attention-spanned kid named Russell.
I'll also mention a couple of other items that can gauge your potential interest in the movie. One is a gag that is a take-off on a famous painting perhaps too inside of an inside joke, but typical of Pixar's cheery attempts to appeal to viewers of all ages.
Also, part of the plot involves Carl's long-held wish to meet a Lindbergh-type adventurer named Charles Muntz (Christopher Plummer!). This is another in-joke that's even vaguer than the first one. Cartoon historians know that Walt Disney started in the cartoon biz by creating Oswald the Rabbit for producer Charles Mintz, who then greedily stole the rights to Disney's creation. This gives you a pretty good idea where the ostensible hero Muntz stands in the scheme of things.
Beyond that, I can only offer you some enticing clues about the characters. There's a dog who's the leader of his pack and in menacing beyond measure, until he opens his mouth and gets one of the movie's biggest laughs. There's a huge, awkward bird that is a big laugh-getter at first. Then she becomes a real enough character that at least in the audience I was in when she's injured, she elicits screams of fright worthy of Bambi's late mother.
There's surprising, heartfelt emotion, vivid imagery (you can almost touch the landscapes and skies), and a music score by Michael Giacchino that's practically a character in the movie particularly in a thoughtful montage that takes Carl from childhood to widowhood.
There aren't many (or at least not enough) live-action movies that are engrossing as this cartoon. Pixar Studios has gotten to be one of those movie icons that shouldn't even have to deliver a premise to get funded anymore. The moneymen should just shut up, hand over the money, and trust they'll get a product that will appeal to everyone.
UP is only the second Pixar feature to get a PG rating, only for mildly intense imagery and action nothing off-color in the least. Again, if you can handle "Bambi," this film should be a breeze.
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